were brown, her hair was brown. She knocked the empty coffee cup into the saucer. The concierge's wife came out, a broad woman in house slippers.Cold.Cold.Very cold.Later my father called.'What time is it there?' he said.We talked about the time, the weather. He'd received a letter from Tap and a card from Kathryn. Printed at the bottom of the card, he said, was the following sentence: No trees were destroyed to make this card. This annoyed him. Typical Kathryn, he said. Most of his anger came from TV. All that violence, crime, political cowardice, government deception, all that appeasement, that official faintheartedness. It rankled, it curled him into a furious ball, a fetus of pure rage. The six o'clock news, the seven o'clock news, the eleven o'clock news. He sat there collecting it, doubled up with his tapioca pudding. The TV set was a rage-making machine, working at him all the time, giving him direction and scope, enlarging him in a sense, filling him with a world rage, a great stalking soreness and rancor.'Do they have exact-change lanes?' he shouted out to me. 'What about goat cheese, Murph wants to know. In case we might visit, which I seriously doubt.”When the violet light seeps into Hymettus, when the sky suddenly fills with birds, tall wavering spiral columns, I sometimes want to turn away. These birdforms mingle, flash, soar, change color light to dark, revolve and shimmer, silk scarves turning in the wind. Bands of light pour out of cloud massifs. The mountain is a glowing coal. How is it the city keeps on functioning, buses plowing through the dusk, while these forces converge in the air, natural radiances and laws, this coded flight of birds, a winter's day? (Kathryn would know what kind of birds they are.) Sometimes I think I'm the only one who sees it. Sometimes, too, I go back to whatever I was doing, to my magazine, my English-Greek vocabulary. I come in off the terrace and sit with my back to the sliding door.You don't allow yourself the full pleasure of things.A white-armed traffic cop stands in the dark, gesturing, beckoning to the gathered shapes. I hear the cadenced wail of an ambulance stuck in traffic. How hard it is to find the lyrical mode we've devised to accompany our cities to their nostalgic doom. An evolution of seeing. The sensibility that enables us to see a ruined beauty in these places can't easily be adapted to Athens, where the surface of things is mostly new, where the ruin is differently managed, the demise indistinguishable from the literal building-up and building-out. What happens when a city can't fade longingly toward its end, can't be abandoned piece by piece to its damaged truth, its layered ages of brick and iron? When it contains only the tension and paralysis of the superficial new? Paralysis. This is what the city teaches us to fear.The ambulance stands fast, wailing in the night. The kiosks are lighted now.

