The Devil's Alphabet

could picture the world through its gemstone eyes, feel the weight in his thorax as he weaved drunkenly toward the trees, humming like a clarinet, winging mightily to keep his bloated body in the air…

He slipped back into his body with a lurch. Something was watching him from the trees.

He sat very still. Not out of fear-though he realized that any other time he might have been afraid-but out of curiosity. About twenty feet up one of the big pines, he could just make out a dark mass that clung to the trunk. It had stopped moving as soon as he’d looked directly at it, or else it was about to move. He slowly tilted his head, trying to tease out its outline-but then headlights sliced through the trees and the spell was broken.

A car came down the drive. More chubs? Pax thought tiredly. He’d just about had it with the fat boys.

He pushed the paper towel into his pocket.

The vehicle parked behind his father’s car. It was a classic Ford Bronco from the seventies with a white hood and red body, big tires, shiny rims. It still looked good.

The cab lit up as the door opened, and a figure in a baseball cap climbed out of the truck and came around the hood. It was a beta man, dressed in a loose button shirt and jeans.

“How you doing, Tommy?” Pax said.

The man stopped abruptly. “I didn’t see you there,” Tommy Shields said in that soft voice. “I hope I-I know I’m coming awfully late. I just came to drop something off.”

“It’s fine. I was just getting some fresh air.” Pax decided that his own voice sounded perfectly normal. “My dad’s asleep, though, if you came to see him.”

Tommy gave no indication of hearing the old man’s snoring. “No, no,” he said. “It’s for you. I’m glad I caught you before you left town. I found something in Jo Lynn’s things, and I thought… well, I thought you might like it.”

“Just a second,” Pax said. He stood quickly and had to pause for a moment, lightheaded. He opened the front door and reached in to flick on the porch light. Gnats immediately converged on the light, fizzing. He blinked up at them.

“Are you okay?” Tommy said. “You don’t look so good.”

Pax turned back to him, shaking his head. “I’m fine. I was just… What you got there?”

Tommy lifted the thing in his hand. “Jo Lynn kept this on her dresser,” he said. “When we used to live together.”

It was a framed picture. Pax took it from him and tilted the glass face to catch the light. Pax, Jo, and Deke, twelve or thirteen years old, a couple summers before the Changes. They stood in bright sunlight, sheer gray rock behind them. The boys were skinny and shirtless, Deke in cutoff jeans and Pax in real swimming trunks. Jo wore a one-piece suit, her brown hair hanging to her shoulders, wet and straggly. The three of them beamed at the camera.

He didn’t remember the day the picture was taken-not exactly-but he felt the overlay of dozens of days like it: skin and sunlight and cold mountain water. “My parents used to take us all swimming,” Pax said. “This looks like it was up at the Little River.”

“She talked to me about you,” Tommy said. “You were important to her.”

“Well, Jo was-” He wanted to say, She was important to me too. But his life had made a lie of that. After leaving Switchcreek he’d never talked to Jo again, and never talked to anyone about her. Then he’d moved into the city and set about making his old life into fog, too indistinct for anyone to ask about or remember. Erasing the past was easy, like walking in a snowstorm. The footprints filled in by themselves.

Tommy said, “You don’t understand, she talked to me about what happened.” The beta looked at him, that flat dark face intending something that Pax couldn’t interpret. “She told me what you did together. You and Jo and Deke.”

Pax stood very still, a slight smile on his face. “We did a lot of stuff together. She was like a sister to us. My mother practically adopted her.”

“She told me, Paxton,” Tommy said. “You don’t have to pretend with me. I was her husband. When you raise children together, you share a trust. A bond.”

“A bond.”

“I know it’s hard for someone like you to understand, but Jo Lynn and I-”

Someone like me? “Jo Lynn left you, Tommy. She moved out on her own. So what kind of bond was that, exactly?”

“Jo Lynn made a bad decision. And the past couple years… well, she hadn’t been herself. If you were around, if you had talked to her, you would know that. She wasn’t the same person anymore.”

“Maybe she just figured out she didn’t need you-hell, didn’t need any of you. This husband thing…” He tried to remember what Aunt Rhonda had said about betas and husbands. “How’s that work exactly? You’re not the girls’ father, you’re not-”

“Maybe not their biological father, but I am their parent,” he said. “That’s the only way that counts.”

Pax almost laughed. He suddenly saw himself as Tommy saw him: a cocky skip, untouched by the Changes and untouchable, riding back into town to claim old rights he’d long abandoned. It was ludicrous, but a dozen other emotions jostled for Pax’s attention-anger, amusement, disgust, jealousy-and he felt them all at once. He couldn’t decide which of the emotions were his own and which were Tommy’s.

Pax said, “And now you’ve got the girls back, you’re keeping ’em, huh?”

Tommy closed his eyes, opened them. “Rainy and Sandra are my daughters. That’s not a secret, Paxton. Everyone in the Co-op knows that they mean everything to me.”

“And you’re the sole owner now.”

“Stop making it sound like that! This isn’t about-” Tommy shook his head and stepped forward. “I know what you’re thinking, Paxton. You’re remembering the old me. It’s true, I wasn’t the nicest guy. But the Changes woke me up, shook out all that bullshit. For the first time in my life I started thinking clear.”

“Born again,” Pax said. Tommy stared at him. “You don’t understand anything, do you?”

“Why don’t you explain it to me.”

Tommy turned and began to walk back toward the Bronco.

“Did you kill her, Tommy?” Pax said. “Come on, you can tell me, we’re buddies.” He realized that he was equally ready to strangle the little bald man or hug him. “Maybe you got angry that she took the kids away from you. That makes total sense. Anybody would sympathize with that.”

Tommy put a hand on the fender and looked over his shoulder at him. “I came to tell you that Jo forgave you, Paxton. For running out on her, for never calling, never asking about the girls.”

Pax blinked.

Tommy shook his head. “Me, I couldn’t let that pass. But Jo’s a better person than I am.”

Pax watched Tommy turn the four-wheel drive around and drive away. Then he rubbed his face with one hand, holding the picture to himself. Damn, he thought. This is mighty shit. He’d barely tasted the vintage. A dab. For a minute there he felt like he was halfway out of his skin and into Tommy’s.

He turned toward the house, the glass of the picture frame smooth under his thumb. Inside, his father was waiting for him, snores rattling the walls, his robe open like a medicine cabinet.

“Show us,” Pax said. It began as simply as that.

Jo tilted her head and said nothing. She sat in the armchair, one smooth leg draped over the arm. It had become so hard to read her new body that he couldn’t tell if she was angry, embarrassed, or amused.

“Oh! You Pretty Things” played on the boom box. Jo was into old Bowie, Ziggy Stardust and earlier. She’d declared Hunky Dory to be the official soundtrack of the Switchcreek Orphan Society. From “Changes” to “Kooks” to “The Bewlay Brothers”-their whole story was there.

“No,” she said finally. “All of us. Right now.”

Deke laughed, a thump like a drum. He lay sprawled across the floor, surrounded by crushed Budweiser cans. Six months after the Changes he was almost eight feet tall and still growing; during a growth spurt his back would sometimes seize up, paralyzing him. Growing pains, the argos called them, even though nobody knew if they were temporary, or if they’d be part of their lives forever. Deke’s preferred treatment was to lie flat on the floor and try to get drunk, which because of his giant body required the openmouthed throughput of a storm drain. Pax and Jo drank with him, less in solidarity than because the quarantine and curfew left them few other entertainment options.

“Y’all knock yourselves out,” Deke said.