not surprised: New York City would certainly need a major decontamination center like this.
A scientist entered the waiting room, smiling and wearing a normal white lab coat. He was the first person they’d had contact with who was not in a radiation or hazmat suit. He was accompanied by a small, gloomy man in a dark suit whose size belied an air of command. Gideon recognized him immediately: Myron Dart, who had been deputy director of Los Alamos when Gideon first arrived at the lab. Dart had been appointed from Los Alamos to government service of some kind. Gideon hadn’t known him well, but Dart had always seemed competent and fair. Gideon wondered how he’d handle this emergency.
The cheerful scientist spoke first. “I’m Dr. Berk and you’re all now clean,” he said, beaming at them as if they had passed a final exam. “We’re going to have individual counseling, and then you’ll be free to resume your lives.”
“How bad was the exposure?” Hammersmith asked.
“Very minor. The counselor will discuss with each person his or her actual exposure readings. The hostage taker’s radiation exposure occurred elsewhere, not on site, and radiation exposure isn’t like the flu. You can’t catch it from someone else.”
Now Dart stepped forward. He was older than Gideon remembered, his face long and narrow, shoulders sloped. His dress was impeccable as usual: gray suit with an understated pinstripe, beautifully cut, the lavender silk tie giving him an incongruously fashionable look. He carried with him a quiet air of self-assurance. “My name is Dr. Myron Dart, and I’m commander of the Nuclear Emergency Support Team. There’s one very important thing I need to impress on all of you.” Dart placed his hands behind his back while his gray eyes perused the group, slowly and deliberately, as if he were about to speak to each person individually. “So far, the news that this was a radiological incident hasn’t leaked out. You can imagine the panic if it were to do so. Each and every one of you must keep absolutely quiet about what happened today. There are only two words you need to know:
He paused. “You will all be signing nondisclosure papers before your release. I’m afraid you won’t be released until you sign these papers. There are criminal and civil penalties for violating the terms of the nondisclosure, spelled out in the documents. I’m sorry, but this is the way it has to be, and I’m sure you’ll understand.”
Not a word was said. Dart himself had spoken mildly, but something about the very quietness of his voice told Gideon the guy wasn’t kidding.
“I apologize,” said Dart, “for the inconvenience and the scare. Fortunately, it appears the exposure for all of you was slight to none. I will now turn you over to the very competent hands of Dr. Berk. Good day.”
And he left.
The doctor consulted his clipboard. “Let’s see. We’re going to proceed alphabetically.” Now he was like a camp counselor. “Sergeant Adair and Officer Corley, please come with me?”
Gideon glanced around at the assembled group. The SWAT team member who had freaked out in the van was no longer with them, and he thought he could hear, faintly, somewhere in the bowels of that vast facility, the man screaming and threatening.
Suddenly the door opened and Myron Dart reentered, accompanied by Manuel Garza. Dart looked seriously put out. “Gideon Crew?” His eyes fastened on Gideon, and he fancied he saw recognition in those eyes.
Gideon rose.
Garza came over. “Let’s go.”
“But—”
“No discussion.”
Garza walked rapidly to the door, Gideon hurrying to keep up. As they passed Dart, the man looked at him with a cool smile. “You have interesting friends, Dr. Crew.”
9
During what promised to be a long crosstown ride to Little West 12th Street, in gridlock traffic, Garza said nothing, his eyes straight ahead, concentrating on driving. The nighttime streets of New York were their usual blaze of light, action, noise, and bustle. Gideon could feel the man’s dislike of him radiating from his face and body language. Gideon didn’t care. The silence let him prepare for what he was sure was going to be an unpleasant confrontation. He had a pretty good idea of what Glinn would want now.
When Gideon was twelve, he had witnessed his father gunned down by FBI snipers. His father had been a civilian cryptologist working for INSCOM, the United States Army Intelligence and Security Command, and had been involved with the group that developed codes. The Soviets broke one of those codes only four months after it was introduced, and twenty-six operatives and double agents had been rolled up in a single night, all tortured and killed. It was one of the worst intelligence disasters of the Cold War. They had said it was his father’s fault. His father had always suffered from depression, and under the pressure of the accusations and investigations he broke down, took a hostage, and was shot and killed in the doorway of Arlington Hall Station—after he had surrendered.
Gideon had witnessed the entire thing.
In the years following, Gideon’s life had gone off the rails. His mother began drinking. A succession of men came and went from the house. They moved from town to town, following one broken relationship or school expulsion after another. As his father’s money had dwindled, they lived in houses, then apartments, trailers, motel rooms, and boardinghouses. His strongest memory of his mother during those years was of her sitting at the kitchen table, glass of Chardonnay in her hand, cigarette smoke curling about her raddled face with its thousand- yard stare, Chopin’s Nocturnes playing in the background.
Gideon was an outsider and he developed a loner’s interests: math, music, art, and reading. One of their moves—he was seventeen at the time—had brought them to Laramie, Wyoming. One day, he’d gone into the local historical society and spent the day, killing time instead of going to school. Nobody would find him—who’d think of looking there? Occupying an old Victorian house, the historical society was a dusty warren of rooms with dark corners, packed with memorabilia and Western bric-a-brac—six-shooters that killed famous outlaws nobody had ever heard of; Indian artifacts; pioneer curios; rusty spurs; bowie knives; and a miscellany of paintings and drawings.
He found refuge in a room in the back where he could read. After a while his attention was attracted by a small woodblock print, one of many badly hung prints wedged uncomfortably along a wall. It was by an artist he had never heard of, Gustave Baumann, and it was called
The back room at the historical society became his refuge. They never figured out where he was. He could even strum his guitar and the deaf old lady who dozed at the admissions desk never noticed. He didn’t know how or why, but over time Gideon fell in love with those snaggle-toothed trees.
And then his mother lost her job and they were going to have to move again. Gideon hated to say good-bye to the print. He couldn’t imagine never seeing it again.
And so he stole it.
It turned out to be one of the most thrilling things he’d ever done. And it had been so easy. A few casual questions revealed that the historical society had virtually no security, and its set of dusty accession catalogs was never checked. So one bitterly cold winter’s day he walked in with a small screwdriver in his back pocket, removed the print from the wall, and put it under his coat. Then, before leaving, he wiped down the wall the print had been hung on to get rid of the dust mark, shifted two other prints to cover up the screw holes and obscure the gap. The entire process took five minutes, and when he was done nobody would even know a print was missing. It was, truly, a perfect crime. And Gideon told himself it was justified—nobody loved the print, nobody saw the print, nobody even looked at it, and the historical society was letting it rot in a dark corner. He felt virtuous, like a father adopting an unloved, orphaned child.
But what a delicious thrill it had been. A physical sensation. For the first time in years he felt alive, his heart pounding, his senses razor-keen. Colors seemed brighter; the world looked different—at least for a while.
