had watched it together at the vicarage: the tragicomic story of a young couple setting up a village bakery on the Welsh border in the 1960s when the supermarkets were starting to starve small shopkeepers out of business. Following through to the new millennium when the couple were played — and not badly, either — by the actors’ own parents and the village had turned into something like contemporary Ledwardine, the bakery now a twee delicatessen.
The movie was simple and charming and unpretentious, a rural elegy with Lol’s music seeping through it like a bloodstream, carrying the sense of change and loss and a kind of resilience.
Liam Brown was even worse than Lol at self-promotion, and they hadn’t known it had been released — in a limited way, on the art-house circuit — until it was in the papers that an obscure British independent film had picked up some debut-director award at Cannes. Then the
Change was coming. New Costwolds, new Lol.
They stopped on the edge of the cobbles, where they’d go their separate ways, Merrily to the vicarage, Lol to his terraced cottage in Church Street. When he took her hand, his felt cold.
‘Apparently, the next question they ask is, Is he still alive? Thinking maybe it’s a forgotten recording from the Sixties, by some contemporary of …’
‘Nick Drake?’
‘It should be him, Merrily. Not me.’
‘Lol, he’s dead. He died in 1974, after a mere five, six years of not being successful. You get to double that …
She pulled him under the oak-pillared village hall and — bugger it, if there were people watching, let them watch — clasped her hands in his hair and found his lips with her mouth and then unzipped her fleece and tucked one of his cold hands inside.
‘All this,’ she said, aware of the ambivalence, ‘is something overdue. Remember that.’
Trying to banish the image of the girl in the pub, showing him her implants out of a dress that must have cost something close to two weeks’ stipend.
Jane said, ‘You’re a soft touch, Mum. Always were. A doormat.’
‘Thanks.’
It was getting late, but it was Friday night and Merrily had lit a small log fire in the vicarage sitting room. The whole place was colder since they’d said goodbye to the oil-gobbling Aga. Which, while it had to be done, meant she wasn’t looking forward to winter.
‘And I don’t mean one of those rough, spiky doormats,’ Jane said.
‘You’ll
‘Jeez, if there’s anything worse than a trendy lesbian cleric in leathers with a vintage Harley between her legs … Like, maybe I could arrange to stay at Eirion’s …’
Jane’s voice dried up, and her face went blank. Eirion was away at university now, and she still hadn’t got used to that. OK, it was only Cardiff, and he came home to Abergavenny at weekends, but things, inevitably, had changed.
‘Ruth’s not a lesbian, Jane.’
‘Not a problem, anyway.’ Jane, on her knees on the hearthrug, stared into the desultory yellow flames. ‘I was thinking of giving girls a try for a while, actually.’
Shock tactic. Cry for help. Merrily pulled up an armchair.
‘He didn’t phone, then.’
‘Erm … no.’
‘How long?’
‘Ten days? No problem. I don’t think he was even able to get home last weekend, didn’t I mention that?’
‘No, but I kind of assumed that was why you suddenly had to work on your project.’
‘All that’s gone quiet, too. They may not even start the dig until the spring.’
‘Oh.’
Pity about that. Jane had been hyper for a while after her campaign to stall council plans for
‘He’ll call,’ Merrily said. ‘He’s Eirion.’
‘I don’t care if he calls or not.’
‘Yes, you do.’
‘Like, it’s very demanding, university life.’ Jane didn’t look at her. ‘Lots of guys you’re obliged to get smashed with. Lots of girls to assist with their essays and stuff.’
‘Eirion was never like that.’
‘He was never at university before.’
University. Further education. This could be the time to talk about it again. Just over six months from her A levels, Jane needed to start applying to universities … like now. But Jane wasn’t interested, because that was what
‘
‘We were naive in those days. Well … comparatively immature. Although I suppose every generation gets to say that.’
‘In which case I must be—’ Jane turned to her, moist-eyed, or was it the light? ‘I must be very seriously immature, then. Pushing eighteen and only the one real boyfriend? That’s not normal, Mum. That wasn’t even normal in your day. That’s, like, almost perverted?’
‘Well, actually, flower, I think it’s really quite—’ The phone rang then, offering her a timely get-out, which she felt compelled to ignore. ‘I’ll let the machine—’
‘No, you get it. Go on. You’ll only sit there worrying until you find an excuse to sneak off and play the message.’
Merrily nodded, got up.
‘It’s a doormat thing,’ Jane said sweetly to her back.
‘Thanks.’
She took the call in the scullery office, padding over the flags in the cold kitchen where no stove rumbled, scooping up the phone with one hand, switching on the desk lamp with the other.
‘Ledwardine Vic—’
‘Mrs Watkins, is it?’
‘Yes, it is.’
‘Adam Eastgate likely mentioned me.’
‘Oh … right. Mr …’
‘Barlow.’ Low-level local accent. ‘Felix.’
‘Right. I was going to call you tomorrow, actually, see if we could arrange to meet.’
‘Tomorrow would be all right for us, yes.’
‘At the house?’
Owls whooping it up in the orchard. Silence in the old black bakelite phone, the kind of phone that could really carry a silence.
‘The house at Garway?’ Merrily said.
‘No,’ Mr Barlow said. ‘I don’t think so.’
‘Any … particular reason?’
‘Well, see … person you need to talk to, more than me, is my plasterer. It’s my plasterer had the experience.’