Management were two different people. Quite separate of course from Chacko-the-Comrade.
The only snag in Comrade K. N. M. Pillai’s plans was Velutha. Of all the workers at Paradise Pickles, he was the only card-holding member of the Party, and that gave Comrade Pillai an ally he would rather have done without. He knew that all the other Touchable workers in the factory resented Velutha for ancient reasons of their own. Comrade Pillai stepped carefully around this wrinkle, waiting for a suitable opportunity to iron it out.
He stayed in constant touch with the workers. He made it his business to know exactly what went on at the factory. He ridiculed them for accepting the wages they did, when their own government, the People’s Government, was in power.
When Punnachen, the accountant who read Mammachi the papers every morning, brought news that there had been talk among the workers of demanding a raise, Mammachi was furious. “Tell them to read the papers. There’s a famine on. There are no jobs. People are starving to death. They should be grateful they have any work at all.”
Whenever anything serious happened in the factory it was always to Mammachi and not Chacko that the news was brought. Perhaps this was because Mammachi fitted properly into the conventional scheme of things. She was the Modalali. She played her part. Her responses, however harsh, were straightforward and predictable. Chacko on the other hand, though he was the Man of the House, though he said “My pickles, my jam, my curry powders,” was so busy trying on different costumes that he blurred the battle lines.
Mammachi tried to caution Chacko. He heard her out, but didn’t really listen to what she was saying. So despite the early rumblings of discontent on the premises of Paradise Pickles, Chacko, in rehearsal for the Revolution, continued to play
That night, on his narrow hotel bed, he thought sleepily about pre-empting Comrade Pillai by organizing his workers into a sort of private labor union. He would hold elections for them. Make them vote. They could take turns at being elected representatives. He smiled at the idea of holding round-table negotiations with Comrade Sumathi, or, better still, Comrade Lucykutty; who had much the nicer hair.
His thoughts returned to Margaret Kochamma and Sophie Mol. Fierce bands of love tightened around his chest until he could barely breathe. He lay awake and counted the hours before they could leave for the airport.
On the next bed, his niece and nephew slept with their arms around each other. A hot twin and a cold one. He and She. We and Us. Somehow, not wholly unaware of the hint of doom and all that waited in the wings for them.
They dreamed of their river.
Of the coconut trees that bent into it and watched, with coconut eyes, the boats slide by. Upstream in the mornings. Downstream in the evenings. And the dull, sullen sound of the boatmen’s bamboo poles as they thudded against the dark, oiled boatwood.
It was warm, the water. Graygreen. Like rippled silk.
With fish in it.
With the sky and trees in it.
And at night, the broken yellow moon in it.
When they grew tired of waiting, the dinner smells climbed off the curtains and drifted through the Sea Queen windows to dance the night away on the dinner-smelling sea.
The time was ten to two.
Chapter 5.
God’s Own Country
Years later, when Rahel returned to the river, it greeted her with a ghastly skull’s smile, with holes where teeth had been, and a limp hand raised from a hospital bed.
Both things had happened.
It had shrunk. And she had grown.
Downriver, a saltwater barrage had been built, in exchange for votes from the influential paddy-farmer lobby. The barrage regulated the inflow of salt water from the backwaters that opened into the Arabian Sea. So now they had two harvests a year instead of one. More rice—for the price of a river.
Despite the fact that it was June, and raining, the river was no more than a swollen drain now. A thin ribbon of thick water that lapped wearily at the mud banks on either side, sequined with the occasional silver slant of a dead fish. It was choked with a succulent weed, whose furred brown roots waved like thin tentacles underwater. Bronze-winged lily-trotters walked across it. Splay-footed, cautious.
Once it had had the power to evoke fear. To change lives. But now its teeth were drawn, its spirit spent. It was just a slow, sludging green ribbon lawn that ferried fetid garbage to the sea. Bright plastic bags blew across its viscous, weedy surface like subtropical flying-flowers.
The stone steps that had once led bathers right down to the water, and Fisher People to the fish, were entirely exposed and led from nowhere to nowhere, like an absurd corbelled monument that commemorated nothing. Ferns pushed through the cracks.
On the other side of the river, the steep mud banks changed abruptly into low mud walls of shanty hutments. Children hung their bottoms over the edge and defecated directly onto the squelchy, sucking mud of the exposed riverbed. The smaller ones left their dribbling mustard streaks to find their own way down. Eventually, by evening, the river would rouse itself to accept the day’s offerings and sludge off to the sea, leaving wavy lines of thick white scum in its wake. Upstream, clean mothers washed clothes and pots in unadulterated factory effluents. People bathed. Severed torsos soaping themselves, arranged like dark busts on a thin, rocking, ribbon lawn.
On warm days the smell of shit lifted off the river and hovered over Ayemenem like a hat.
Further inland, and still across, a five-star hotel chain had bought the Heart of Darkness.
The History House (where map-breath’d ancestors with tough toe-nails once whispered) could no longer be approached from the river. It had turned its back on Ayemenem. The hotel guests were ferried across the backwaters, straight from Cochin. They arrived by speedboat, opening up a V of foam on the water, leaving behind a rainbow film of gasoline.
The view from the hotel was beautiful, but here too the water was thick and toxic. No Swimming signs had been put up in stylish calligraphy. They had built a tall wall to screen off the slum and prevent it from encroaching on Kari Saipu’s estate. There wasn’t much they could do about the smell.
But they had a swimming pool for swimming. And fresh tandoori pomfret and crepe suzette on their menu.
The trees were still green, the sky still blue, which counted for something. So they went ahead and plugged their smelly paradise—God’s Own Country they called it in their brochures—because they knew, those clever Hotel People, that smelliness, like other peoples’ poverty was merely a matter of getting used to. A question of discipline. Of Rigor and Air-conditioning. Nothing more.
Kari Saipu’s house had been renovated and painted. It had become the centerpiece of an elaborate complex, crisscrossed with artificial canals and connecting bridges. Small boats bobbed in the water. The old colonial bungalow with its deep verandah and Doric columns, was surrounded by smaller, older, wooden houses- ancestral homes-that the hotel chain had bought from old families and transplanted in the Heart of Darkness. Toy Histories for rich tourists to play in. Like the sheaves of rice in Joseph’s dream, like a press of eager natives petitioning an English magistrate, the old houses had been arranged around the History House in attitudes of deference. “Heritage,” the hotel was called.
The Hotel People liked to tell their guests that the oldest of the wooden houses, with its airtight, paneled storeroom which could hold enough rice to feed an army for a year, had been the ancestral home of Comrade E. M. S. Namboodiripad, “Kerala’s Mao Tsetung,” they explained to the uninitiated. The furniture and knickknacks that
