Relic

Margo shook her head.

“He just smiled and said, ‘Now you see the true value of this program.’ ” Kawakita shrugged. “You see, my program vindicated Frock’s theory of the Callisto Effect by showing that small changes in DNA can sometimes produce extreme changes in an organism. I was a little miffed, but that’s the way Frock works.”

“No wonder Frock was so anxious that I use this program,” Margo said. “This can revolutionize the study of evolution.”

“Yeah, except nobody is paying any attention to it,” said Kawakita bitterly. “Anything connected with Frock these days is like the kiss of death. It’s really frustrating to pour your heart and soul into something, and then just get ignored by the scientific community. You know, Margo, between you and me, I’m thinking of dumping Frock as an adviser and joining Cuthbert’s group. I think I’d be able to carry much of my work over with me. You might want to consider it yourself.”

“Thanks, but I’ll stick with Frock,” Margo said, offended. “I wouldn’t have even gone into genetics if it weren’t for him. I owe him a lot.”

“Suit yourself,” said Kawakita. “But then, you might not even stay at the Museum, right? At least, that’s what Bill Smithback tells me. But I’ve invested everything in this place. My philosophy is, you don’t owe anyone but yourself. Look around the Museum: look at Wright, Cuthbert, the whole lot. Are they out for anyone but themselves? We’re scientists, you and I. We know about survival of the fittest and ‘nature red in tooth and claw.’ And survival applies to scientists, too.”

Margo looked at Kawakita’s glittering eyes. He was right in a way. But at the same time, Margo felt that human beings, having figured out the brutal laws of nature, could perhaps transcend some of them.

[266] She changed the subject. “So the G.S.E. works the same way with plant DNA as with animal DNA?” “Exactly the same,” Kawakita replied, returning to his businesslike manner. “You run the DNA sequencer on two plant species, and then download the data into the Extrapolator. It’ll tell you how closely the plants are related, and then describe the intermediate form. Don’t be surprised if the program asks questions or makes comments. I added a lot of little bells and whistles here and there while I was developing my artificial intelligence chops.”

“I think I’ve got the idea,” said Margo. “Thanks. You’ve done some amazing work.”

Kawakita winked and leaned over. “You owe me one now, kid.”

“Anytime,” said Margo. Kid. Owing him one. She disliked people who talked like that. And when Kawakita said it, he meant it.

Kawakita stretched, sneezed again. “I’m off. Gotta grab some lunch, then go home and pick up my tux for the party tonight. I wonder why I even bothered to come in today—everybody else is home preparing for tonight. I mean, look at this lab. It’s deserted.”

“Tux, eh?” said Margo. “I brought my dress with me this morning. It’s nice, but it’s not a Nipon original or anything.”

Kawakita leaned toward her. “Dress for success, Margo. The powers that be take a look at some guy wearing a T-shirt, and even though he’s a genius they can’t visualize him as Director of the Museum.”

“And you want to be Director?”

“Of course,” said Kawakita, surprised. “Don’t you?”

“What about just doing good science?”

“Anybody can do good science. But someday I’d like a larger role. As Director, you can do a lot more for science than some researcher fiddling in a dingy lab like this. Today it’s just not enough to do outstanding [267] research.” He patted her on the back. “Have fun. And don’t break anything.”

He left, and the lab settled into silence.

Margo sat for a moment, motionless. Then she opened up the folder with the Kiribitu plant specimens. But she couldn’t help thinking there were more important things to be done. When she’d finally reached Frock on the phone, and told him about what little she’d found in the crate, he had grown very quiet. It was as if, suddenly, all the fight had gone out of him. He’d sounded so depressed, she hadn’t bothered to tell him about the journal and its lack of new information.

She looked at her watch: after one o’clock. The DNA sequencing of each Kiribitu plant specimen was going to be time-consuming, and she had to complete the sequencing before she could use Kawakita’s Extrapolator. But as Frock had reminded her, this was the first attempt to do a systematic study of a primitive plant classification system. With this program, she could confirm that the Kiribitu, with their extraordinary knowledge of plants, had actually classified them biologically. The program would allow her to come up with intermediate plants, hypothetical species whose real counterparts might still be found in the Kiribitu rain forest. At least, that was Frock’s intention.

To sequence DNA from a plant, Margo had to remove part of each specimen. After a lengthy exchange of electronic mail that morning, she had finally been given permission to take 0.1 gram from each specimen. It was just barely enough.

She stared at the delicate specimens, smelling faintly of spice and grass. Some of them were powerful hallucinogens, used by the Kiribitu for sacred ceremonies; others were medicinal and quite possibly of great value to modern science.

She picked up the first plant with tweezers, slicing off the top portion of the leaf with an X-Acto knife. In a mortar and pestle, she ground it up with a mild enzyme [268] that would dissolve the cellulose and lyse the cells’ nuclei, releasing the DNA. She worked swiftly but meticulously, adding the appropriate enzymes, centrifuging the result and performing a titration, then repeating the process with other plants.

The final centrifuging took ten minutes, and while the centrifuge vibrated in its gray metal case, Margo sat back, her mind wandering. She wondered what Smithback was doing in his new role as Museum pariah. She wondered, with a small thrill of fear, whether Mrs. Rickman had discovered the missing journal. She thought about what Jorgensen had said, and about Whittlesey’s own description of his last days on earth. She imagined the old woman pointing a withered finger at the figurine in the box, warning Whittlesey about the curse. She imagined the setting: the ruined but overgrown by vines, the flies droning in the sunlight. Where had the woman come from? Why had she run off? Then she imagined Whittlesey taking a deep breath, entering that dark hut of mystery for the first time ...