Relic

[145] Moriarty settled back, looking annoyed. He was more used to giving lectures than listening to them.

“Anyway, several years ago, there was this guy named Whittlesey at the Museum. He mounted an expedition to the Upper Xingu, purportedly to search for traces of the Kothoga—artifacts, ancient dwelling sites, whatever.” Smithback leaned forward conspiratorially. “But what Whittlesey didn’t tell anybody was that he wasn’t just going in search of this old tribe’s traces. He was going in search of the tribe itself. He’d got it into his noggin that the Kothoga still existed, and he was pretty certain he could locate them. He’d developed something he called ‘myth triangulation.’ ”

This time, Moriarty wouldn’t be stopped. “That’s where you locate all the spots on a map where legends about a certain people or place are heard, identify the areas where the legends are most detailed and consistent, and locate the exact center of this myth region. That’s where the source of the myth cycles is most likely to be found.”

Smithback looked at Moriarty for a moment. “No kidding,” he said. “Anyway, this Whittlesey goes off in 1987 and disappears into the Amazon rain forest, never to be seen again.”

“Von Oster told you all this?” Moriarty rolled his eyes. “Tiresome old guy.”

“He may be tiresome, but he knows a hell of a lot about this Museum.” Smithback examined his empty glass forlornly. “Apparently, there was a big confrontation in the jungle, and most of the expedition team started back early. They’d found something so important they wanted to leave right away, but Whittlesey disagreed. He stayed, along with a fellow named Crocker. Apparently, they both died in the jungle. But when I asked Von Oster for more details about this Mbwun figurine, he suddenly clammed up.” Smithback stretched languorously and began looking for the waitress. “Guess [146] I’ll have to hunt down somebody who was part of that expedition.”

“Lots of luck,” Margo said. “They were all killed in a plane crash coming back.”

Smithback peered at her intently. “No shit. And how do you know that?”

Margo hesitated, remembering Pendergast’s request for confidentiality. Then she thought of Frock, and how he’d gripped her hand so fiercely that morning. We can’t miss this opportunity. We must not let this chance slip us by. “I’ll tell you what I know,” she said slowly. “But you must keep this to yourselves. And you must agree to help me in any way you can.”

“Be careful, Margo,” Moriarty cautioned.

“Help you? Sure, no problem,” said Smithback. “With what, by the way?”

Hesitantly, Margo told them about the meeting with Pendergast in the Secure Room: the casts of the claw and wound, the crates, Cuthbert’s story. Then she described the sculpture of Mbwun she’d seen in the exhibition— omitting her panic and flight. She knew Smithback wouldn’t believe her any more than Moriarty had.

“So what I was asking George when you came up,” she concluded, “is exactly what he knows about this curse of the Kothoga.”

Moriarty shrugged. “Not all that much, really. In local legend, the Kothoga tribe was a shadowy group, a witchdoctor cult. They were supposed to be able to control demons. There was a creature—a familiar if you will— they used for vengeance killings. That was Mbwun, He Who Walks On All Fours. Then, Whittlesey came across this figurine, and some other objects, packed them up, and sent them back to the Museum. Of course, such disturbance of sacred objects has been done countless times before. But then when he gets lost in the jungle and never comes out, and the rest of the expedition dies [147] on the return trip ...” He shrugged his shoulders. “The curse.”

“And now, people are dying in the Museum,” Margo said.

“What are you saying—that the Mbwun curse, the stories of a Museum Beast, and these killings are all linked?” asked Moriarty. “Come on, Margo, don’t read too much into it.”

She looked at him intently. “Didn’t you tell me that Cuthbert kept the figurine out of the exhibition until the last minute?”

“That’s right,” Moriarty said. “He handled all work on that relic himself. Not unusual, considering it’s such a valuable piece. As for delaying its placement in the exhibition, that was Rickman’s idea, I believe. Probably thought it would generate more interest.”

“I doubt it,” Smithback replied. “That’s not the way her mind works. If anything, she was trying to avoid interest. Blow scandal at her, and she shrivels up like a moth in a flame.” He chuckled.

“Just what’s your interest in all this, anyway?” Moriarty demanded.

“You don’t think a dusty old artifact would interest me?” Smithback finally caught the eye of the waitress and ordered another round for the table.

“Well, it’s obvious Rickman wouldn’t let you write about it,” Margo said.

Smithback made a face. “Too true. It might offend all the ethnic Kothoga tribesmen in New York. Actually, it’s because Von Oster said that Rickman was bent out of shape about this. So I thought maybe I could dig around, get some dirt. Something that will put me in a better bargaining position when our next tete-a- tete comes along. You know, ‘This chapter stays, or I’m taking the Whittlesey story to Smithsonian magazine,’ that sort of thing.”

“Now, wait a minute,” Margo said. “I didn’t take you into my confidence just so you could make some [148] money off it. Don’t you understand? We have to learn more about these crates. Whatever is killing people wants something that’s in them. We have to find out what it is.”

“What we really need to do is find that journal,” Smithback said.

“But Cuthbert says it’s been lost,” Margo said.

“Have you checked the accession database?” Smithback said. “Maybe there’s some information there. I’d do it myself, but my security rating is rock-bottom.”

“So is mine,” Margo replied. “And it hasn’t been my day for computers.” She told them about her talk with Kawakita.

“How about Moriarty, here?” Smithback said. “You’re a computer whiz, right? Besides, as an Assistant Curator, you have high security access.”