8

We stood by the side of the road, pissing in the wind. A hunter in a camouflage jacket came up out of the woods, called a greeting. Steam drifted up from the riverbed.'Where do we go next?”'We cross this range, we eat lunch, then we drive south.”'Good,' he said.'You like that idea.”'As long as we drive. I want to keep driving. I like the driving.”The mountains here contained a sense of time, geologic time. Rounded, colorless, unwooded. They lay in embryo, a process unfolding, or a shriveled dying perhaps. They had the look of naked events. But what else? It took me awhile to understand in what precise way these pale masses, southwest of Argos, seemed so strange and irreducible, in what way they worked a mental labor in me, forcing me to shift my eyes time and again, keep to the wheel, look to the road. They were mountains as semantic rudiments, barest definitions of themselves.'Maybe it'll be warmer down there.”'How far down?”'All the way,' I said. 'Where Europe ends.”'I don't mind the cold.”Tap had nothing to say about the landscape. He seemed interested in what we saw, even engrossed at times, but said nothing, looked out the window, tramped the hills. Eventually I did the same, talking about anything but what was out there. We let the features gather, the low skies and mists, the hilltops edged with miles of old walls, fallen battlements, that particular brooding woe of the Peloponnese. It hovers almost everywhere, war memory, a heaviness and death. Prankish castles, Turkish fortresses, ruined medieval towns, the gateways and vaulted cisterns, the massive limestone walls, the shaft graves, the empty churches with their faded All-Creator floating in the dome, the curved Lord, the non-Euclidean, and the votive lamps below, the walnut throne, the icons in the side galleries, Byzantine blood and gold. All we did was climb, drive and climb. For three days the weather was overcast and cold. We climbed the rubble trails, the goat and donkey paths, the tunnel stairways, the rutted spiral tracks to upper towns, we climbed the Gothic towers, the broad ramps of Mycenaean palace mounds.'When I'm swimming, Dad.”'Yes.”'And I put my head under the water.”'Yes.”'How come the water doesn't rush into my ears and nose and fill my whole body, sending me to the bottom, where I'm crushed by the pressure?”South. The plains and orchards. Bare poplars in the distance, a combed silk shimmer. This wasn't a bad road. Others unsurfaced, some half washed off the edge of mountains, or rock-scattered, or ending in a pile of gravel, machines scaled with gray mud.'That's it,' he said. 'That's the question. I'm finished.”Now, ahead, high above us, the hammered sheet, the broad snowy summit of Taygetus. This is the range that thrusts down through the Mani, the middle peninsula of the southern Peloponnese, the middle tit, Owen had called it, all mountain and wild coast.That whole afternoon we saw half a dozen cars, as many men with dogs and guns. A man riding a horse, a woman who walked behind him holding the horse's tail.The towns were small, with empty streets and squares. Wind blew across the olive groves, causing a wild tremor, a kind of panic, treetops going silver. We passed rubble fields, rock walls, groups of whale-back boulders, hillsides covered with enclosures of rough stone.We waited out a downpour in a deserted village square. An old church, a well, a cut-back mulberry tree. The rain was continuous, a single wavering surface, beating on the roof and hood. It was Christmas Day.A mountain cloud kept rolling toward a white village, then merged with warmer air and vanished. Again it fell, like a rush or slide of timeless snow, disappearing in the air above the village.In our mood of reticent observation, of speaking of other things, the journey through the Mani became something like a pure rite of seeing. This was appropriate, I thought. If Athens is a place where people breathe the spoken word, if much of Greece is this, then the Mani forms an argument for silence, for finding a way to acknowledge the bleakness that carries something human in it. Tap peered through the windshield, he looked at things with an odd thoughtfulness. We would see what was here, see clearly through the rain shrouds that hung in the gorges, through the bluish smoke high-piled on the coast.We came to a town that was larger than the others, built at a crossroads, a hotel on the edge of it, two-story cement, boarded shut. I drove slowly down a narrow street to what I thought might be the main square, small as it was, halfhearted, oddly shaped, an historical pause. In the narrowness of this place the stone houses loomed. We got out in a light rain, flexing our legs, and walked toward a cobbled street that seemed to lead down to the water. Doors opened in abandoned houses, wind-swayed. We heard goat-bells nearby and passed a church, seeing three goats come over a broken wall. There were more houses with swinging doors, a butcher shop with an empty meat case, a man standing in the dark near the counter.When we started down the stone path a wind came cutting up to meet us and we looked at each other and turned around. At the end of a street, bulking high over the road we'd just been on, was a massive anvil rock, maybe five hundred feet tall, a dark presence, a power like a voice in the sky. I spotted a cafe, tall windows, someone moving about. I told Tap to wait in the car and I went inside.It was a shabby place, two tables occupied. A man stood in a doorway at the back. It wasn't clear whether he was in charge or just hanging around. It was that kind of place, run by someone who drops in when he thinks of it. I asked the man, in Greek, about hotels nearby. He made a barely perceptible sign, a head movement, the smallest action of eyes and lips. Total disdain. Utter and aloof and final dismissal of all subject matter pertaining to this question, now and forever. A soul shrug. A gesture that placed the question outside the human environment, the things men will rouse themselves to discuss.He was a grave man with wavy black hair, a thick mustache. I crowded him, as I tended to do when speaking Greek, in order to avoid being overheard by others, and said in an earnest halting way that I had three maps of the area south of here, the area where the main road makes its deepest penetration, then turns to go up the opposite coast. And the maps were all different. And I wondered if he could look at the maps and tell me which one was accurate, if any. The people at the nearest table, not Greeks, stopped talking when I was halfway through my recitation. This made me nervous, of course. Not that it mattered to the black-haired man. He said something I didn't understand, three, maybe four words, looking past me to the front window.The voices resumed. I bought some chocolate bars for Tap. Then I asked if there was a toilet. The man looked to his left and I asked if this meant outside and he looked again and I saw that it did.I walked through an alley, across a muddy yard to the toilet. It was the terminal shithouse of the Peloponnese. The walls were splattered with shit, the bowl was clogged, there was shit on the floor, on the toilet seat, on the fixtures and pipes. An inch of exhausted piss lay collected around the base of the toilet, a minor swamp in the general wreckage and mess. In the chill wind, the soft sweet rain, this doleful shed was another plane of experience. It had a history, a reek of squatting armies, centuries of war, plunder, siege, blood feuds. I

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