it’l be fine. Just – stuff to think about.’
I want to talk to him about it so much, though. I want his advice, as though it’s back to normal in the studio and we’re chatting about al and sundry the way we used to, before Oli’s affair and Granny’s death and before he split from Tania and everything got weird. I want to say, Read this diary, I want to know what you think, what you think I should do, for God’s sake, because I have no idea myself and it’s freaking scary.
And I know I can’t, because everything’s changed, not least our relationship.
Most of al I want him to read the diary to get to know Cecily, to see what she was like, to hear her voice. I want more people to know her. Ben would get her. He’d like her.
‘Look,’ he says, cutting into my thoughts. ‘I can’t stay.’ He takes something out of his back pocket. ‘I just came to give you something.’
‘Oh,’ I say. ‘Right.’
‘I had these printed out for you,’ he says, handing me a manila envelope. ‘But I didn’t get round to giving them to you . . . They came out pretty wel considering how much we’d drunk.’
I tip the envelope open. ‘Oh . . . wow,’ I say, grinning. ‘I’d forgotten, thank you so much.’
They’re the photos of the necklace Claire, that girl in the Ten Bel s, was wearing on Thursday, the necklace I’ve been working on adapting, using Cecily’s ring and some of the duck-egg-blue laser-cut birds I’m waiting for today. I gaze at them with pleasure. He’s had them properly printed, with white edges, and each shows the necklace perfectly. I flick through them.
‘Thank you so much, Ben,’ I say, gathering them up. ‘They’re – wow, they’re just what I needed. You are great.’ I glance at the last one. ‘Oh.
That’s of me!’
I am raising my glass, my hair fal ing over my shoulders, and I am smiling, clearly one or two drinks up. He looks at it, and the muscle on his now-smooth cheek twitches again.
‘Oh. Yes, it is,’ he says. He pauses, just a second. ‘Yes – I thought you’d like one with Cecily’s ring on it, to see how it looks next to the others.’
‘That’s great, Ben, thanks so much.’ I come round to his side of the counter and squeeze his arm. ‘You’re a great man.’ I look at him again.
‘With short hair.’
He laughs, but there’s a terseness to his tone. ‘Right. Look—’
‘Thanks again,’ I say, as he turns to leave. Emboldened by this new, more friendly footing, I say, ‘Um – do you want to grab some lunch, or something? I’d love to tel you about the diary. Get your advice, and . . .’
I trail off. Ben looks down at the photos in my hand. ‘I don’t think so,’ he says gently. ‘Nat, I think you kind of need to talk to Oli, or Jay or someone, about that stuff first, not me.’
Taking a little step back, I nod. ‘F-fine,’ I say. ‘You’re right. But – honestly, Ben, it real y is over with me and Oli. I’ve moved in with Jay. It was –
he did come round that night, but he shouldn’t have. It’s over,’ I say, not real y knowing why I say it. ‘It real y is.’
The tension in the room is suddenly palpable. ‘I wasn’t asking if it was or it wasn’t,’ Ben says. He taps his forehead furiously with one finger, as if he’s trying to release something in his brain. ‘Nat – I’m not stupid. You don’t need any more complications in your life at the moment. Once again
– I’m sorry I was a cock. We were drunk, I shouldn’t have said that stuff to you, and everything else, that night. Let’s just forget about it.’
‘Glad you like the photos. See you soon.’
He closes the door gently behind him once again, raising his hand as a farewel . I watch the closed door. I want to run after him, put him right, but what would I say? Yes, I slept with Oli, yes, we were drunk, no, I’ve no idea what’s going on in my life, yes, I like you, I’ve always real y liked you.
But you shouldn’t trust my opinion about anything. I don’t.
I get my sketchpad out, tugging my hair and staring intently at the photos of the necklace. I cal Charlotte at Emilia’s Sister, to say how pleased I am about the order. I try Guy again: ‘Hi, Guy. Look, I read the diary – Mum’s gone away, she said she’d told you, just wondering if we could chat? Give me a cal .’
In the afternoon, guests start arriving for Lily’s open studio. I can hear sounds of chatter and laughter floating through the open window, down the corridor. I don’t hear Ben leave; perhaps he’s there too. When the charms arrive by messenger from Rolfie’s, I thread them onto what I’ve already assembled, making up two, three, different versions of the necklace, trying each out with Cecily’s ring. I make notes, I change bits around. I prop the photos up next to my stool and sketch on, waiting for someone to cal me back, but the phone is silent.
Chapter Forty-One
The days pass by easily at Jay’s. I fal into a rhythm there almost immediately. We know each other wel , we can happily watch TV together or separately. Cathy can come round and hang out with both of us, just like the old days. Jay is laid-back about everything, to the point of being comatose sometimes, and I feel like Louisa, picking up his cereal bowls and dirty socks after he’s left for work in the morning. I love it. I’m sleeping like a log. It isn’t so cold, it’s April now, and the days are warmer, the nights fresh and it’s quiet around our side of De Beauvoir Square, but a contented quiet, not the silence of an empty flat. We stay up late into the night watching films, taking it in turns to pick. Last night I chose
The night before Jay made me watch
I used to wish I could live alone. Now, I am relishing living with my cousin. It’s great to know someone wil be
