Tumbling barefoot through the greenheat, followed by a yellow wasp.

Comrade Estha was there. Under the mangosteen tree. With the red flag planted in the earth beside him. A Mobile Republic. A Twin Revolution with a Puff.

And what was he sitting on?

Something covered with moss, hidden by ferns.

Knock on it and it made a hollow knocked-on sound.

The silence dipped and soared and swooped and looped in figures of eight.

Jeweled dragonflies hovered like shrill children’s voices in the sun. Finger-colored fingers fought the ferns, moved the stones, cleared the way. There was a sweaty grappling for an edge to hold on to. And a One Two and.

Things can change in a day.

It was a boat. A tiny wooden vallom.

The boat that Estha sat on and Rahel found.

The boat that Ammu would use to cross the river. To love by night the man her children loved by day.

So old a boat that it had taken root. Almost.

A gray old boatplant with boatflowers and boatfruit. And underneath, a boat-shaped patch of withered grass. A scurrying, hurrying boatworld.

Dark and dry and cool. Unroofed now. And blind.

White termites on their way to work.

White ladybirds on their way home.

White beetles burrowing away from the light.

White grasshoppers with whitewood violins.

Sad white music.

A white wasp. Dead.

A bntrlewhite snakeskin, preserved in darkness, crumbled in the sun.

But would it do, that little vallom?

Was it perhaps too old? Too dead?’

Was Akkara too far away for it?

Two-egg twins looked out across their river.

The Meenachal.

Graygreen. With fish in it. The sky and trees in it. And at night, the broken yellow moon in it.

When Pappachi was a boy, an old tamarind tree fell into it in a storm. It was still there. A smooth barkiess tree, blackened by a surfeit of green water. Driftless driftwood.

The first third of the river was their friend. Before the Really Deep began. They knew the slippery stone steps (thirteen) before the slimy mud began. They knew the afternoon weed that flowed inwards from the backwaters of Komarakom. They knew the smaller fish. The flat, foolish pallathi, the silver paral, the wily, whiskered koori, the sometimes karimeen.

Here Chacko had taught them to swim (splashing around his ample uncle stomach without help). Here they had discovered for themselves the discotinected delights of underwater fatting.

Here they had learned to fish. To thread coiling purple earthworms onto hooks on the fishing rods that Velutha made from slender culms of yellow bamboo.

Here they studied Silence (like the children of the Fisher People), and learned the bright language of dragonflies.

Here they learned to Wait. To Watch. To think thoughts and not voice them. To move like lightning when the bendy yellow bamboo arced downwards.

So this first third of the river they knew well. The next two-thirds less so.

The second third was where the Really Deep began. Where the current was swift and certain (downstream when the tide was out, upstream, pushing up from the backwaters when the tide was in).

The third third was shallow again. The water brown and murky. Full of weeds and darting eels and slow mud that oozed through toes like toothpaste.

The twins could swim like seals and, supervised by Chacko, had crossed the river several times, returning panting and cross-eyed from the effort, with a stone, a twig or a leaf from the Other Side as testimony to their feat But the middle of a respectable river, or the Other Side, was no place for children to Linger, Loll or Learn Things. Estha and Rahel accorded the second third and the third third of the Meenachal the deference it deserved. Still, swimming across was not the problem. Taking the boat with Things in it (so that they could Prepare to prepare to be prepared) was.

They looked across the river with Old Boat eyes. From where they stood they couldn’t see the History House. It was just a darkness beyond the swamp, at the heart of the abandoned rubber estate, from which the sound of crickets swelled.

Estha and Rahel lifted the little boat and carried it to the water It looked surprised, like a grizzled fish that had surfaced from the deep. In dire need of sunlight. It needed scraping, and cleaning, perhaps, but nothing more.

Two happy hearts soared like colored kites in a skyblue sky. But then, in a slow green whisper, the river (with fish in it, with the sky and trees in it), bubbled in.

Slowly the old boar sank, and settled on the sixth step.

And a pair of two-egg twin hearts sank and settled on the step above the sixth.

The deep-swimming fish covered their mouths with their fins and laughed sideways at the spectacle.

A white boat-spider floated up with the river in the boat, struggled briefly and drowned. Her white egg sac ruptured prematurely, and a hundred baby spiders (too light to drown, too small to Swim), stippled the smooth surface of the green water, before being swept out to sea. To Madagascar, to start a new phylum of Malayali Swimming Spiders.

In a while, as though they’d discussed it (though they hadn’t), the twins began to wash the boat in the river. The cobwebs, the mud, the moss and lichen floated away. When it was clean, they turned it upside down and hoisted it onto their heads. Like a combined hat that dripped. Estha uprooted the red flag.

A small procession (a flag, a wasp, and a boat-on-legs) wended its knowledgeable way down the little path through the undergrowth. It avoided the clumps of nettles, and sidestepped known ditches and anthills. It skirted the precipice of the deep pit from which laterite had been quarried, and was now a still lake with steep orange banks, the thick, viscous water covered with a luminous film of green scum. A verdant, treacherous lawn, in which mosquitoes bred and fish were fat but inaccessible.

The path, which ran parallel to the river, led to a little grassy clearing that was hemmed in by huddled trees: coconut, cashew, mango, bilimbi. On the edge of the clearing, with its back to the river, a low hut with walls of orange laterite plastered with mud and a thatched roof nestled close to the ground, as though it was listening to a whispered subterranean secret. The low walls of the hut were the same color as the earth they stood on, and seemed to have germinated from a house-seed planted in the ground, from which right-angled ribs of earth had risen and enclosed space. Three untidy banana trees grew in the little front yard that had been fenced off with panels of woven palm leaves.

The boat-on-legs approached the hut. An unlit oil lamp hung on the wall beside the door, the patch of wall behind it was singed soot black. The door was ajar. It was dark inside. A black hen appeared in the doorway. She returned indoors, entirely indifferent to boat visits.

Velutha wasn’t home. Nor Vellya Paapen. But someone was.

Вы читаете The God of Small Things
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