'I think that's one possible scenario, yes. It is not necessarily the right one.'

'Oh, come on, get real! This text message is desperate and you are sitting here giving me a bullshit theory about a hoax?'

'Ashley, we are very real,' Grace said calmly. 'We have an entire team in the Major Incident Suite; we have over one hundred officers out searching for Michael Harrison; we are getting national media coverage - we are doing all we possibly can.'

She looked contrite suddenly, a little girl lost and scared. She stared meekly at the two police officers, eyes wide, and dabbed them with a handkerchief. 'I'm sorry,' she sniffed, 'I didn't mean to have a go at you; you have been so brilliant, both of you. I'm just so - so--' She began to shake, her face scrunched up against a flood of tears.

Grace stood up awkwardly, and Branson followed.

'It's OK,' Grace said. 'We'll see ourselves out.'

He made the call. But it took five attempts for the damned fax to go through. The first time, trying to do it too quickly, he hadn't loaded the letter in straight and it had jammed. He'd spent ten precious minutes trying to unjam it without tearing the letter.

He'd driven, which was stupid considering the amount he'd drunk, but it was too far to walk to the office and back in the time, and he hadn't wanted to risk not being able to get a taxi.

Now, bursting in through the door of his apartment with less than three minutes to the deadline, he made straight for the drinks cabinet, poured himself three fingers of Balvenie and gulped it straight down. He felt the burn in his gullet, then winced as it burnt his stomach even harder, closing his eyes for a moment.

His mobile beeped. A text message signal.

He pulled it out of his pocket and stared at the display.

Well done, mate! Just made it.

The phone was jigging in his hand from nerves. Where the hell was this man, Vic? He punched the options button, trying to see the source of the text. It was a number he did not recognize. Clumsily, he typed back, Are we OK now?Then pressed the send button. Instantly there was a soft beep, indicating the text had been sent.

The whisky wasn't working, at least not on his nerves. He walked unsteadily over towards the drinks cabinet. But before he reached it, the phone beeped again. Another incoming text.

Walk out onto your balcony, mate. Look down at the street below!

Mark made straight for the patio doors, unlocked them and stepped out onto the teak decking, then crossed the narrow balcony, past two sun-loungers, placed his hands on the rail and looked down. Music pounded from a gay nightclub a few yards down the

street, and he could see the bald domes of the two bouncers. A couple walked along arm in arm. Three drunk girls were staggering along, bumping into each other, giggling. A steady stream of cars drove past.

He looked at the far side of the street, wondering if that was where Vic meant, but all he could see was a couple snogging. Holding his phone in the palm of his hand, he tapped out, / cannot see you. And sent it. Again he scanned the street.

Moments later, there was another beep. The reply on his screen read: I'm right behind you!

But before he had a chance to turn, one strong hand grabbed the rear of his belt, and another his shirt collar. A fraction of a second later, both his feet were in the air. He dropped his phone, desperately trying to grab the balcony rail, but he was too high up, and his fingers clawed at nothing but air.

Before he even had time to shout, he was launched like a javelin over the rail and plunged down towards the pavement.

He landed flat on his back, with an impact that broke his spine in seven places and shattered his skull with the impact of a coconut hit by a sledgehammer.

One of the drunk girls screamed.

Grace and Branson heard the call on the police radio in Grace's car minutes before they arrived back at Sussex House. An apparent suicide jumper at the Van Allen building on the Kemp Town seafront.

They looked at each other. Grace pulled his blue light from the glove compartment, clipped it to the roof, and hit the accelerator. They raced through a speed camera which flashed at them, but he didn't care; he could sort that one out.

Seven minutes later he was forced to slow to a crawl as he drove onto Marine Parade. Ahead he could see a whole circus of flashing blue lights, a crowd of people and two ambulances.

After double parking, both of them leaped out of the car, pushed their way through the crowd and reached two uniformed constables who were busily putting up a tape barrier bearing the wording 'police line, do not cross'.

Flashing their warrant cards, they ducked under the tape and saw two paramedics standing uselessly by the crumpled heap of a man on the ground, with a dark pool of blood stained with yellow seeping from his head and another, larger, darker stain from his torso.

Under the amber glare of the street lighting Grace could see the man's face. It was Mark Warren, no question. Fighting the rising bile in his throat, he turned to one of the constables and showed him his warrant card.

'What happened?'

'I - don't know, sir. I just spoke to a witness - she was walking along with her friends when he landed, almost at their feet. She's in the far ambulance - bad shock.'

Grace glanced at Branson, who was looking unsteady, then down at the clearly lifeless body. Mark Warren's eyes were wide open, as if in shock.

Christ. Only a few hours ago he had been talking to the man. He had reeked of alcohol and seemed a nervous

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