Reliquary

man stepped away from the wall, wiping his hands together. “You don’t know how many times I’ve been robbed. You guys don’t even bother to respond anymore. You’re the first cop I’ve seen around here in months, and—”

D’Agosta waved him silent. “Just be more careful. Besides, you don’t know squat about handling a knife. If I was a real burglar, you’d probably be dead right now.”

The man rubbed his nose, mumbling something incomprehensible.

“You live next door?” D’Agosta asked. He could not get over the fact that this man had painted his entire scalp green. He tried not to stare at it.

The man nodded.

“How long?”

“About three years. I used to have a loft in Soho, but I got evicted. This is the only place I found where I can do my work without being bothered.”

“And what kind of work is that?”

“It’s hard to explain.” The man grew suddenly guarded. “Why should I tell you?”

D’Agosta dug into his pocket, flashed his badge and ID.

The man looked at the badge. “Homicide, eh? Someone murdered around here?”

“No. Can we go inside and talk for a moment?”

The man looked at him suspiciously. “Is this a search? Aren’t you supposed to have a warrant?”

D’Agosta swallowed his annoyance. “It’s voluntary. I want to ask you a few questions about the man who lived in this warehouse. Kawakita.”

“Was that his name? Now there was a weird guy. Seriously weird.” Leading D’Agosta out of the alley, the man named Kirtsema unlocked his own black metal door. Stepping inside, D’Agosta found himself inside another vast warehouse, painted bone white. Along the walls were a number of oddly shaped metal cans filled with trash. A dead palm tree stood in one corner. In the middle of the room, D’Agosta could see countless black strings, hung from the ceiling in clumps. It felt like some kind of nightmarish moon-forest. In the far corner he could see a cot, sink, exposed toilet, and hot plate. No other amenities were visible.

“So what’s this?” D’Agosta asked, fingering the strings.

“My God, don’t tangle them!” Kirtsema almost knocked D’Agosta aside in his rush to repair the damage.

“They’re never supposed to touch,”he said in a wounded tone as he fussed with the strings.

D’Agosta stepped back. “What is this, some kind of experiment?”

“No. It’s an artificial environment, a reproduction of the primeval jungle that we all evolved in, translated to New York City.”

D’Agosta looked at the strings in disbelief. “So this is art? Who looks at it?”

“It’s conceptual art,” Kirtsema explained impatiently. “Nobody looks at it. It’s not meant to be seen. It is sufficient that it exists. The strings never touch, just as we human beings never touch, never really interact. We are alone. And this whole world is unseen, just as we float through the cosmos unseen. As Derrida said, ‘Art is that which is not art,’ which means—”

“Did you know if his first name was Gregory?”

“Jacques. Jacques Derrida. Not Gregory.”

“I mean the man who lived next door.”

“Like I said, I didn’t even know his name. I avoided him like the plague. Guess you’re here because of the complaints.”

“Complaints?”

“Yeah. I called, again and again. After the first couple of times, nobody came.” He blinked. “No, wait. You’re Homicide. Did he kill somebody?”

Without answering, D’Agosta took a notebook out of a coat pocket. “Tell me about him.”

“He moved in two years ago, maybe a little less. At first, he seemed pretty quiet. Then these trucks began pulling up, and all kinds of boxes and crates started going inside. That’s when the noise started. Always at night. Hammering. Thuds. Loud popping noises. And the smell ...” Kirtsema wrinkled his nose in disgust. “Like something acrid burning. He’d painted the inside of the windows black, but one of them got broken somehow and I got a look inside before it was repaired.” He grinned. “It was a strange-looking setup. I could see microscopes, big glass beakers boiling and boiling, gray metal boxes with lights on them, aquaria.”

“Aquaria?”

“One aquarium after another, rows upon rows. Big things, full of algae. Obviously, he was a scientist of some kind.” Kirtsema pronounced the word with distaste. “A dissector, a reductionist. I don’t like that way of looking at the world. I am a holist, Sergeant.”

“I see.”

“Then one day the power company came around. Said they had to hook up some special heavy-duty lines to his place, or something. And they turned off my power for two days. Two days! But try complaining to Con Ed. Dehumanized bureaucrats.”

“Did he have any visitors?” D’Agosta asked. “Any friends?”

“Visitors!” Kirtsema snorted. “That was the last straw. People began arriving. Always at night. They had this way of knocking, like some kind of signal. That was when I first called the cops. I knew something seriously weird was happening there. I thought maybe it was drugs. The cops came, said there was nothing illegal going on, and