ADVANCE PRAISE FOR EXSANGUINATIONS
'Petrescu has done it! This text will stand for many cycles of Conversion hence. There can be no finer manual for the Vampiric existence than this lovely volume, no more concise and sensitive expression of the postmodern fiend.'
– Genevra Verzini
'Dare I call this the Vampiric Bible? I think I must, for no more inclusive and profound a book has yet been produced in the Community.'
– Adrian Maru
To interview Anna S. Oppenhagen-Petrescu, or to request more information about
Exsanguinations or any other Csejthe Press titles, contact Csejthe Press publicity director Andrei Bogoescu at [email protected].
EXSANGUINATIONS
by Anna S. Oppenhagen-Petrescu
(Non-Fiction / 978-1-59780-156-0 / $15.95 / 400 pages)
a Csejthe Press trade paperback / October 2009
to learn more visit www.csejthepress.com
Lucy, In Her Splendor by Charles Coleman Finlay
Charles Coleman Finlay is the author of the novel The Prodigal Troll. Writing as C. C. Finlay, he has a historical fantasy trilogy called Traitor to the Crown just out from Del Rey, consisting of The Patriot Witch, A Spell for the Revolution, and The Demon Redcoat. Finlay's short fiction has appeared in several magazines and anthologies, and has been collected in Wild Things. His novella, 'The Political Prisoner,' is a finalist for the 2009 Hugo and Nebula awards.
Finlay says that the appeal of the vampire is about the seduction of easy, self-gratifying choices, and the prices we pay for our pleasures. 'It's about the contradiction that happens when we peer at the darkness within ourselves only to find a light,' he said. 'I suspect that vampires are a kind of literary Rorschach test, revealing the suppressed secrets of our individual personalities and emotional states. That's why they're such a source of endless fascination.'
'Lucy, In Her Splendor' is about a couple that owns a bed and breakfast on an island. What happens on the island stays on the island, even when you'd rather have it go away.
When they were done, they sat in the plastic lawn chairs by the lake and listened in the dark to waves lapping the sharp white boulders mounded along the shore.
The first moth came fluttering from the direction of the pumphouse. It slapped into Lucy's cheek almost accidentally and startled them both. She raised her hand against it and the moth settled on one white-tipped nail. As she flicked her fingertip, it lifted into the air and hurtled back at her face.
A second and a third moth followed seconds later, followed in time by others until a tiny halo of insects swirled around her short, platinum blonde hair.
'Could be worse,' Martin said, trying to wave them off. 'Could be mosquitoes.'
She smiled at him, shifted her chair closer, and leaned against his shoulder.
'God, Lucy, you're hot,' he said.
She laughed, a little sadly, making a warm vibration that resonated in his chest. 'I'm glad you still think so.'
'No,' he said. 'Are you sure you haven't turned into a bug lamp. I swear you're hot enough to zap those bugs to ashes.'
'You-'
She lifted her hand to slap him, but he caught it and folded her fingers within his own. Her skin was dry, caked with grit. He gave it a little squeeze and looked around, but rows of trees blocked the view of their neighbors. More bugs flew at Lucy's head.
Her voice trembled. 'I'm really sick, aren't I?'
'It's just a fever. That's all it is.' He placed her hand in his lap, and tried to wave the bugs away. One of the moth's wings buzzed harshly while the stones tapped against each other in the susurration of the waves. 'Let's go inside.'
'I don't know what I'd do without you,' she whispered.
Without saying anything to reassure her, he helped her to her feet, propping her up as they strolled back to the house. When they passed the hand-carved sign that read 'Crow's Nest Bed & Breakfast, Little Limestone Island,' he flipped the board.
Sorry, No Vacancy.
Her fever burned all night. Martin sat on the edge of the bed, feeding her tablets of aspirin and ice chips.
A single moth had followed them inside the house, tickling Lucy out of her rest until Martin turned on the lamp and the tiny creature flew to rest, panting, on the white shade. He smashed it, leaving a smear of gray dust and wings.
Walking over to the gable window, he gazed out of their attic apartment at the lake. All their life's savings were encompassed by these few acres of land, bounded on one end by the stone jetty covered with zebra-mussel shells and on the other by the apple tree with the bench swing. When insects began collecting at the screen, he stepped away.
Lucy shuddered in her sleep, sucking air through her mouth. Martin bent over and slipped his tongue-briefly-between her teeth. He expected the soursweet taste of sickness, but it wasn't there.
That only made it worse.
In the morning, Martin puttered in the kitchen even though they had no guests, making himself a cappuccino and sitting at the dining room table beside the double- hung windows facing the lake. An ore carrier moved sluggishly away from the island, heading past Put-in-Bay for the Ohio shore.
A tall, silver-haired man in gold pants and shirt-their neighbor, Bill-walked along the shore with a little girl about four or five years old. Martin's heart began to skip. He set his cup down so fast it splashed and ran through the screened-in porch, the door clapping shut behind him.
Sunrise glinted off the water. He shielded his eyes with his hand as he walked barefoot over the dew-damp grass. 'Hey, neighbor!'
'Good morning, Marty,' Bill replied. He gestured at the little girl. 'This here's our granddaughter, Kelsey. Say hi, darling.'
The little girl looked up at Martin. Panic flashed across her eyes, and she spun away from him to look at the lake.
'Hi, Kelsey,' Martin said. He noticed the cappuccino running down his arm, and absent-mindedly lifted his wrist to his mouth to lick it off.
Bill shrugged. 'Kids, huh. Folks don't teach 'em any manners these days.' He pointed to the pumphouse, a squat block of concrete that sat on the edge of the lake. 'When did you block that up?'
'Oh.' The farmhouse was over a hundred years old. Before the island built its water supply, the farmers pumped it in directly from the lake. 'A couple days ago.'
'I thought you were going to turn it into a sauna.'
'That's still the plan. But one of our guests was poking around in it after he came back from the winery. Fell and cut his head. Pretty big gash. He didn't need stitches, but we figured-'
'Liability?'
'Yeah.'
'That's a shame, people not being responsible.' Bill looked up to the porch. 'Say, where are your guests? Isn't it about breakfast time?'
'We had to cancel all our reservations,' Martin said. He watched Kelsey closely. She poked around the rocks, searching for a way into the pumphouse. 'Lucy's been sick.'
'Gosh, I'm sorry to hear that. What's wrong?'
'She came down with this fever-'
'Hey, there she is.'
Martin turned. Lucy stood outlined in the attic window. The glass caught the sun, casting it in such a way that she was surrounded by a corona of jagged, golden light.
Bill waved to the attic window and cupped his hands to his mouth. 'Get well soon, Lucy!'
She returned the greeting.
'You have an awful pretty wife there,' Bill said.
Martin frowned. 'Some days she's more awful than-'
Kelsey pounded on the side of the pumphouse with a rock. Martin hurried toward her, hand outstretched, stepping carefully in his bare feet across the stones. 'Hey, Kelsey, come here. I want to show you something neat.'
The little girl looked to her grandfather, who nodded permission.
'Shhh.' Martin pressed his forefinger to his lips. With exaggerated tiptoeing, he led her onto their other neighbor's property. It was a small cabin, seldom used. Its lake pump had been more modern, an eight-foot square of concrete that jutted out from the shore like a single tooth in a child's mouth. Algae-slick boulders, driftwood
