An Expert in Murder

moderately praised by the critics and keenly welcomed by the audience, and his hopes for Queen of Scots, should he get the part, were high. He had known from the moment he met him that Terry was the future of theatre while Aubrey was the past. Always blessed with a remarkable nose for his own advantage, Swinburne had watched with interest the cooling of their part-nership, which – or so rumour had it – had been particularly tense of late. If a parting of the ways was on the horizon, he had decided very early on which horse he was going to back, and what his stage presence could not get him with Terry, he suspected his face could.

He was ten minutes late for his rendezvous, but there was no sign of Terry in the crowds that lined the long, curved bar. The Salisbury’s clientele was made up almost exclusively of actors, playwrights and the odd agent or two touting for talent, and a dramatic heritage of sorts could no doubt be traced through the various owners of the heavy pewter tankards that hung from the ceiling. Early evening was always one of the busiest times: as the half approached, glasses would be collectively drained and three-quarters of the trade would disperse to one stage or another, gradually drifting back in twos and threes to resume where they had left off. By last orders, the bar would be full again, triumphs mixing leisurely with disasters amid the warm fog of smoke and beer but, at this earlier hour, with the most important performance of the week still to come, the 114

atmosphere was one of nervy expectation. Swinburne bought a glass of beer and found room on the end of one of the hard, horse- hair settees that bordered the room, casually taking in the conversations that came and went around him. He counted seven copies of the evening paper lying around on the brass-topped tables and, for once, none of them were open at the situations vacant pages, but rather at the latest account of the King’s Cross killing. It never ceased to amaze him that the murder of a complete stranger could be so tirelessly fascinating to so many. What difference could the loss of some girl they had never met possibly make to the ponder-ous old man in the corner or the powdery-faced redhead behind the bar? Sensation might be the public face of grief, but Londoners were a fickle bunch: there’d be a new headline along tomorrow and the world would carry on as normal through it all.

As he finished his beer, still on his own, Swinburne began to worry that Terry had been and gone without waiting for him.

Perhaps he should go and look for him? If he walked straight to the New Theatre there was no chance of their missing each other, so he gave up his seat to a pretty but excessively grateful young girl who had spotted an agent she needed to charm at his table, and headed out. He arrived at stage door without encountering anyone he knew on the way, gave a cheery greeting to the chap on duty and went downstairs. Even before he reached Terry’s dressing room he could hear raised voices behind the closed door.

Carefully, he went a little nearer until he was close enough to make out the words beneath the anger. It was Lewis Fleming speaking –

there was no mistaking that dour northern bravado – and he listened intently, confident that both men were too absorbed in the row to think about leaving the room. No one in the business would have been surprised to find the actors at each other’s throats

– their mutual hatred was common knowledge in the West End –

but this particular exchange ran deeper than professional differences. Swinburne was loath to tear himself away but, by the time Fleming began to shout again, he had heard enough. He left as quietly as he had arrived, a faint smile playing on his lips.

*

115

Fleming waited until Terry was on his way out of the theatre before making his move. He was deathly tired, but the rain and the cool evening air that ran through St Martin’s Court refreshed him a little and helped to focus his thoughts. It was all for her, he reminded himself, fixing her image – well and happy, as she used to be and as she would be again – firmly in his mind’s eye so that by the time the familiar figure emerged from stage door and moved briskly, head down, towards St Martin’s Lane, he was ready. When he stepped defiantly in Terry’s path, that famously sensitive face looked up at him impatiently, then, at the realisation that he was not merely a clumsy passer-by, the impatience turned to anger.

Noticing, in spite of Terry’s defiance, that the anger was tinged with fear, Fleming felt a surge of power that sickened him to the stomach, but he continued nonetheless.

‘Isn’t there a little something you’ve been meaning to give me?’

he asked, refusing to let the other man pass. ‘It’s a couple of days late, but everyone deserves a second chance.’

Terry looked at him and then beyond him down the passage, as if weighing up his options. ‘I told you on the telephone: you’ve had all there is to have at the moment. You can threaten me as much as you like, but it’ll get you nowhere.’

‘You don’t think so?’ Fleming gestured towards the queue which was building steadily behind him. It was just a slight move of the hand but proved enough to break Terry’s resolve.

‘All right, but come back inside. I don’t want to discuss this here.’

The bile rose once more in Fleming’s throat as he followed his victim through the backstage area, where McCracken was checking that the dice were in their box ready for the opening scene, and downstairs to the dressing rooms. He thought of his wife again, this time in that narrow bed, fighting silently, and he drew on her strength as an antidote for the conscience which made him so weak. It would be all right, he told himself, she would understand why he was doing this and she would forgive him. Then, when she was well, they would think of a way to make reparation, to Terry at least; God, on the other hand, was a different matter altogether.

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As they reached his dressing-room door, Terry played for time by feigning difficulty with the lock. He really had no idea what to do, and the meeting that afternoon had left him without any hope of an immediate solution to his problems, without any easy way to make the sort of money he needed to get Fleming off his back.

He cursed Aubrey for his intransigence, but only because it was easier than blaming himself. His private life had always been a discreet matter – it would have been dangerous to allow it to be anything else and, anyway, it was of secondary importance – but he had believed himself to be safe in theatre circles, to be among if not like-minded people, at least tolerant ones. How foolish that now seemed! If Fleming did as he threatened to do, all he had worked for would be lost. He would have let everyone down – his family, his friends, the stage itself. Gossip and chatter would follow him everywhere until the worst was suspected of his most innocent friendships, until even he began to believe his behaviour to be wrong. He held Fleming in precious little esteem but he would be lying to himself if he said he was unaffected by the man’s evident loathing of all he was, so how would he feel when those he cared for turned away in disgust? When the police were brought in and he faced an exposure so public, so humiliating?

Since Fleming had made that first crude and unforeseen threat, his life had been a continuum of sleepless nights and days full of fear.