them. Everything was under surveillance by CCTV, while guards circled the room, their eyes moving from table to table.
Beyond it, the corridor ahead looked sick: pale green linoleum, matching walls, empty noticeboards and reinforced windows into vacant, dark rooms. At the end was a counter, a window pulled across, with a guard on the other side at a computer. He had silver hair and milky eyes, half-moon glasses perched on the end of his nose. When he saw Healy approaching, he slid the window across.
‘How you doing, Colm?’
‘Pretty good, Clive. You?’
The guard nodded. He had a slow, considered style, which Healy had never been able to read in all the years he’d known him. It could have been age, or it could have been a natural distrust of people. ‘You’re late today,’ the guard said.
‘Yeah, I know.’
‘Well, you better get going.’
Healy’s eyes drifted up for a second to the sign on the wall above the window. Black letters on peeling white paint: ‘High Security Unit’.
‘Yeah,’ Healy said. ‘I better get going.’
After passing through security, he moved along another corridor, doors on either side, the distant sound of voices audible. The prison cells were directly adjacent, though there were no windows until he got to the end of the corridor. He slowed up. Two rooms, both behind security doors, but with reinforced glass panels that Healy could see in through. He stepped up to the first.
Inside, seven men were seated on chairs in a semicircle. Different faces, different builds, but all dressed in prison uniforms. Healy got in even closer to the glass. As he angled his body, he saw her. The psychologist. All the prisoners were watching her. She was perched on the edge of a chair opposite them, talking.
‘There you are,’ Healy said quietly.
It was biting cold as he waited in his car outside. Snow was shovelled into piles all around him, the early morning still blanketed by a fuzzy kind of half-light. After a couple of minutes, the woman exited the prison and started to head out across the car park. Her scrawny frame was hidden beneath a sheepskin coat, her hair tied into a messy, uneven ponytail, her eyes fixed on her phone. Ever since his return to the Met, he’d been using the database to find out about her, looking into her life piece by piece, building a picture of who she was. But not within sight of Craw. Not within sight of anybody else.
Her name was Teresa Reed. Forty-eight. Divorced, no kids. She’d been coming to the prison on weekly visits for nineteen months. Same day every week, same purpose: to interview and talk to the prisoners. To Healy, none of that really mattered, other than the fact that she didn’t have kids. That suited him fine. If she’d had kids, it would have made it harder to formulate his plan, and harder still to execute it. With kids, there was guilt, fuzzy thinking, emotion, a million reasons not to hurt her. Without them, she had no responsibility to anyone but herself, and no one to miss her.
He got out of his car and pretended to fiddle around in the pocket on the driver’s door. He’d been watching her for almost six weeks, and today was the first day he was making any sort of contact with her. He glanced up to see her getting closer. Healy had parked here for a reason: it was right next to her Mini. She had to come across him, and step in next to him, to get to her car.
He heard her shoes in the slush about six feet away from him, closed the door of his car and then purposely bumped into her without looking.
‘Oh, I’m sorry,’ he said, looking at her.
She glanced at him. ‘No problem.’
They stood like that for a moment, across from one another, and he saw how old she looked close up. Weathered.
She returned the frown. ‘I don’t think so, no.’
‘You’re not Teresa, are you?’
Her face softened. ‘Yes,’ she said, and then paused, obviously embarrassed she didn’t recognize him. ‘I’m so sorry … I can’t quite place your, uh …’
He held up a hand, forced a smile. ‘It’s fine. Colm Healy. I work at the Met. I think you came into my station after the riots last year.’
Her mouth formed an
‘Anyway,’ Healy said, locking the car. ‘Nice to meet you again.’
‘Yes,’ she said. ‘You too.’
He left her, walking off towards the prison building. When he heard her Mini start up and drive off, he turned around and headed back to the car. Unlocked it. Slid in at the wheel. His heart was beating fast and his palms were slick with sweat, even in the cool of the morning. Slowly the windows of the car began to steam up and he wondered whether he was doing the right thing. But then he felt the burn of grief and anger in the centre of his chest, and any doubts were washed away.
25
While I watched the house, I used my phone and went searching for Wellis online. Facebook was the world’s greatest detective. Inside a minute you could get yourself a picture. And if there were holes in their privacy settings, seconds after that you had their whole life. It was even easier if you had an unusual surname. My Facebook account was a shell – no details, no photos, no posts – but it got me access to other people’s, and although I couldn’t see Wellis’s wall, info or friends, I could see all his photos.
There were fifteen in all: Wellis at the beach, in woodland somewhere, standing on the edge of a lake with a hunting rifle. He was five-ten, stocky, about forty, with a shaved head. He had a tattoo of a crucifix on the side of his neck. In most of the photos he was on his own, but when he wasn’t he was always with the same guy: taller, thinner, late thirties. They both had looks I didn’t like, but Wellis – his eyes small, like an animal’s – I’d have to watch the closest.
After a while light began to fade from the day, the sun burning out in the sky, the clouds bleeding red and orange. Inside twenty minutes it became a different world: shadows grew deep and long, like vast curtains being pulled across a stage, and although the temperature didn’t drop much, a faint breeze picked up, whispering past the car and down towards the house.
Twenty minutes after that, I heard voices on the other side of the road.
Two men were approaching, silhouettes beneath the faint orange glow of a street light. I lowered myself into my seat, using the lack of light as a disguise, and turned the radio off. They drew level. They couldn’t see in, but I could see out.
One of them was Adrian Wellis.
In real life, he looked a little shorter than five-ten, but in all other areas he was exactly the same as his photo: fierce, shaved head, dark eyes. He wore a red bomber jacket over a blue check shirt and dark blue trousers. All name brands. I thought about the reasons a man might live in a place like his if he was making enough money to buy ?200 trainers, but then my eyes fell on the guy next to him. Taller. Thinner. Blotchy skin and greying hair, and without Wellis’s sense of style. He was the other guy in the photos.
They got to the house, and Wellis started fiddling around in his pocket for his keys. But when he finally found them, he paused.
He looked along the row of houses.
It was like he’d sensed someone had been here. In the front garden. Up to the house. In the still of the night, it was possible to hear the other guy asking him what the matter was, but Wellis didn’t reply. He just stared at the front of the house – and then up the road towards me.
Even though there was no possible way he could see me, no way he could know I was watching, it felt like