‘Thank you for raising my daughter,’ said Tisamon, and seemed visibly relieved to be rid of the words. Stenwold stared at him, not quite sure he had heard them.

‘I have been thinking,’ the Mantis said. ‘At first, I decided that you had done me a great wrong, but then I could not describe to myself, precisely, what that wrong was. We believe, my people, in defining our grievances. How else could we hold on to them for so long? And so I realized that if you had not done me a wrong, then the whole of my world must turn inside-out, and so instead I find that I owe you a debt. Such a debt that a man can never truly repay.’

And your people take your debts just as seriously as your wrongs, Stenwold reflected. Tisamon would still not meet his gaze, had still not wholly come to terms with it all, but he had found a way to paint the past in colours that he could at last understand. It was a matter of honour, and he could live with that.

And at last the Mantis looked up, and the corner of his mouth twitched up too. ‘Do you remember, all those years ago, when you would talk and talk, and I would say nothing at all? How we have changed.’

And Stenwold laughed at that, despite himself, despite it all. He laughed and laughed.

And afterwards he said, ‘I’ll have to tell her, now. I’ll have to speak with her. You know that.’

‘Then tread carefully,’ said Tisamon, still smiling sincerely. ‘If she’s her father’s daughter, she might not take it well.’

Nineteen

She danced for them the next night. It was like nothing they had ever seen.

The slavers had put the two huge vehicles with the caged backs facing one another, and strung a wide fence around both to make a single big oval enclosure. They were all gathered around one end or the other, and most of the soldiers as well. Che was nervous. Something was going on, and the only thing she could think of was a blood- fight. Death-fights were not common in the Lowlands. In Collegium, for instance, they thought of themselves as far too civilized, and while the Ant cities loved a gladiatorial match they watched it for the skill and not the blood. The practice was known, though. The Spiders did it, in their southern fastnesses, and it was rumoured that Helleron had underground fighting dens, for the connoisseur of death as entertainment.

They had banked up fires either side of the palisade, with another burning in the very centre of the pen. Looking around, Che spotted Brutan, the slavers’ leader, and a fair number of the automotive crew, but not Thalric. Presumably he felt himself above whatever was going to happen.

And then she stepped forward. They had not noticed her before. She must have been caged on the other vehicle, or even kept separate entirely. Che felt Salma twitch as he saw her, tense for a moment. Che glanced from him to the woman uncertainly.

She was. . for a moment Che thought she must be a Moth-kinden, because she possessed their featureless white eyes. When the firelight caught her, though, Che started in surprise, because her skin was moving.

She had been grey as grey a moment ago, a Moth indeed. That was plain enough to see. She wore only the briefest of clothes, a loincloth, a band of cloth tied across her breasts. Now something was happening to her. Shadows were chasing themselves across her flesh. No, not shadows: colours. The ruddy firelight tried to hide it, but as they watched, a fleeting patchwork of reds and purples, dark blues and pale pieces were flitting and skipping over the contours of her body.

A pipe and drum struck up from somewhere. Che twisted round to see it was the lanky, sallow-skinned man playing, keeping time on the drum with his foot. And then she danced.

It was a wild thing, and she led where the pipe only followed. It was not like the carefully orchestrated Collegium terpsichoreans or the rustic folk dances Che had previously seen. This was not the lewd invitation of a brothel. It was like nothing in the experience of a Lowlander. It was furious and angry, it was beautiful, it was sad. Every man’s eye was on her, most women’s as well. When Che tore her gaze away, she passed it across the yearning faces of the prisoners, to the guards beyond. The Wasp soldiers were lost in it, utterly. There was something stripped from their faces that she had never seen them without, as though some buried knife had been sheathed for this moment only. The impassive helms of the slavers showed nothing, of course, but many of them had taken them off to see better, and the same bereft, gentle look was on them. There was lust there, certainly, and all the ugly baggage that it brought, but it was shackled, in those men of chains, by something wholly other.

And she danced, to the skirling wail of the pipe, the skittering of the drum. The music spoke not of her but of the desperate, hopeless need of her audience as it chased and chased and never caught her.

Che glanced aside to make some comment to Salma, but his face was stricken with amazement, all of his haughty smiles and hidden laughter cut away from him.

She danced, and then she was done, a bitterly scornful obeisance to those who watched from beyond the palisade, leaving the pipe to squeal to a close along with her. She stayed there, motionless, bending forward so that her forehead almost touched the sand, one arm flung forward, one leg straight and the other folded beneath her. The dead silence the pipe had bequeathed stretched on and on.

And when she raised her head it was to Salma that she looked and that outflung arm became a desperate entreaty, her obeisance a plea. Help me. Save me.

At last it was Brutan who said, ‘All right, feed the bastards,’ and the Wasp-kinden picked up the vices they had, for an instant, put away, and remembered they were conquerors and warriors.

The dancer stood, looking uncertain now, and drained, and so very sad. Che felt a movement beside her and realized that Salma was standing. The dancer saw him, flinched back a moment and then looked again. She was making a first step towards him when three slavers muscled into the palisade and took hold of her, leading her off. She did not resist but she cast a last glance back at Salma that made him flinch too.

‘What was that?’ Che said. ‘I mean. . Salma, are you listening to me?’

‘Of course I am,’ but he still seemed preoccupied as he sat down again.

‘Salma, did you recognize her or something?’

‘I don’t. . No, not her. I know what she is, though.’

‘And?’

‘There are a few communities in the Commonweal — “In” meaning within, rather than a part of. They are. . different. Butterfly-kinden, you know. I’d never seen one before. Only heard people talk about them. And it’s true, all they say. For the love of lords and princes!’ he exclaimed.

Che had never seen him so shaken. ‘So she danced well. So what?’ she said, feeling a little ill disposed to this dancing Butterfly already.

‘What?’ he asked her, trying for jovial. ‘You think I’ll abandon you and go off with her?’

‘I do know everyone seemed to be turned into a drooling idiot the moment she appeared, but you were king of the idiots, if you ask me,’ she grumbled.

His smile was coming back, and very much at her expense. ‘Cheerwell Maker, don’t tell me that’s jealousy I’m hearing? I didn’t know that we two were handfast.’

She coloured a little, knowing that in the firelight his eyes would spot it easily. ‘No, of course not. I was just worried about you, that’s all.’

Salma was about to reply when his eye was caught by two slavers approaching. He tensed, ready for them to single him out.

It was Che, however, who had their attention. ‘You! On your feet.’

‘Why?’

He hit her so fast that even Salma could not put himself in the way, slapping her across the face with an open palm. The blade of his hand had a bone hook jutting from it, Art-grown, and, even with her head ringing, she realized he could have done a lot worse.

‘No questions, slave. On your feet.’

She didn’t need to be told a third time. Salma was half on his feet too, but the second slaver directed a hand at him that crackled with energy.

‘No more heroics from you, Wealer,’ he warned. ‘Don’t think anyone would miss you.’

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