others, some not quite as evenly lined up as the rest. He looks back and forth from end to end and then one of them catches his eye. It is more hidden than the rest, almost completely covered by the card above it. Only the edge is visible. He reaches out for it but hesitates just before his hand reaches it.
“I can touch it?” he asks. He feels the same as when he was first allowed to set the table with the nicest dishes, as though he really shouldn’t be allowed to touch such things, mixed with an acute fear of breaking something.
But the fortune-teller nods, and Bailey puts a finger on the card and pulls it away from its compatriots so it sits separately on the table.
“You may turn it over,” the fortune-teller says, and Bailey flips the card.
On the other side it is not like the black-and-red playing cards he is used to, with hearts and clubs and spades and diamonds. Instead it is a picture, inked in black and white and shades of grey.
The illustration is of a knight on horseback, like a knight from a fairy tale. His horse is white and his armor is grey, there are dark clouds in the background. The horse is mid-gallop, the knight leaning forward in the saddle, with sword drawn as though he is on his way to a great battle of some sort. Bailey stares at the card, wondering where the knight is going and what the card is supposed to mean.
“This is supposed to be me?” Bailey asks. The woman smiles as she pushes the arc of cards back into a neat pile.
“It is meant to represent you, in your reading,” she says. “It could mean movement or travel. The cards do not always mean the same things every time, they change with each person.”
“That must make them hard to read,” Bailey says.
The woman laughs again.
“Sometimes,” she says. “Shall we give it a try anyway?” Bailey nods and she shuffles the cards again, over and under, and then divides them into three piles and places them in front of him, above the card with the knight. “Pick which pile you are most drawn to,” she says. Bailey studies the piles of cards. One is less neat, another larger than the other two. His eyes keep going back to the pile on the right.
“This one,” he says, and though it is mostly a guess, it feels like the proper choice. The fortune-teller nods and stacks the three piles of cards back into one deck, leaving Bailey’s chosen cards on top. She flips them over, one at a time, laying them faceup in an elaborate pattern across the table, some overlapping and others in rows, until there are about a dozen cards laid out. They are black-and-white pictures, much like the knight, some simpler, some more complicated. Many show people in various settings, and a few have animals, while some of them have cups or coins, and there are more swords. Their reflections catch and stretch in the crystal sphere that sits alongside.
For a few moments the fortune-teller looks at the cards, and Bailey wonders if she is waiting for them to tell her something. And he thinks she is smiling, but trying to hide it just a bit.
“This is interesting,” the fortune-teller says. She touches one card, a lady in flowing robes holding a set of scales, and another that Bailey cannot see as well but looks like a crumbling castle.
“What’s interesting?” Bailey asks, still confused about the process. He knows no ladies in blindfolds, has been to no crumbling castles. He’s not even sure there are any castles in New England.
“You have a journey ahead of you,” the fortune-teller says. “There’s a lot of movement. A great deal of responsibility.” She pushes one card, turns another around, and furrows her brow a bit, though Bailey still thinks she looks like she is trying to hide a smile. It is becoming easier to see her expression through her veil as his eyes adjust to the candlelight. “You are part of a chain of events, though you may not see how your actions will affect the outcome at the time.”
“I’m going to do something important, but I have to go somewhere first?” Bailey asks. He had not expected fortune-telling to be so vague. The journey part does seem to favor his grandmother’s side, though, even if Cambridge is not very far.
The fortune-teller does not immediately respond. Instead she flips over another card. This time she does not hide her smile.
“You’re looking for Poppet,” she says.
“What’s a poppet?” he asks. The fortune-teller does not answer, and instead looks up from her cards and regards him quizzically. Bailey feels her taking in his entire appearance, or more than that, with her eyes moving over his face from his scarf to his hat. He shifts in his chair.
“Is your name Bailey?” she asks. The color drains from Bailey’s cheeks and all the apprehension and nervousness he had felt earlier returns instantly. He has to swallow before he can make himself answer, in barely more than a whisper.
“Yes?” he says. It sounds like a question, as though he is not entirely sure that it is indeed his name. The fortune-teller smiles at him, a bright smile that makes him realize she is not nearly as old as he had previously thought. Perhaps only a few years older than he is.
“Interesting,” she says. He wishes she would choose a different word. “We have a mutual acquaintance, Bailey.” She looks back down at the cards on the table. “You are here this evening looking for her, I believe. Though I do appreciate that you’ve chosen to visit my tent as well.”
Bailey blinks at her, trying to take in everything she’s said, and wondering how on earth she knows the real reason he is at the circus when he has told no one about it and hardly even admits it to himself.
“You know the red-haired girl?” he says, unable to fully believe that this is, indeed, what the fortune-teller means. But she nods.
“I have known her, and her brother, all their lives,” she says. “She is a very special girl, with very lovely hair.”
“Is … is she here still?” Bailey asks. “I only met her once, the last time the circus was here.”
“She is here,” the fortune-teller says. She pushes the cards around on the table a bit more, touching one and then another, though Bailey is no longer paying attention to which card is which. “You will see her again, Bailey. There’s no doubt about that.”
Bailey resists the urge to ask her when, and instead waits to see if she has anything else to add about the cards. The fortune-teller moves a card here and there. She picks up the card with the knight from where it sits and places it on top of the crumbling castle.
“Do you like the circus, Bailey?” she asks, looking up at him again.
“It’s like no place I’ve ever been,” Bailey says. “Not that I’ve been many places,” he adds quickly. “But I think the circus is wonderful. I like it very much.”
“That would help,” the fortune-teller says.
“Help with what?” Bailey asks, but the fortune-teller does not answer. Instead, she flips over another card from the deck, placing it over the card with the knight. It is a picture of a lady pouring water into a lake, a bright shining star over her head.
It is still difficult to discern her expressions through her veil, but Bailey is certain that she frowns at the card as she places it on the table, though when she looks back up at him the frown is gone.
“You will be fine,” the fortune-teller says. “There may be decisions to make, and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.”
“I will,” Bailey says. He thinks the fortune-teller looks a bit sad as she begins to gather up the cards on the table, putting them back into a neat pile. She saves the knight for last, placing him on the top of the deck.
“Thank you,” Bailey says. He did not receive as clear an answer about his future as he had expected, but somehow the issue does not seem as heavy as it had before. He debates whether to leave, unsure of proper fortune-telling etiquette.
“You’re welcome, Bailey,” the fortune-teller says. “It was a pleasure to read for you.”
Bailey reaches into his pocket and pulls out the bag of chocolate mice and offers it to her.
“Would you like a mouse?” he asks. Before he can mentally berate himself for doing something so silly, the fortune-teller smiles, though for a moment there is something almost sad beneath it.
“Why, yes, I would,” she says, pulling one of the chocolate mice out of the bag by its licorice tail. She places it on the top of the crystal sphere. “They’re one of my favorites,” she confides. “Thank you, Bailey. Enjoy the rest of your time at the circus.”
“I will,” Bailey says. He stands up and walks back to the beaded curtain. He reaches to part the strings of
