coming to rest in his lap. Then there were hands upon him, rubbing him, giving him the
He rubbed his raw eyes with his fists until he saw spots, and he tried to move forward, the sun being the first thing that actually had a shape to it, white-hot and burning. He looked down to the ground, the flatness of the hard earth, the thorny weeds and scrub brush cutting and ripping, and Urschel lost his shirt and tore at the cloth, binding the strips to cover his feet. And the shapes were hollow and glowing, and he didn’t know if he was headed toward the road the old man spoke of or was wandering aimlessly in whatever godforsaken land they’d taken him to. He was sweating now, and he figured the morning had crept on, maybe two hours since he’d been cut loose. On the horizon, all he saw were gassy mirages and more flat land, in some kind of dusty limbo where he’d walk and lope, growing so thirsty that he didn’t know a mirage from a water hole but kept moving ahead until he finally became entangled in a row of barbed wire. Hung in his own personal Calvary.
He took a breath, his legs quivering with the exertion. He unpricked the line from his skin and then touched the wire with his fingertips. The strips of it pierced his hands, but, goddamn, he knew this was a road, and if he could just keep moving ahead it would lead somewhere. The sun was high, and he could see almost regular now, watching a big-eared jackrabbit loping across the dusty plain.
The goddamn jackrabbit didn’t need water.
He could go on forever in the morning dew.
The cloth strips had fallen away from his feet, the earth so hot he couldn’t sense the gravity anymore. The fence line led to an empty pool of water and then another pool of nothing, and if he could just keeping going there was a road leading back to Oklahoma City and pitchers of iced tea with bridge games and light, leisurely walks for gentlemen after their evening meal, where they patted their stomachs and cleaned their teeth with pocketknives.
He smiled at the thought, bringing his shoulders back, shoeless and wearing only the pajama bottoms, trying to walk like Charles Urschel would. He walked as if people could see him and would know him and could recognize he was a man of great importance in the community.
He figured it to be early afternoon when he about gave up.
But there was a figure in the distance. And he called to it.
The figure called back and waved his hat.
It was Tom Slick himself, covered in top-grade oil up to his knees and elbows, with that rascal grin on his lips.
“Well, hello, Tom. I sure am in a pickle.”
A FEW HOURS FROM THE DROP AND KATHRYN DECIDED THE GANG should take in a movie. Not just any movie but
Kathryn couldn’t contain it. She saw the whole dream of her life coming together as those chippies danced and twirled onscreen with big silver dollars on their hands and stuck between their legs over their snatches. Hands waving. Feet skipping. Twirling, dancing, and jumping.
Here she was. Cleo Brooks. Born in Saltillo, Mississippi. Born on nothing. Born to nothing. She’d been stupid, getting knocked up at fifteen because some boy told her he just wanted to feel it for a second, and then getting involved with that moody bastard Charlie Thorne, who said he’d die for her-and did-and then Little Steve Anderson, who damn near killed her. She remembered being black-and-blue, mouth cut and bloody, his slim, bony hands knocking the stuffing from her every night he got loaded on bathtub gin, and then nearly being sent to prison for pinching a bottle of perfume and a velvet beret. It was George who bailed her out of the can, him being nothing more than a childish scrawl on a cocktail napkin, and the one who told Anderson -that big-dick bootlegger in Fort Worth -that if he so much as looked at her again, he’d rip his goddamn head off and shit down his neck. But somehow every step-from Mississippi to Tulsa and to Fort Worth -had brought her here to Kansas City, where she was finally going to be the woman that she’d imagined. All they needed was that fat Gladstone grip.
She wanted to dance on the seat but instead squeezed Albert Bates’s meaty arm. He ate some more popcorn and gave her a solid ole wink like only a good mug could handle.
George started to snore, fedora over his eyes, and Kathryn glanced behind her in the big space of the movie theater, finding that there were only six people at the matinee. She moved her shoulder, and his head lolled to the side, splurting awake, then finding her shoulder and snoring again.
Albert finished the popcorn and wadded up the bag.
He checked his watch.
It had been a long night, and during a sappy love scene she found herself in the bathroom and washed her face and hands, reapplied her makeup and ran a comb through her black hair and used some dark wine tint on her lips.
She’d been on a train and in a car so long that her ass hurt. And she hung back from the boys for a bit, leaning into the wall of the darkened theater. She pulled some loose hair from her face and tucked a knuckle under her chin. She’d always felt rich in a movie house. She liked the way this place had long red drapes sashed open, red lamps, glowing like a Chinaman’s tearoom, running down the aisles. Lots of brass railings and comfortable velvet seats. You could be anyone in a movie house and dream as big as you wanted without feeling like a sap. She’d worn her best gown and some comfortable T-strap slippers. They’d go out tonight. They had to go out. She didn’t care a bit about George wanting them to lay low. What’s the use of being rich if no one saw you flaunt it?
She checked her watch. This drop was as slow as Christmas.
Blondell was on the street now in a fine French number, scarf knitted gaily at her throat, watching some poor bastard stoop to his knees to pick up a discarded cigarette. She grabbed the man’s shoulder as if in some ballet and lit her own fresh cigarette with his and gave the poor bastard the new one.
