Peter Robinson
Past Reason Hated
The fifth book in the Inspector Banks series, 1991
This one is for the Usual Suspects
1
ONE
Snow fell on Swainsdale for the first time that year a few days before Christmas. Out in the dale, among the more remote farms and hamlets, the locals would be cursing. A heavy snowfall could mean lost sheep and blocked roads. In past years, some places had been cut off for as long as five weeks. But in Eastvale, most of those crossing the market square on the evening of 22 December felt a surge of joy as the fat flakes drifted down, glistening in the gaslight as they fell, to form a lumpy white carpet over the cobblestones.
Detective Constable Susan Gay paused on her way back to the station from Joplin’s newsagents. Outside the Norman church stood a tall Christmas tree, a gift from the Norwegian town with which Eastvale was twinned. The lights winked on and off, and its tapered branches bent under the weight of half an inch of snow. In front of the tree, a group of children in red choirgowns stood singing ‘Once in Royal David’s City’. Their alto voices, fragile but clear, seemed especially fitting on such a beautiful winter’s evening.
Susan tilted her head back and let the snowflakes melt on her eyelids. Two weeks ago she would not have allowed herself to do something so spontaneous and frivolous. But now that she was
The music followed her as she headed back to the station:
Directly in front of her, the new blue lamp hung like a shopsign over the doorway of the Tudor-fronted police station. In an attempt to change the public image of the force, tarnished by race riots, sex scandals and accusations of high-level corruption, the government had looked to the past: more specifically, to the fifties. The lamp was straight out of
Her second day on the job and all was well. She pushed open the door and headed for the stairs. Upstairs! The inner sanctum of the CID. She had envied them all for so long – Gristhorpe, Banks, Richmond, even Hatchley – when she had brought messages, or stood by taking notes while they interrogated female suspects. No longer. She was one of them now, and she was about to show them that a woman could do the job every bit as well as a man, if not better.
She didn’t have her own office; only Banks and Gristhorpe were allowed such luxuries. The hutch she shared with Richmond would have to do. It looked over the carpark out the back, not the market square, but at least she had a desk, rickety though it was, and a filing cabinet of her own. She had inherited them from Sergeant Hatchley, now exiled to the coast, and the first thing she had had to do was rip down the nude pin-ups from the cork bulletin board above his desk. How anybody could work with those bloated mammaries hanging over them was beyond her.
About forty minutes later, after she had poured herself a cup of coffee to keep her awake while she studied the latest regional crime reports, the phone rang. It was Sergeant Rowe calling from the front desk.
‘Someone just phoned in to report a murder,’ he said.
Susan felt the adrenalin flow. She grasped the receiver tighter. ‘Where?’
‘Oakwood Mews. You know, those tarted-up bijou terraces at the back of King Street.’
‘I know them. Any details?’
‘Not much. It was a neighbour who called. Said the woman next door went rushing into the street screaming. She took her in, but couldn’t get much sense out of her except that her friend had been murdered.’
‘Did the neighbour take a look for herself?’
‘No. She said she thought she’d better call us right away.’
‘Can you send PC Tolliver down there?’ Susan asked ‘Tell him to check out the scene without touching anything. And tell him to stay by the door and not let anyone in till we get there.’
‘Aye,’ said Rowe, ‘but shouldn’t-’
‘What’s the number?’
‘Eleven.’
‘Right.’
Susan hung up. Her heart beat fast. Nothing had happened in Eastvale for months – and now, on only her second day on the new job, a murder. And she was the only member of the CID on duty that evening. Calm down, she told herself, follow procedure, do it right. She reached for her coat, still damp with snow, then hurried out the back way to the car park. Shivering, she swept the snow off the windscreen of her red Golf and drove off as fast as the bad weather allowed.
TWO
‘I think Jim’s a bit pissed,’ Detective Chief Inspector Alan Banks leaned over and said to his wife, Sandra.
Sandra nodded. In a corner of the Eastvale Rugby Club banquet room, by the Christmas tree, Detective Sergeant Jim Hatchley stood with a group of cronies, all as big and brawny as himself. They looked like a parody of a group of carol singers, Banks thought, each with a foaming pint in his hand. As they sang, they swayed. The other guests stood by the bar or sat at tables chatting over the noise. Carol Hatchley – nee Ellis – the sergeant’s blushing bride, sat beside her mother and fumed. The couple had just changed out of their wedding clothes into less formal attire in readiness for their honeymoon, but Hatchley, true to form, had insisted on just one more pint before they left. That one had quickly turned into two, then three…
It didn’t make sense, Banks thought. How many times could you circumcise one band? Carol managed a weak smile, then turned and said something to her mother, who shrugged. Banks, leaning against the long bar with Sandra, Superintendent Gristhorpe and Philip Richmond, ordered another round of drinks.
As he waited, he looked around the room. It was done up for the festive season, no doubt about that. Red and green concertina trimmings hung across the ceiling, bedecked with tinsel, holly and the occasional sprig of mistletoe. The club tree, a good seven feet tall, sparkled in all its glory.
It was twenty past eight, and the real party was just beginning. The wedding had taken place at Eastvale Congregational Church late in the afternoon, and it had been followed by a slap-up meal at the rugby club at six. Now the speeches had been made, the plates cleared away and the tables moved for a good Yorkshire knees-up. Hatchley had hired a DJ for the music, but the poor lad was still waiting patiently for a signal to begin.
‘Four and Twenty Virgins’ was coming to a close. Banks could tell. There would be a verse about the village schoolmistress (who had unusually large breasts) and