Bombard the victim with sound waves-eight hundred thousand cycles per second. Sound kills bandit cells, drives victim crazy. Oh yes, oh yes. But by the grace of Aesculapius, god of medicine, we'll lick the Big C and make America safe for babies and other growing things. Radiation and/or surgery. Cut and burn, cut and burn. Toss me that pack of cigarettes.'
'Did any of your patients despise the very earth you walked on?'
'You must be kidding. I was beloved by my patients. Making my rounds of a spring morning I would nod to them on the street and they would nod back. Many's the time they nodded first.'
'Cervix, doctor.'
'Neck of the womb. Scrape surface of vagina for fluid. Or get it out of there with a tube. Run a smear test, one of my favorites. Dry fluid on a glass slide. Stain it. Hand it over to a pathologist. Say the physician's prayer. Give me strength and leisure and zeal to enlarge my knowledge. Our work is great and the mind of man presses forward forever. Thou hast chosen me in Thy grace to watch over the life and death of Thy creatures. I am about to fulfill my duties. Guide me in this immense work so that it may benefit mankind, for without Thy help not even the least thing will succeed. I like that part about leisure.'
'Internal examination, doctor.'
'Probe and investigate. Seek and find. Make soundings. Great earth and sea smell comes blowing out. Changing tides. Sandalwood and spices. Harvest time in Flanders. I like to dilly and dally just a bit. It relaxes them.'
'Death, doctor.'
'Never say die is what I say. Pump glycerol into the circulatory system. Put the body on ice in a plastic bag. Place in vacuum capsule full of liquid nitrogen. Cool to three hundred twenty degrees below. Once we figure out how to thaw the sons of bitches, we'll have mass resurrections from coast to coast.'
'We've run out of time,' I said.
'That'll be one hundred and fifty dollars.'
Any description of the main street of Fort Curtis can begin and end inside this very sentence. Beyond that I find only redundancy. The same six words identify the thing to be described and serve to describe it. The main street of Fort Curtis.
It was there that I wandered about with my strolling players, Austin Wakely and Carol Deming, each of us filled with the crosscurrents of love that pass between collaborators in secret acts, creators, interpreters, artisans, mapmakers, weavers of the speed of light. People in the street passed us, distantly, unadvised of our commitment, fairly large numbers on that warm evening, moviegoing, shopping for seasonal items-paint, window screens, lightweight shoes. The breeze smelled of commerce, of leather goods and exhaust fumes, very pleasant in a way, the Greek figs of one's childhood. That street was a thoroughly American place, monument of collective nostalgia, and we read the store signs aloud and looked at the glossy stills behind paneled glass outside the movie theater. Nobody knew who we were and we didn't know each other.
They were fascinated by the walls of my room. I put up a bedsheet to block out the words in the area where they'd be sitting. Soon we were ready. Austin was in his jockey shorts, sitting in a chair in front of the bedsheet. Carol wore black underwear of the bikini type. She sat next to Austin in an identical straightback chair. I was getting very intricate here, not just tampering with the past, changing its color a bit, but mixing pasts together and ending at least in part with a film of a film. Terribly intricate. But the actors did not ask questions. Underwear is humorous and only the undemocratic mind interrogates humor.
When Austin was dressed I asked him to leave and he said he'd wait outside in his car. Carol put on one of my shirts and read quietly through the next scene. I tried not to sneak looks at her as I played with the tape recorder. I felt it was important to keep things on a strictly professional level and I wanted to make a casual remark, something technical about sound or lighting, but nothing very scientific arrived at the tip of my tongue. Then Brand showed up, surprisingly, on time. Carol went into the bathroom and Brand stripped down to his shorts, long white things with green alarm clocks on them. She came out wearing a thigh-length nightgown and walked toward the bed without looking at either of us. Glances carefully prepared to indicate nothing more than mild interest were exchanged between Brand and me as we noted the soft commanding bounce of her breasts. Carol stood on the bed, hands on hips, looking about her as if to make sure the set had been cleared of all but essential personnel, and then lowered herself to a pillow, where she sat wrapped in her own limbs, an entrance and a place-taking of totally serious humor, one level of personality already in role and trying to demand obedience of the other, which perhaps was beginning to hate the camera. Brand sat on the other pillow. I told him to take off his glasses. Then we discussed what was to follow. Although Brand assured me that he had memorized his lines, I insisted on an improvised scene, first because I didn't trust him, second because I didn't like what I had written. I told them to retain the spirit of the thing and forget the details. Carol stared at the inkblue dogs on Brand's arm, the fornicating dogs. He blinked several times and reached for his glasses but I moved them out of reach. I set up camera and tripod at the foot of the bed.
