field, the grass waist-high in places. There was a sign: PRIVATE. It was a pastured square, woods on three sides, the bay to the west. Pammy lay back, undoing her shirt. At this hour sunlight reached nearly every part of the meadow.
'I'm no longer dejected.”
'Grass, it stings. It's not like movie grass.”
'We forgot the cheese, fruit, chicken, bread and two kinds of wine.”
'I used to think grass, a picnic,' he said.
'I've been secretly dejected. Now it can be told. I wanted an aggressive suntan. I came here seeking just that. A deep bronze effect. Middle-aged ladies have them sometimes. Like your skin is so parched and bronzed it's almost verging on black. That baked-in look. Like you feel tremendously healthy and good but you resemble this creature, like who's this dug-up thing with the weird wrinkles. I wanted to do that once in my life but fool that I am I didn't realize this would not be the place. So I'm going to relax and get over my dejection and just get what's available, a faint pink tinge.”
'Good luck.”
'Get into the grass.”
'It has things.”
'Come on, Laws, sink in, be one, merge.”
'Be one with the grass.”
'The earth, the ground.”
'Earth, creature, touch.”
'Blend,' she said.
'Air, trees.”
'Feel wind.”
'Birds, fly, look.”
'Wing, beak.”
'Sound they make, calling.”
'Up in sky.”
'Make sound, talk.”
'White gull, much air for wings to flap.”
'Make fly over broad waters to land of Mamu the bear.”
She sat up to take off her sneakers, then undid her jeans, pushed them off with underwear inside them and slid both away with her feet, a well-executed rejection, coming last out of the shirt, which she arranged beneath her before settling back again, arms at her sides. Jack stood up to undress. She liked seeing him against the sky, defined that way, clear and unencumbered, flesh tones a perfect compensation, a wry layered grade, for that extravagant blue. Trite, she thought. Muscled body against sky. Soft-core fascist image, Ethan would say. But what the hell, folks, it's fun to mythologize.
'Getting out of clothes.”
'Don't you love it?”
'What is it about getting out of clothes, just stepping out?”
'I know,' she said.
She lifted one leg, trying to nick Jack's left testicle with her big toe. He covered up in mock horror, squealing. A light breeze.
They lay side by side, beginning to sweat a little, satisfy-ingly, as the day reached its warmest point. She raised up on one elbow, watching him. The grass was a problem, itching, digging in.
It was to be a serene event, easefully pleasant sex between friends. The low-grade tension that existed would be released, softly, in a mutual assuagement, a sweetening, clement beyond the edges of its strangeness, the seeming inconsistencies. The child in Jack was what she would seek, the starry innocent, drifting, rootless, given to visions. It was to be a sympathetic event.
She touched his belly with the back of her hand. Jack looked at her carefully, a testing of intentions, a question being put to both their souls, the armature, the supporting core, of their free discretion. He put his hand to her shoulder and moved it down the length of her arm until it met her own hand. He did not guide as much as accompany her.
It became for a time a set of game-playing moods. They scribbled on each other's body. They touched reverently. They investigated with the thoroughness of people trying to offset years of sensory and emotional deprivation. At last, they seemed to be saying, we are allowed to solve this mystery. This was part of the principle of childlikeness that she had sought to establish as their recognized level of perception. With slightly pious curiosity they handled and planed. It was the working-out of a common notion, the make-believe lover. They were deliberate, trying to match the tempo of their mental inventions, hands seeking a plastic consistency.
This interval would pass, these midafternoon abstractions, the mild loving by touch, the surface contact.
Jack sat leaning to one side, left arm giving support, left leg sprawled, the right flexed. Pammy knelt against his haunch, at the deep hollow formed by his hip and upcurved thigh, one hand in his lap, curled there, motionless, the other grazing his head, the back of Jack's head, the patch, the white sign of something, Jack's tribal secret, his meaning, what made him pristine. Posed almost classically on the grass, he kept his face turned from her. Strange, the unnatural whiteness, a pure grade of chalk, it seemed, ground down and mixed with water, the sort of transforming flaw that raises a thing (to be crude, she thought) in price. She rolled her thumb over the area, one inch square, feeling the hair spring back. It was well-trimmed here, of characteristic texture.
He got to his feet and stood over her, cock-proud Jack, bits of dirt and grass stuck to his lower body.
On his back, he put his thumbs to her nipples. His face was reddish and wet and he appeared to be in some middle state, he appeared to be wondering, he appeared to have forgotten something.
Behind him, on their sides, she reached forward and lifted his leg back over hers. There was a small collapse in format and she settled in under him, taking hold, trying to work in, to cancel all distinction between surfaces.
She straddled his chest again, knees inserted in his armpits. She forced his arms closer to his body and dug in, drove with her knees, off-balance, filling, working in, getting tighter, interlocking.
The aspect and character of these body parts, the names, the liquid friction. Dimly she sought phrases for these configurations.
Prone on her own shirt, she felt his hands pressing on her buttocks, redistributing bulk, spreading them to glide his cock along each side of the indentation. Her shirt somehow was the energizing object here. She forced her pelvis up, countering the pressure of his weight, and put her hand under the shirt, lowering her body onto it then, lightly, her left arm providing leverage, the right hand clutching the shirt, bringing a handful up into her crotch. Jack eased off as her legs closed around the shirt and she rolled on her side, knees tucked up, the shirt hanging out of the crease where her legs were joined.
This left and right. Leg, index finger, testicle and breast.
This crossing over. The recomposition of random parts into something self-made. For a time it seemed the essential factors were placement, weight and balance. The meaning of left and right. The transpositions.
Jack, crosslegged, watched. She rubbed the shirt between her thighs repeatedly, knees coming unlocked in the surgical pressure and friction. She opened out toward him, a shade manic, breathing as though in some crosscurrent of exhaustion and need, her eyes empty of intent.
It was no longer an event designed to surprise familiar pleasures. He would cross to her and she would reach out, blankly. They would thread onto each other, her hand at the back of his head. Who were they, stretched this way along each other's length, refitting, going tight, commencing again to function? Her swimmer's body arched against him. Ethan's Jack and Pam. From time to time, weightless, she was able to break through, to study her own involvement, nearly free from panic and the tampering management of her own sense of fitness, of what agrees to observe reason. This lasted but seconds. The rest was dark, a closing over of extraneous themes. She sought release in long tolling strokes. What she felt, the untellable ordeal of this pleasure, would evolve without intervention, a transporting sequence of falling behind and catching up to her own body, its pre-emptive course, its exalted violence of feeling, the replenishments that overwhelm the mortal work of the senses, drenching them in the mysteries of muscles and blood. This ending segment then was 'factual,' one-track, and she would close, slaked, in a fit of hiccups.
Jack sat in the grass, his eyes following a large bird, cormorant probably, arcing out over the bay, Pammy got
