The arrangements for the bath were unbelievable, she cried, tearing herself to pieces with her own anger. On bath nights two petrol tins of water were heated on the stove, and carried into the bathroom and set down on the floor. They were covered over with thick farm sacks to keep the water hot, and the sacks were hot and steamy and sent up a musty smell. Across the tops of the tins pieces of brushwood had been wedged, to carry them by, and the wood was greasy with much handling. She just would not put up with it, she said at last, turning to leave the bathroom in angry distaste. She called the boy and told him to scrub the bath, to scrub it until it was clean. He thought she meant the usual scrubbing, and in five minutes had finished. She went to examine it: it was just the same. Stroking her fingers over the zinc, she could feel the crust of dirt. She called him back and told him to clean, to clean it properly, to go on scrubbing till it shone, every inch of it.

That was about eleven in the morning.

It was an unfortunate day for Mary. It was on that day that she made her first contact with `the district', in the shape of Charlie Slatter and his wife. It is worth while explaining in detail what happened that day, because so many things can be understood by it: she went from mistake to mistake, with her head held high and her mouth set tight, rigid with pride and the determination not to show weakness. When hick returned to lunch, he found her cooking in the kitchen, looking positively ugly with anger, her face flushed and her hair untidy.

`Where is the boy?' he asked, surprised to find her doing his work.

'Cleaning the bath,' she said shortly, snapping out the words angrily.

'Why now?’

'It's dirty,' she said.

Dick went into the bathroom, from where he could hear the sluish, sluish of a scrubbing brush, and found the native bent over the bath, rubbing away, but making little impression. He returned to the kitchen.

'Why start him on it now?' he asked. 'It's been like that for years. A zinc bath goes like that. It's not dirt, Mary, not really. It changes colour.'

Without looking at him she piled a tray with food and marched into the front room. 'It's dirt,' she said. 'I will never get into that bath again until it is really clean. How you can allow your things to be so filthy I cannot understand.'

'You have used it yourself for some weeks without complaining,' he said dryly, automatically reaching for a cigarette and sticking it between his lips. But she did not reply.

He shook his head when she said the food was ready and went off to the fields again, calling for the dogs. When she was in this mood, he could not bear to be near her. Mary cleared the table, without eating herself, and sat down to listen to the sound of the scrubbing brush. She remained there for two hours, her head aching, listening with every muscle of her tensed body. She was determined he should not scamp his work. At half-past three there was sudden silence, and she sat up, alertly ready to go to the bathroom and make him begin again. But the door opened and he entered. Without looking at her, addressing her invisible double that stood to one side of her, he said that he was going to his hut for some food, and would go on with the bath when he came back. She had forgotten about his food. She never thought of natives as people who had to eat or sleep: they were either there, or they were not, and what their lives were when they were out of her sight she had never paused to think. She nodded, feeling guilty. Then she smothered her guilt, thinking, 'It's his fault for not keeping it properly clean in the first place.'

The tension of listening to his working relaxed, she went out to look at the sky. There were no clouds at all. It was a low dome of sonorous blue, with an undertone of sultry sulphur-colour, because of the smoke that dimmed the air. The pale sandy soil in front of the house dazzled up waves of light, and out of it curved the gleaming stems of the poinsettia bushes, bursting into irregular slashes of crimson. She looked away over the trees, which were dingy and brownish, over the acres of shining wavy grass to the hills. They were hazy and indistinct. The veld fires had been burning for weeks, all round, and she could taste the smoke on her tongue. Sometimes a tiny fragment of charred grass fell on her skin, and left a greasy black smudge. Columns of smoke rose in the distance, heavy bluish coils hanging motionless, making a complicated architecture in the dull air.

