Now they were. Old enough.

Old.

A viable die-able age.

What a funny word old was on its own, Rahel thought, and said it to herself: Old.

Rahel at the bathroom door. Slim-hipped. (“Tell her she’ll need a cesarean!” a drunk gynecologist had said to her husband while they waited for their change at the gas station.) A lizard on a map on her faded T-shirt. Long wild hair with a glint of deep henna red sent unruly fingers down into the small of her back. The diamond in her nostril flashed. Sometimes. And sometimes not. A thin, gold, serpent-headed bangle glowed like a circle of orange light around her wrist. Slim snakes whispering to each other, head to head. Her mother’s melted wedding ring. Down softened the sharp lines of her—thin, angular arms.

At first glance she appeared to have grown into the skin of her mother. High cheekbones. Deep dimples when she smiled. But she was longer, harder, flatter, more angular than Ammu had been. Less lovely perhaps to those who like roundness and softness in women. Only her eyes were incontestably more beautiful. Large. Luminous. Drownable in, as Larry McCaslin had said and discovered to his cost.

Rahel searched her brother’s nakedness for signs of herself. In the shape of his knees. The arch of his instep. The slope of his shoulders. The angle at which the rest of his arm met his elbow. The way his toe-nails tipped upwards at the ends. The sculpted hollows on either side of his taut, beautiful buns. Tight plums. Men’s bums never grow up. Like school satchels, they evoke in an instant memories of childhood. Two vaccination marks on his arm gleamed like coins. Hers were on her thigh.

Girls always have them on their thighs, Ammu used to say.

Rahel watched Estha with the curiosity of a mother watching her wet child. A sister a brother. A woman a man. A twin a twin.

She flew these several kites at once.

He was a naked stranger met in a chance encounter. He was the one that she had known before Life began. The one who had once led her (swimming) through their lovely mother’s cunt.

Both things unbearable in their polarity. In their irreconcilable far-apartness.

A raindrop glistened on the end of Estha’s earlobe. Thick, silver in the light, like a heavy bead of mercury. She reached out Touched it. Took it away.

Estha didn’t look at her. He retreated into further stillness. As though his body had the power to snatch its senses inwards (knotted, egg-shaped), away from the surface of his skin, into some deeper more inaccessible recess.

The silence gathered its skirts and slid, like Spider Woman, up the slippery bathroom wall.

Estha put his wet clothes in a bucket and began to wash them with crumbling, bright blue soap.

Chapter 4.

Abhilash Talkies

Abhilash Talkies advertised itself as the first cinema hall in Kerala with a 70mm CinemaScope screen. To drive home the point, its facade had been designed as a cement replica of a curved CinemaScope screen. On top (cement writing, neon lighting) it said Abhilash Talkies in English and Malayalam.

The toilets were called HIS and HERS. HERS for Ammu, Rahel and Baby Kochamma. His for Estha alone, because Chacko had gone to see about the bookings at the Hotel Sea Queen.

“Will you be okay?” Ammu said, worried.

Estha nodded.

Through the red Formica door that closed slowly on its own, Rahel followed Ammu and Baby Kochamma into HERS. She turned to wave across the slipperoily marble floor at Estha Alone (with a comb), in his beige and pointy shoes. Estha waited in the dirty marble lobby with the lonely, watching mirrors till the red door took his sister away. Then he turned and padded off to HIS.

In HERS, Ammu suggested that Rahel balance in the air to piss. She said that Public Pots were Dirty. Like Money was. You never knew who’d touched it. Lepers. Butchers. Car Mechanics. (Pus. Blood. Grease.)

Once when Kochu Maria took her to the butcher’s shop, Rahel noticed that the green five-rupee note that he gave them had a tiny blob of red meat on it. Kochu Maria wiped the blob away with her thumb. The juice left a red smear. She put the money into her bodice. Meat-smelling blood money.

Rahel was too short to balance in the air above the pot, so Ammu and Baby Kochamma held her up, her legs hooked over their arms. Her feet pigeon-toed in Bata sandals. High in the air with her knickers down. For a moment nothing happened, and Rahel looked up at her mother and baby grandaunt with naughty (now what?) question marks in her eyes.

“Come on,” Ammu said. “Sssss…”

Sssss for the Sound of Soo-soo. Mmmmm for the Sound of Myooozick. Rahel giggled. Ammu giggled. Baby Kochamma giggled. When the trickle started they adjusted her aerial position. Rahel was unembarrassed. She finished and Ammu had the toilet paper.

“Shall you or shall I?” Baby Kochamma said to Ammu.

“Either way,” Ammu said. “Go ahead. You.”

Rahel held her handbag. Baby Kochamma lifted her rumpled sari. Rahel studied her baby grandaunt’s enormous legs. (Years later during a history lesson being readout in school—The Emperor Babur—had a wheatish complexion and pillarlike thighs—this scene would flash before her; Baby Kochamma balanced like a big bird over a public pot. Blue veins like lumpy knitting running up her translucent shins. Fat knees dimpled. Hair on them. Poor little tiny feet to carry such a load!) Baby Kochamma waited for half of half a moment. Head thrust forward. Silly smile. Bosom swinging low. Melons in a blouse. Bottom up and out. When the gurgling, bubbling sound came, she listened with her eyes. A yellow brook burbled through a mountain pass.

Rahel liked all this. Holding the handbag. Everyone pissing in front of everyone. Like friends. She knew nothing then, of how precious a feeling this was. Like friends. They would never be together like this again. Ammu, Baby Kochamma and she.

When Baby Kochamma finished, Rahel looked at her watch. “So long you took, Baby Kochamma,” she said. “It’s ten to two.”

Rub-a-dub-dub (Rahel thought), Three women in a tub, Tarry awhile said Slow…

She thought of Slow being a person. Slow Kurien. Slow Kutty. Slow Mol. Slow Kochamma.

Slow Kutty. Fast Verghese. And Kuriakore. Three brothers with dandruff.

Ammu did hers in a whisper. Against the side of the pot so you couldn’t hear. Her father’s hardness had left her eyes and they were Ammu-eyes again. She had deep dimples in her smile and didn’t seem angry anymore. About Velutha or the spit bubble.

That was a Good Sign.

Estha Alone in HIS had to piss onto naphthalene balls and cigarette stubs in the urinal. To piss in the pot would be Defeat. To piss in the urinal, he was too short. He needed Height. He searched for Height, and in a corner of HIS, he found it. A dirty broom, a squash bottle half-full of a milky liquid (phenyl) with floaty black things in it A limp floorswab, and two rusty tin cans of nothing. They could have been Paradise Pickle products. Pineapple chunks in syrup. Or slices. Pineapple slices. His honor redeemed by his grandmother’s cans, Estha Alone organized the rusty cans of nothing in front of the urinal. He stood on them, one foot on each, and pissed carefully, with minimal wobble. Like a Man. The cigarette stubs, soggy then, were wet now, and swirly. Hard to light. When he finished, Estha moved the cans to the basin in front of the mirror. He washed his hands and wet his hair. Then, dwarfed by the size of Ammu’s comb that was too big for him, he reconstructed his puff carefully. Slicked back, then pushed

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