flashlight down into the darkness, he looked around for a few moments. Apparently satisfied, he straightened up, unbuttoning the long duster as he did so.

Hayward’s eyes narrowed in surprise. Beneath the duster, the FBI agent was wearing a set of military fatigues in broken gray-and-black pattern. The zippers and buckles were plastic, with a matte black finish.

Pendergast smiled. “Unusual cammos, aren’t they?” he said. “Note the gray tones instead of the usual sepia. Designed for use in blackout conditions.” He knelt in front of the valise, unfastening and opening it wide. From one compartment, he removed a tube of military-issue blackout, which he began applying to his face and hands. Next, he removed a rolled piece of felt. As Pendergast checked it, Hayward noticed several pockets had been sewed into its inside edge.

“A pocket disguise kit,” Pendergast said. “Safety razor, towelettes, mirror, spirit gum. My intent this time is to avoid detection. I don’t wish to meet anybody or anything. But I’ll bring this along, just in case.” He stuffed the tube of grease paint into one of the pockets, then rolled up the kit and placed it inside his shirt. Reaching into the valise, he removed a short-barreled pistol whose dull finish reminded Hayward more of plastic than metal.

“What’s that?” she asked curiously.

Pendergast turned it over in his hands. “It’s an experimental 9-millimeter, created by Anschluss GMBH. It fires a T-round composite bullet of ceramic and Teflon.”

“Planning on going hunting?”

“You may have heard about my encounter with the Mbwun beast,” Pendergast replied. “That experience taught me that one should always be prepared. This little handgun could send a bullet through an elephant. Lengthwise.”

“An offensive weapon,” Hayward replied. “In more ways than one.”

“I’ll take that as a sign of approval,” Pendergast said. “Of course, defense will be at least as important as offense. I have my own armor.” He pulled back the fatigues to expose a bulletproof vest. Reaching into the valise again, he removed a black skullcap made of Kevlar, which he snugged onto his head. As Hayward watched, Pendergast removed a water purifying kit and several other articles, placing them in various pockets. Finally, he pulled out two carefully sealed plastic bags. Inside were strips of something that looked like black shoe leather.

“Pemmican,” he said.

“What?”

“Filet mignon, cut into strips and dried, then pounded with berries, fruits, and nuts. It has all the vitamins, minerals, and protein a man needs. And it is surprisingly edible. Nobody has yet invented a better expedition food than Native Americans. Lewis and Clark lived on it for months.”

“Well, I guess you’re provisioned, anyway,” Hayward said, shaking her head. “Provided you don’t get lost.”

Pendergast unzipped the top of his fatigues, displaying the inner lining. “Perhaps my most vital possession: maps. Like the fliers of World War Two, I’ve traced them on my flight jacket, so to speak.” He nodded at the complicated set of lines, tunnels, and levels that had been drawn on the cream-colored lining in a precise hand.

He zipped up the cammos and then, as if remembering something, dug in his pockets and handed a set of keys to Hayward. “I meant to tape these to prevent any jingling. You’d better hold them for me.” From another pocket he removed his wallet and FBI identification, which he also passed to the Sergeant. “Please give these to Lieutenant D’Agosta. I won’t be needing them below.”

He ran his hands quickly over his clothes, as if to reassure himself that everything was in place. Then he turned once again toward the trapdoor and lowered himself gingerly into the tube. “I appreciate your taking care of this for me,” he said, nodding at the valise.

“No problem,” Hayward replied. “Send me a postcard.”

The trapdoor shut over the dank, black tube, and Hayward sealed it with a quick twirl of her wrist.

= 32 =

MARGO STARED AT the titration, scarcely blinking. As each clear drop trembled and fell into the solution, she waited expectantly for a color change. The sound of Frock’s low breathing behind her—as he, too, stared at the apparatus—reminded her that she was unconsciously holding her breath.

Suddenly the solution blossomed a bright yellow color. Margo turned the glass stopcock, stopping the flow of solution, and recorded the level on the graduated cylinder.

She took a step back, aware that an unpleasantly familiar feeling was settling over her: a sense of unease, even dread. Standing motionless, she remembered the drama that had played out in another laboratory, a mere hundred feet down the hall and eighteen months into the past. It had been just the two of them that time as well: crowded around Greg Kawakita’s genetic extrapolator, watching as the program listed the physical attributes of the creature that would come to be known as Mbwun, the Museum Beast.

She remembered almost cursing Julian Whittlesey, the scientist whose expedition had been lost in the depths of the Amazon. Whittlesey, who had inadvertently used a certain aquatic plant as packing fibers for the specimens he’d sent back to the Museum. Unknown to Whittlesey—unknown to all of them—the Mbwun beast had been addicted to the plant. It needed the hormones in the plant in order to survive. And when its own habitat was destroyed, the beast went in search of the only remaining source of the plant: the packing fibers in the crates. But by a supreme irony, the crates were later locked in the Museum’s secure area, forcing the creature to go after the closest substitute to the plant hormones it could find: the hypothalamus of the human brain.

As Margo stared at the yellow solution, she realized that she was feeling something else besides dread: dissatisfaction. There was something strange here, something unexplained. She had felt the same way after the carcass of the Mbwun beast had been taken away following the slaughter of the Superstition exhibition’s opening night. Taken away, in a van with government plates, and never seen again. Though she’d never wanted to admit it, she’d always sensed, somehow, that they’d never gotten to the bottom of the story, never really understood what Mbwun was. At the time, she’d hoped to see autopsy results, a pathology report—something that could explain how the beast had known to come to the Museum in the first place. Or why the creature showed such a high proportion of human genes. Something, anything, that could bring the story to a close; even, perhaps, lay her own nightmares to rest.

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