seemed almost deserted, the only noise coming from further down the car where staff were presumably preparing for the next journey. Looking down at the magazine, which now held two precious signatures, she smiled to herself and placed it carefully in the bag’s side pocket, thinking with excitement of the pleasure she would get from watching the next performance now that she knew two of the people involved.

As she buttoned the pocket securely and made sure this time that the rest of the bag was fastened, she heard a noise at the door behind her. Turning to explain to the guard that she had forgotten something and was just about to leave, she stared with recognition, then confusion, at a face which she had not expected to see on the train. Instinctively, before she had a chance to consider the strangeness of the moment, she took the gift that was held out to her with a smile and looked down at the doll in her hands, a souvenir of her beloved play and something she had longed to own.

When her companion took the ‘Do Not Disturb’ sign from its hook and hung it outside the door, then stepped quickly over to the window to pull down the blind, Elspeth opened her mouth to protest, but the words were too slow to save her.

An arm reached out towards her, drawing her into a deadly embrace which seemed to mock the physical affection she had so recently come to know. There was no time to scream. The hand that gripped the back of her neck, holding her close, was swift and sure, and by now no strength was needed. Surprise had given way to a paralysing horror and she had no more control over her limbs 15

than the doll which fell to the floor and lay staring upwards, an indifferent witness to her final moments. She tried to breathe normally, to stay calm, but her face was pressed into her assailant’s chest and panic welled up in her as she realised that this must surely be death. Please God, no, she thought, not now, not when I’m so happy.

When the lethal point punctured her skin, she felt nothing more than a sharp blow beneath her ribs but there was no chance to be thankful for the lack of pain, nor to wonder that her body should surrender itself with so little ceremony. In that briefest of moments, somewhere between waking and oblivion, between life and death, she was aware of all she would miss but the longing was soon over, replaced as she fell to her knees by a lasting, if pre- mature, peace.

16

Two

Detective Inspector Archie Penrose could never travel in the King’s Cross area without feeling instantly depressed. North London was the city at its most forbidding and, despite the widening of the streets, its most claustrophobic. He drove down an uninspiring thoroughfare bordered with drab houses, few of which had ever been decorated or even cleaned, and past the straggling shabbiness of Euston Station. Then there was King’s Cross itself; he always thought that the station’s facade – two main arches separated by a clock tower of dreadful yellow brick, turned black with the dirt of ages – looked more like the entrance to a gaol than the gateway to a capital. Certainly it did nothing to help a man on his way to a murder investigation.

A sizeable crowd had gathered at the head of Platform Eight, obscuring his view of the train in which the girl’s body had been discovered less than an hour ago by a young railway employee.

According to Penrose’s colleague, Sergeant Fallowfield, the boy was now in a state of shock. Fallowfield, who had been handling an incident round the corner in Judd Street when the call came in and was first on the scene, approached him now, pushing his way through the on-lookers with very little patience for their ghoulish curiosity.

‘You’d think they’d have something better to do on a Friday night, wouldn’t you, Sir? Bloody vultures, the lot of ’em.’

The comment was uncharacteristic of his sergeant, who usually had a more positive view of human nature despite years of experience to the contrary. Whatever he had seen on the train had clearly got to him. ‘Poor kid, she can’t be more than twenty,’ Fallowfield 17

said, as if reading his thoughts. ‘Hardly had a chance to start her life, let alone live it.’

‘Do we know who she is?’ Penrose asked.

‘Assuming it’s her bag in the carriage, her name’s Elspeth Simmons and she’s from Berwick-on-Tweed – at least, that’s where she got on the train, and it’s a return ticket. It’s a nasty one, this, Sir – as spiteful as anything I’ve seen. I reckon we’ve got a sick bastard on our hands.’

When he saw what awaited him in the sealed-off carriage, Penrose could only agree. The dead girl sat – or rather seemed to have been composed – on the middle of the three seats to the right of the compartment, an ornate and deadly hatpin protruding from under her breastbone. Her hands had been clasped together in front of her in a mockery of applause at the scene which someone had created for her benefit in the vacant space opposite. There, a pair of dolls – one male and one female – had been carefully arranged on the seat like actors on a stage. They stood together in a half embrace, and he noticed that the woman’s left hand – the one that bore her wedding ring – had been broken off and lay on its own in front of the couple like a sinister prop from a horror film. Close to them on the seat was a hand-written note on expensive-looking paper: ‘Lilies are more fashionable,’ it said, but the flower that lay on the floor was not a lily but an iris.

It was immediately obvious to him that this was not a random or spontaneous killing but a carefully thought- out, and probably deeply personal, act of violence. Not for a second did he think that the murderer wished to be quickly identified, but there could be little doubt that a message could be traced in every object that he – or she – had been so careful to leave on and around the body.

It was a crime that had required considerable nerve.

‘Were the blinds up or down when she was found?’ he asked.

‘Both down, Sir. The boy says he pulled that one up as soon as he came in.’

Even so, Penrose thought, the scene must have taken a few minutes to arrange once the murder had been committed, and that would mean a greater risk of discovery than most people could 18

countenance. That was the point, though: in a symbolic killing such as this, they were not dealing with the fears and doubts of a normal person but with the arrogance and sense of invulnerability that invariably accompanied evil.

‘And is this exactly how she was found?’

‘Yes, or so he says. Forrester’s his name and he’s obviously frightened out of his wits. Maybrick’s had the waiting room cleared and taken him there with a cup of tea. Poor little sod – I’m not surprised he’s scared: I wouldn’t have liked to walk in on something like this at his age. Those dolls are enough to put the wind up anybody, and they gave him a right start – as much as finding the body.’

Penrose turned to look at them. The dolls were each about a foot high and elaborately clothed in fringed cloaks and old-fashioned head-dresses. Intrigued, he moved slightly closer, marvelling at the detail with which the faces had been modelled, appearing perversely life-like in a place of death. ‘They’re not just any dolls, Bill. I wonder if

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