decide on stayin' in these mountains with the likes of them down here,' and he gestured toward the pillaging in the town below them, 'you ain't gonna last a day—and that's a pure fact.'
'But my husband will never find us in Tennessee.'
'Your husband is dead, Mrs. Rourke—and I wish you'd wake up and see that.'
Sarah Rourke looked at him suddenly, pulling the bandanna from her head, realizing it was giving her a headache. She said, her voice low and even, 'John is alive, Mr. Jenkins. I've been telling that to my children and I believe it myself. He spent his whole life learning how to stay alive and I know he did somehow. And I know that somewhere now wherever he is he's thinking about me and about Michael and Annie and risking everything to get back here to us. And I'm not going to betray him and run out. I'm not. He's alive. John is alive and you can't tell me otherwise, Mr. Jenkins. And I'm not going to Tennessee with you or anyone else.'
She twisted the bandanna in her hands, then stared down into the valley. As the sunlight ebbed, she could see the fires at both ends of the town much more clearly.
Chapter Seven
All Ron Jenkins had said to her and to his wife, Carla, was, 'I'm goin' on down into that town there. I won't need my horse—you keep it close by and saddled and ready. I figure they might have some water and some other things down there I reckon we could use just as soon as letting them down there to rot.'
Carla Jenkins had thrown her arms around her husband and tried to stop him, but one thing Sarah Rourke had learned about Ron Jenkins was that once he made up his mind he wouldn't change it. She remembered her own husband being like that, but now, since the night of the war and her experiences that following morning, she felt that perhaps she should have changed hers. She had hated the guns he kept, practically called him a fool for building and stocking his survival retreat. Yet, guns had kept her alive so far, and now the survival retreat she had loathed the thought of seemed to her a sort of haven of normalcy as she sat there in the dark, huddled with the children, their heads on her lap.
There could be no fire, the brigands having left the town only a few hours earlier and still perhaps close enough to see a fire and come and investigate.
She couldn't sleep, though she was tired. Her body was beyond sleep, she thought. She watched Carla Jenkins. Carla—who talked too much usually—was silent as a grave, her daughter Millie's head cradled on her lap. Carla—less than a yard away from Sarah—just sat staring out into the darkness.
The sound came again, and the shiver up Sarah Rourke's spine came again as well.
It was a scream, from the town below them in the darkness of the valley. A scream, but an unnatural- sounding one. She knew the sound, having worked as a volunteer in a hospital where she'd first met John Rourke. It was a man screaming. She had heard the sound in the hospital emergency room too often. She had met John, thought little beyond the fact that his lean face and high forehead and dark eyes and hair looked attractive and that he had apparently noticed her too. Years later, when their lives had crossed again, they had dated, talked a lot and married eventually. It had taken both of them some time to recall the chance meeting years earlier. They had laughed about it.
But now, as the scream came for a third time, the memory of each moment shared with her husband was like a cocoon to which she could withdraw, even if just for an instant.
Finally, when the scream came a fourth time, she eased the children's heads from her lap, pushed the hair from Michael's eyes and moved nearer to Carla Jenkins.
'I think one of us should go and see, Carla.'
Sarah whispered, afraid that even the slightest noise might attract the brigands.
'I can't,' Carla answered, her voice barely audible.
'I can go,' Sarah said, bolstering her courage and simultaneously cursing herself for having said it.
'No—you mustn't. Ron will be back soon.'
'But someone is screaming down there, Carla. It might be that something has happened—'
'No—he is just fine. Now you let things be.'
Sarah Rourke sat back on her haunches, staring at Carla Jenkins, seeing the face, watching the lips move even in the darkness between them—but hearing herself. She couldn't say to Carla Jenkins, 'You're being a fool— your husband is in trouble down there. The brigands must have come back— they're killing him.'
She couldn't say that without admitting to herself that perhaps the thought of John Rourke coming for her and Michael and Annie was just a fantasy.
'I'm going,' she said finally.
'I don't want you to.'
'Watch Michael and Annie, Carla—I have to—' but Sarah Rourke didn't finish the sentence. The scream came for a fifth time, only weaker but longer in duration now. She stood up, checked the .45 Colt Government Model in her waistband and went back to Michael and Ann. She nudged Michael. 'Michael— I need you to wake up.'
'No—I wasn't asleep. Just a—'
'Now Michael—you're like your father! The slightest noise in the middle of the night and you're wide awake. Try to wake you up in the morning and it's like World War—' She stopped, her mouth still open. My God, she thought! How we used to joke about it. She tried waking Michael again and this time he sat up.
'Now, are you awake?'
'Yes,' he said, his voice not sounding that way to her.
'All right—I'm going down into the valley to see if Mr. Jenkins is all right. I don't want to wake up Annie, but if she does wake up keep her very still. If she makes noise those bad men who burned the town there could find
