He never even looked… but she did. She looked up at us and grinned. And when she did, I felt my longing, my yearning turn to horror as cold as the grave, as white and silent as bones in a shroud. Even from the rise we could see the sullen red glare in those eyes. They were less human than a wolf's eyes. And when she grinned you could see how long her teeth had become. She wasn't human anymore. She was a dead thing somehow come back to life in this black howling storm.
Tookey made the sign of the cross at her. She flinched back… and then grinned at us again. We were too far away, and maybe too scared.
'Stop it!' I whispered. 'Can't we stop it?'
'Too late, Booth!' Tookey says grimly.
Lumley had reached her. He looked like a ghost himself, coated in snow like he was. He reached for her… and then he began to scream. I'll hear that sound in my dreams, that man screaming like a child in a nightmare. He tried to back away from her, but her arms, long and bare and as white as the snow, snaked out and pulled him to her. I could see her cock her head and then thrust it forward-
'Booth!' Tookey said hoarsely. 'We've got to get out of here!'
And so we ran. Ran like rats, I suppose some would say, but those who would weren't there that night. We fled back down along our own backtrail, falling down, getting up again, slipping and sliding. I kept looking back over my shoulder to see if that woman was coming after us, grinning that grin and watching us with those red eyes.
We got back to the Scout and Tookey doubled over, holding his chest. 'Tookey!' I said, badly scared. 'What-'
'Ticker,' he said. 'Been bad for five years or more. Get me around in the shotgun seat, Booth, and then get us the hell out of here.'
I hooked an arm under his coat and dragged him around and somehow boosted him up and in. He leaned his head back and shut his eyes. His skin was waxy- looking and yellow.
I went back around the hood of the truck at a trot, and I damned near ran into the little girl. She was just standing there beside the driver's-side door, her hair in pigtails, wearing nothing but a little bit of a yellow dress.
'Mister,' she said in a high, clear voice, as sweet as morning mist, 'won't you help me find my mother? She's gone and I'm so cold-'
'Honey,' I said, 'honey, you better get in the truck. Your mother's-'
I broke off, and if there was ever a time in my life I was close to swooning, that was the moment. She was standing there, you see, but she was standing
on top of the snow and there were no tracks, not in any direction.
She looked up at me then, Lumley's daughter Francie. She was no more than seven years old, and she was going to be seven for an eternity of nights. Her little face was a ghastly corpse white, her eyes a red and silver that you could fall into. And below her jaw I could see two small punctures like pinpricks, their edges horribly mangled.
She held out her arms at me and smiled. 'Pick me up, mister,' she said softly. 'I want to give you a kiss. Then you can take me to my mommy.'
I didn't want to, but there was nothing I could do. I was leaning forward, my arms outstretched. I could see her mouth opening, I could see the little fangs inside the pink ring of her lips. Something slipped down her chin, bright and silvery, and with a dim, distant, faraway horror, I realized she was drooling.
Her small hands clasped themselves around my neck and I was thinking: Well, maybe it won't be so bad, not so bad, maybe it won't be so awful after a while-when something black flew out of the Scout and struck her on the chest. There was a puff of strange-smelling smoke, a flashing glow that was gone an instant later, and then she was backing away, hissing. Her face was twisted into a vulpine mask of rage, hate, and pain. She turned sideways and then… and then she was gone. One moment she was there, and the next there was a twisting knot of snow that looked a little bit like a human shape. Then the wind tattered it away across the fields.
'Booth!' Tookey whispered. 'Be quick, now!' And I was. But not so quick that I didn't have time to pick up what he had thrown at that little girl from hell. His mother's Douay Bible.
That was some time ago. I'm a sight older now, and I was no chicken then. Herb Tooklander passed on two years ago. He went peaceful, in the night. The bar is still there, some man and his wife from Waterville bought it, nice people, and they've kept it pretty much the same. But I don't go by much. It's different somehow with Tookey gone.
Things in the Lot go on pretty much as they always have. The sheriff found that fellow Lumley's car the next day, out of gas, the battery dead. Neither Tookey nor I said anything about it. What would have been the point? And every now and then a hitchhiker or a camper will disappear around there someplace, up on Schoolyard Hill or out near the Harmony Hill cemetery. They'll turn up the fellow's packsack or a paperback book all swollen and bleached out by the rain or snow, or some such. But never the people.
I still have bad dreams about that stormy night we went out there. Not about the woman so much as the little girl, and the way she smiled when she held her arms up so I could pick her up. So she could give me a kiss. But I'm an old man and the time comes soon when dreams are done.
You may have an occasion to be traveling in southern Maine yourself one of these days. Pretty part of the countryside. You may even stop by Tookey's Bar for a drink. Nice place. They kept the name just the same. So have your drink, and then my advice to you is to keep right on moving north. Whatever you do, don't go up that road to Jerusalem's Lot.
Especially not after dark.
There's a little girl somewhere out there. And I think she's still waiting for her good-night kiss.
For Further Reading compiled by Ross E. Lockhart
What follows is a selected bibliography of vampire fiction. This list focuses primarily on vampires in fantasy, science fiction, and horror novels published within the last thirty years or so, and largely ignores young adult, tie-in (Buffy, Angel, etc.), romance, and erotica titles, although some crossover is inevitable. This list also looks beyond the obvious origins of the vampire genre; if you're not already intimately familiar with John William Polidori's Lord Ruthven (The Vampyre, 1819), Sheridan Le Fanu's Carmilla (Carmilla, 1872), or Bram Stoker's Dracula (Dracula, 1897), then start there. Titles noteworthy for their high literary value are marked with an asterisk.
To learn more about the stories in By Blood We Live, visit the anthology's website at johnjosephadams.com/by-blood-we-live.
Acevedo, Mario
– The Nymphos of Rocky Flats (et seq.)
Aldiss, Brian W.
– Dracula Unbound
Altman, Steven Elliot
– Zen in the Art of Slaying Vampires
Andersson, C. Dean
– I Am Dracula
Armstrong, F. W.
– Devouring
Armstrong, Kelley
– Bitten (Women of the Otherworld) (et seq.)
Arthur, Keri
– Full Moon Rising (et seq.)
Aycliffe, Jonathan
– The Lost
Baker, Scott
– Ancestral Hungers
– Dhampire
Banks, L. A.
– Minion (The Vampire Huntress Legend) (et seq.)
Barbeau, Adrienne and Michael Scott
– Vampyres of Hollywood
Bellamy, Dodie
– The Letters of Mina Harker
Bennett, Nigel and P. N. Elrod
– His Father's Son
Bergstrom, Elaine
– Shattered Glass (et seq.)
– Mina (as Marie Kiraly)
– Blood to Blood: The Dracula Story (as Marie Kiraly)
Bishop, David
– Operation Vampyr (et seq.)
Bledsoe, Alex
– Blood Groove
Bodner, Hal
– Bite Club
