The Blade Itself

when I’m gone. There haven’t been too many applicants.”

“You surprise me.” Bayaz cleared his throat. “Oh, Chief Warden! I, Bayaz, First of the Magi, seek your leave to pass up the stair to the fifth gate, beyond the fifth gate and onto the bridge, across the bridge and to the door of the Maker’s House.”

The Chief Warden squinted back. “You sure?”

Bayaz was growing impatient. “Yes, why?”

“I remember the last fellow who tried it, way back when I was a lad. Some big man, I reckon, some thinker. He went up those steps with ten strong workmen, chisels and hammers and picks and what-have-you, telling us how he was going to open up the House, bring out its treasures and all. Five minutes and they were back, saying nothing, looking like they saw the dead walk.”

“What happened?” murmured Luthar.

“Don’t know, but they had no treasures with them, I can tell you that.”

“Without doubt a daunting story,” said Bayaz, “but we’re going.”

“Your business, I suppose.” And the old man turned and slouched across the miserable courtyard. Up a narrow stair they went, the steps worn down in the middle, up to a tunnel through the high wall of the Agriont, on to a narrow gate in the darkness.

Logen felt an odd sense of worry as the bolts slid back. He shrugged his shoulders, trying to get rid of it, and the Warden grinned at him. “You can feel it already, eh?”

“Feel what?”

“The Maker’s breath, they call it.” He gave the doors the gentlest shove. They swung open together, light spilling through into the darkness. “The Maker’s breath.”

Glokta tottered across the bridge, teeth clenched tight on gums, painfully aware of the volume of empty air beneath his feet. It was a single, delicate arch, leaping from high up on the wall of the Agriont to the gate of the Maker’s House. He had often admired it from down in the city, on the other side of the lake, wondering how it had stayed up all these years. A spectacular, remarkable, beautiful thing. It does not seem so beautiful now. Not much wider than a man lying down, too narrow by far for comfort, and with a terrifying drop to the water below. Worse still, it had no parapet. Not so much as a wooden handrail. And the breeze is rather fresh today.

Luthar and Ninefingers seemed worried enough by it. And they have the free and painless use of both their legs. Only Bayaz made the long trip across without apparent worry, as confident as if his feet were on a country lane.

They walked always in the vast shadow of the House of the Maker, of course. The closer they came, the more massive it seemed, its lowest parapet far higher than the wall of the Agriont. A stark black mountain, rising sheer from the lake below, blotting out the sun. A thing from a different age, built on a different scale.

Glokta glanced back towards the gate behind him. Did he catch a glimpse of something between the battlements on the wall above? A Practical watching? They would see the old man fail to open the door. They would be waiting to take him on their way back through. But until then, I am helpless. It was not a comforting thought.

And Glokta was in need of comfort. As he tottered further across the bridge, a niggling fear swelled inside him. It was more than the height, more than the strange company, more than the great tower looming above. A base fear, without reason. The animal terror of a nightmare. With every shuffling step the feeling grew. He could see the door now, a square of dark metal set back into the smooth stones of the tower. A circle of letters was etched into the centre of it. For some reason they made Glokta want to vomit, but he dragged himself closer. Two circles: large letters and small letters, a spidery script he did not recognise. His guts churned. Many circles: letters and lines, too detailed to take in. They swam before his stinging, weeping eyes. Glokta could go no further. He stood there, leaning on his cane, fighting with every ounce of will against the need to fall to his knees, turn and crawl away.

Ninefingers was faring little better, breathing hard through his nose, a look of the most profound horror and disgust on his face. Luthar was in considerably worse shape: teeth gritted, white-faced and palsied. He dropped slowly down on one knee, gasping, as Glokta edged past him.

Bayaz did not seem afraid. He stepped right up to the door and ran his fingers over the larger symbols. “Eleven wards, and eleven wards reversed.” He traced the circle of smaller characters. “And eleven times eleven.” His finger followed the fine line outside them. Can it be that line is made of tiny letters too? “Who can say how many hundreds here? Truly, a most potent enchantment!”

The sense of awe was only slightly diminished by the sound of Luthar puking noisily over the side of the bridge. “What does it say?” croaked Glokta, swallowing some bile of his own.

The old man grinned at him. “Can you not feel it, Inquisitor? It says turn away. It says get you gone. It says… none… shall… pass. But the message is not for us.” He reached into his collar and pulled out the rod of metal. The same dark metal as the door itself.

“We shouldn’t be here,” growled Ninefingers from behind. “This place is dead. We should go.” But Bayaz did not seem to hear.

“The magic has leaked out of the world,” Glokta heard him murmuring, “and all the achievements of Juvens lie in ruins.” He weighed the key in his hand, brought it slowly upwards. “But the Maker’s works stand strong as ever. Time has not diminished them… nor ever will.” There did not even seem to be a hole, but the key slid slowly into the door. Slowly, slowly, into the very centre of the circles. Glokta held his breath.

Click.

And nothing happened. The door did not open. That is all then. The game is over. He felt a surge of relief as he turned back towards the Agriont, raising a hand to signal to the Practicals on the wall above. I need not go further. I need not. Then an answering echo came from deep within.

Click.

Glokta felt his face twitch in sympathy with the sound. Did I imagine it? He hoped so, with all his being.

Click.

Again. No mistake. And now, before his disbelieving eyes, the circles in the door began to turn. Glokta took a stunned step back, his cane scraping on the stones of the bridge.

Click, click.

There had been no sign that the metal was not all one piece, no cracks, no grooves, no mechanism, and yet the circles span, each at a different speed.

Click, click, click…

Faster now, and faster. Glokta felt dizzy. The innermost ring, with the largest letters, was still crawling. The outermost, the thinnest one, was flying round too fast for his eyes to follow… click, click, click, click, click…

Shapes formed in the markings as the symbols passed each other: lines, squares, triangles, unimaginably intricate, dancing before his eyes then vanishing as the wheels spun on…

Click.

And the circles were still, arranged in a new pattern. Bayaz reached up and pulled the key from the door. There was a soft hissing, barely audible, as of water far away, and a long crack appeared in the door. The two halves moved slowly, smoothly away from each other. The space between them grew steadily larger.

Click.

They slid into the walls, flush with the sides of the square archway. The door stood open.

“Now that,” said Bayaz softly, “is craftsmanship.”

No fetid wind spilled out, no stench of rot or decay, no sign of long years passed, only a waft of cool, dry air. And yet the feeling is of opening a coffin.

Silence, but for the wind fumbling across the dark stones, the breath sighing in Glokta’s dry throat, the distant lapping of the water far below. The unearthly terror was gone. He felt only a deep worry as he stared into the open archway. But no worse than when I wait outside the Arch Lector’s office. Bayaz turned round, smiling.