The Other Family

hated being driven by Dil y

– or they used public transport.

‘We’re going over the river,’ Scott said, ‘we’re going south. We’re heading for Washington.’

Amy looked out of the taxi window. Newcastle looked to her as it had looked al afternoon, dramatical y foreign. She hadn’t expected the hil s, or the grandeur of the architecture, or the size of the river, or the romance of al those bridges. Nor had she expected the energy, or the numbers of people on the streets of her own age. She felt she had been plucked out of the familiar and set down again in an extraordinary and fantastical version of the familiar – it was stil England, after al , and a remarkable kind of English was stil spoken – which was giving her a powerful and energizing feeling of discovery. Scott had walked her al through the centre that afternoon, up and down those steep, almost theatrical streets, past churches and St Mary’s Cathedral, through Charlotte Square and Black Friars, round the Castle Keep and the Moot Hal , past Bessie Surtees House, with its innumerable medieval windows, and Earl Grey, with a lightning conductor inserted up his spine, poised on his column a hundred and thirty-five feet above the kids lounging and smoking on the sandstone steps below him. She felt dazed and thril ingly very far from home, and she was grateful to Scott for not talking to her, for just sitting beside her in the taxi and saying whatever he did say to the driver, while she looked at the river, and the sky, and then they were on a huge road heading south and she felt as she used to feel when she was a child in the back of the car, like a human parcel that had no power to do anything other than be carried somewhere and put down, at someone else’s whim, precisely where she was taken and told.

The taxi pul ed up outside a large modern building set in an asphalt car park. Amy had been expecting, at the least, a cel ar.

‘It’s here?’

‘Every Friday,’ Scott said. He paid the driver with the lack of performance Amy remembered from her father. Why did men make so much less of handing over money, somehow, than women did? ‘Home of the Keel Row Folk Club. It’s an arts centre. Al the folk stars come here on their tours.’

Inside, it reminded Amy of nothing so much as school. There were green wal s and noticeboards and lines of upright chairs outside closed doors.

Scott put a hand under her elbow and guided her out of the entrance hal into a barn-like room ful of tables and chairs and noise, with a smal dais at one end in front of a row of microphones on stands.

Amy looked round the room. ‘I’m the youngest person here!’

‘Yes,’ Scott said, ‘but look how many of them there are. Just look. They come every Friday.’

‘They’re older than you—’

‘They know their music,’ Scott said, ‘just you wait. Just you wait til it gets going.’

‘OK. I’l believe you.’

He smiled at her.

‘Believe me.’

He threaded his way between the tables and indicated that Amy should take a chair next to an ample woman in a patchwork waistcoat with long grey hair down her back, held off her face with Chinese combs.

The woman smiled at Amy. ‘Hel o, dear.’

She didn’t sound Newcastle to Amy. She indicated the bottle of red wine in front of her and her companions.

‘Drink, dear?’

Amy shook her head. ‘I’m OK. Thank you.’

The woman glanced at Scott.

‘Friday night with the boyfriend—’

‘Actual y,’ Amy said, her voice sounding strangely distant to her, ‘he’s my brother.’

‘Oh yes,’ the woman said, laughing, ‘oh yes. And would your brother like a drink?’

Scott said, ‘I’l get myself a beer, thanks. And this one drinks Diet Coke.’

‘No vodka?’

Scott leaned forward. He said, smilingly, ‘She hasn’t come for that. She’s come for the same reason you’ve come. She’s come for the music.’

The woman turned and looked straight at Amy, holding out her hand.

‘Sorry, dear.’

Amy took her hand. It was big and warm and supple.

‘It’s OK.’

‘D’you play?’

‘The flute,’ Amy said.

‘The flute? The flute. The art of playing the flute is to make it sound like the human voice—’

‘She knows that,’ Scott said.

The woman let go of Amy’s hand. Amy turned to look grateful y at Scott. He said, across her, to the woman, his voice stil level and friendly, ‘We shared a very musical father.’

There was a pause. Then the woman picked up her wine glass and held it up towards them.