The week before a fire had swept over part of their farm, destroying two cowsheds and acres of grazing. Where it had burnt, lay black expanses of desolation, and still, here and there, fallen logs smoked in the blackness, faint tendrils of smoke showing grey against the charred landscape. She turned her eyes away, because she did not want to think of the money that had been lost, and saw in front of her, where the road wound, clouds of reddish dust. The course of that road could always be marked, because the trees along it were rust-coloured as if locusts had settled on them. She watched the dust spurt up as if a beetle were burrowing through the trees, and thought, `Why, it is a car!' And a few minutes later she realized it was coming to them, and felt quite panicky. Callers! But Dick had said she must expect people to come. She ran into the back of the house, to tell the boy to get tea. He wasn't there. It was then four: she remembered that half an hour before she had told him he could go. She ran out over the shifting mass of chips and bark-strips of the wood-pile, and, drawing the rusty wooden bolt from the crotch of the tree, beat the plough disc. Ten resonant clanging beats were the signal that the houseboy was wanted. Then she returned to the house. The stove was out; she found it difficult to light; and there was nothing to eat. She. did not bother to cook cakes when Dick was never there for tea. She opened a packet of store biscuits; and looked down at her frock. She could not possibly be seen in such a rag! But it was too late.

The car was droning up the hill. She rushed out into the front, wringing her hands. She might have been isolated for years, and unused to people, from the way she behaved, rather than a woman who for years and years had never, not for a minute, been alone. She saw the car stop, and two people get out. They were a short, powerfully-built, sandy-coloured man, and a dark full-bodied woman with a pleasant face. She waited for them, smiling shyly to answer their cordial faces. And then, with what relief she saw Dick's car coming up the hill! She blessed him for his consideration, corning to help her out on this first visit. He had seen the dust-trail over the trees, too, and had come as soon as he could.

The man and the woman shook her hand, and greeted her. But it was Dick who asked them inside. The four of them sat in the tiny room, so that it appeared even more crowded than ever. Dick and Charlie Slatter talked on one side, and she and Mrs Slatter on the other. Mrs Slatter was a kindly soul, and sorry for Mary who had married a good for-nothing like Dick. She had heard she was a town girl, and knew herself what hardship and loneliness was, though she was long past the struggling state herself. She had, now, a large house, three sons at university, and a comfortable life. But she remembered only too well the sufferings and humiliations of poverty. She looked at Mary with real tenderness, remembering her own past, and was prepared to make friends. But Mary was stiff with resentment, because she had noticed Mrs Slatter looking keenly round the room, pricing every cushion, noticing the new whitewash and the curtains.

`How pretty you have made it,' she said, with genuine admiration, knowing what it was to use dyed flour sacks for curtains and painted petrol boxes for cupboards. But Mary misunderstood her. She would not soften at all. She would not discuss her house with Mrs Slatter, who was patronizing her. After a few moments Mrs Slatter looked closely at the girl's face, flushed, and in a changed voice that was formal and distant, began to talk of other things. Then the boy brought in the tea, and Mary suffered fresh agonies over the cups and the tin tray. She tried to think of something to discuss that was not connected with the farm. Films? She cast her mind over the hundreds she had seen in the last few years, and could not remember the names of more than two or three.

Films, which had once been so important to her, were now a little unreal; and in any case Mrs Slatter went to the pictures perhaps twice a year, when she was in town on her rare shopping trips. The shops in town? No, that was a question of money again, and she was wearing a faded cotton frock she was ashamed of. She looked across to Dick for help, but he was absorbed in conversation with Charlie, discussing crops, prices, and – above all – native labour. Whenever two or three farmers are gathered together, it is decreed that they should discuss nothing but the shortcomings and deficiencies of their natives. They talk about their labourers with a persistent irritation sounding in their voices: individual natives they might like, but as a genus, they loathe them. They loathe them to the point of neurosis. They never cease complaining about their unhappy lot, having to deal with natives who are so exasperatingly indifferent to the welfare of the white man, working only to please themselves. They had no idea of the dignity of labour, no idea of improving themselves by hard work.

Mary listened to the male conversation with wonder. It was the first time she had heard men talk farming, and she began to see that Dick was hungry for it, and felt a little mean that she knew so little, and, could not help relieve his mind by discussing the farm with him. She turned back to Mrs Slatter, who was silent, feeling wounded because Mary would not accept her sympathy and her help. At last the visit came to an end, with regret on Dick's side, but relief from Mary. The two Turners went out to say good-bye, and watched the big expensive car slide

Вы читаете The Grass is Singing
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату