The Other Family

y; and it was a relief she didn’t have to house the piano and look at it every day. It was a satisfaction that Scott wanted it and would play it and a relief that he would not be haunted by the memory of its purchase and arrival, more than thirty years ago, when Margaret had had every reason to believe that a shining future awaited her in every area of her life – a rising husband, a smal son, the increasing exercise of her own managerial skil s.

As it turned out, it had been the last two that had saved her. Scott, though he had inherited more of her unobtrusive competence than his father’s flair, had been a good son to her. She wished he were more ambitious, just as she wished he was married, with a family, and a decent house near her and the sea, rather than living his indeterminate bachelor existence in that uncomfortable flat in the city, but that didn’t make him other than a good son to her, affectionate and mostly conscientious, with a respect for her and her achievements that she often saw lacking in her friends’

children.

And of course, those achievements had been a life saver. It wasn’t a big business, Margaret Rossiter Entertainment, never would be, she didn’t want it to be, but it was enough to maintain her and Glenda, to provide moderate holidays and to keep her involved in a world in which she had a smal but distinct significance, the world of singers and musicians, of stand-up comics and performance poets, who stil managed to make a living in the clubs and hotels and pubs and concert hal s of the circuit she had known al her life. There was, she sometimes reflected with satisfaction, not a venue or a person connected with the minor entertainment industry in the North- East whom she did not know. By the same token, there was hardly anyone who did not know who Margaret Rossiter was.

She looked again at the estimate. She would probably, she told herself again, accept it. Then she would ask Scott to telephone the family in Highgate to make arrangements for the piano’s packing up, and removal. It was not that she shrank from ringing herself, she told herself firmly, but rather that if Scott were to ring one of the girls, it would be lower-key, less of a drama. She closed her eyes for a moment. A drama. Watching the Steinway being loaded into a crate, swaddled in blankets or bubble wrap or whatever, and taken away couldn’t possibly be other than a drama. If she were Chrissie, Margaret thought, she’d be sure to be out of the house.

She had sometimes tried to visualize that house. There had been years – long years – when she had studiously avoided pictures in minor celebrity columns and magazines of Richie and Chrissie together, he so dark, she so blonde, so very blonde, and young, and dressed in clothes that appeared to have needed her to be sewn into them. But the house was another matter. The house was where Richie lived, and Margaret was occasional y tormented by the need to know how much it resembled – or differed from – that first house in Tynemouth of which they had been so proud, and from which Scott had been able to walk when – an even greater source of pride – he had gained a place at the King’s School. She thought the North London house must be quite a big one, to house three children and a grand piano, and she knew that part of London was famed for its hil s, so perhaps the garden sloped, and there were views from the top windows, views to the City perhaps, or out to Essex, unlike the view she had now, the view she had chosen almost as proof of her own achievements, out to sea.

Margaret swivel ed Glenda’s chair towards the window, and adjusted the venetian blinds – Glenda liked to work with them almost closed, in an atmosphere of elaborate and pointless secrecy – so that she could see down into the street. There was much activity down there, of the kind induced by imminent shop-closing. There were the usual groups of teenagers in their uniforms of clothing and attitude, and children and dogs and people pushing buggies and walking frames adapted as shopping baskets. Al those people, Margaret thought, her hands lying on the arms of Glenda’s chair, have stories that are just as important to them as mine is to me. Al those people have to do the big things like dying just as they have to do the little things like buying tea bags. There’l be women down there whose men have pushed off and broken their hearts, and some of them wil have got over it, and some of them won’t, and I just wonder if that Chrissie, in London, is going to be one of the ones that doesn’t, because a wil is the last act of generosity or vengeance that we have left to us, even after death, and I bet she wasn’t expecting Richie’s wil to turn out like that, I bet it didn’t cross her mind that he even remembered he’d had a life before her. And the odd thing is, Margaret reflected, gripping the chair arms now, that it doesn’t give me any pleasure, not a scrap, not even the smal est shred of I-told-you-so gratification, to think that I’ve got what she assumed would be hers. I’ve spent years – wasted years – on longing and jealousy, and now that I’ve got the proof I wanted, I’m glad to have it, but I’m sorry for that girl. I real y am, I’m sorry for her and it’s a weight off my mind I hardly knew was on it, I’d got so used to having it there. It’s such a relief not to have to hate her any more, though I never liked that word hate, never real y owned up to using it. And now I don’t have to. It doesn’t even figure any more.

She leaned back, and closed her eyes. Behind her lids, she conjured up that row of four women outside the church in Highgate, standing on the gravel square, facing her and Scott like an army drawn up in battle lines. It had only been seconds that they stood like that, but those seconds were enough for Margaret to take in the finish on Chrissie, the metropolitan polish, and to see that those three girls, Richie’s three daughters, his second family, were very young. One of them, the one who had the courage and the spirit to ring Margaret and tel her of Richie’s death, had looked not much more than a child, with her hair held back by a velvet band and fal ing down her back like Alice in Wonderland’s. Long hair, almost to her waist. Involuntarily, Margaret thought what a pleasure it would be to brush such hair, long smooth strokes down the silky strands, rhythmic, intimate, maternal.

Her eyes flew open. What on earth was she thinking of? What in heaven’s name was she doing, dreaming of brushing the hair of Richie’s daughter by a woman who had every reason now to despair of him, and, however unfairly, to detest her? She stood up unsteadily. This would never do. She picked up a plastic cup with half an inch of water in the bottom that Glenda had left on her desk and swal owed it. Then she put the cup in the overflowing bin by Glenda’s desk – an office-cleaning firm of dubious efficiency only came in two evenings a week – and moved purposeful y around the room, ordering papers, switching off screens, switching on answering machines. Then she went into the tiny cloakroom beside the door and washed her hands vigorously, and arranged her hair and applied her lipstick without needing to look in the mirror. Only as she was leaving did she give it a glance.

‘Pul yourself together,’ she said out loud to her reflection. ‘Act your age.’

‘You’re an attractive woman,’ Bernie Harrison had said to her a few days earlier, over a vodka and tonic to celebrate a good booking at the Theatre Royal in Newcastle. ‘You’re an attractive woman, for your age.’

‘And you,’ she’d said briskly, ‘are showing your age, talking like that.’

‘I’m flattering you, Margaret.’

‘Patronizing, more like—’

He’d leaned forward, and tapped her knee.

‘Ritchie knew which side his bread was buttered. He knew right up to the end. Didn’t he?’

And she, instead of agreeing with him as she had intended, instead of saying you can’t believe how it feels, after al these years of wondering and worrying, to know, to actual y know, had found herself saying instead, ‘Wel , it’s nice to have the piano. But it’s a dead thing, isn’t it?’

Bernie had eyed her.