cigarette.
'Tired!' she screamed.
John Rourke looked at the Rolex; the exterior of the crystal was steamed so he smudged it away with his right Јlove, then studied the time. It was eight-thirty. A good time for a party, he thought—the shank of the evening.
He leaned against the pine trunk, staring down into the valley, the wind behind him now) the sweater pulled down from covering his head, his leather jacket unzipped and wide open. The Bushnell Armored Xs focused under his hands as he swept them across the valley floor. A town—a perfect town, nothing changed. A blue-grass band was playing in the town square, strains of the music barely audible in the distance; children played behind a crowd of spectators surrounding the band; a car moved along the far side of the town, its lights setting a pattern of zigzags in the shadows where the streetlights didn't hit.
For an instant only, Rourke questioned his own sanity, then dismissed the idea.
He was sane; it was what he saw that wasn't sane.
He took out one of his dark tobacco cigars, rolling it across his mouth between his teeth to the left corner, then letting the Bushnell binoculars dangle down from the strap around his neck. He found his lighter, and
flicking the Zippo, touched the tip of the cigar nearly into the flame.
Drawing, he felt the smoke in his lungs as he inhaled.
He and Natalia and Paul had often talked about it—a world gone mad; but beneath him now, on the valley floor, was a world that hadn't changed. Was that madness? He closed his eyes, listening to the music. . . .
Comfortable with his leather jacket open^-he would have worn it now if he had been hot because it concealed the twin stainless Detonics .s—he rode the Harley into the town, his Python and the hip holster hidden in his pack, the CAR-still wrapped in the blanket. At least it would take a reasonably knowledgeable curious person to determine that it was a gun.
He could hear the music more clearly now as he passed a small school; the facility would handle perhaps three hundred students, he decided. From the high ground inside the lip of the valley, he had seen most of the town in relief against the valley floor, but the details had been lost. Now he could see it more clearly. No evidence of looting, bombing, fire,s—nothing that showed there had ever been a war. The Night of the War hadn't touched this place.
He felt like Hilton's very British hero, entering Shangri-La and leaving the storm behind him.
'The storm,' he whispered to himself. Both literally and figuratively, a storm.
He stopped his Harley-Davidson Low Rider for a stop sign; a police car was across from him at the other side of the four-way stop.
Rourke ran his fingers through his hair, then gave the cop a wave and a nod as he started. The police prowl car moved slowly, the policeman lighting his dome light,
looking but saying nothing as Rourke passed the vehicle.
Rourke chewed down on the burned out stub of his cigar now. Reaching the end of a storybook residential street, he turned left after slowing for a yield sign, a public library on his right as he started toward the lights of the square. A young girl wearing a dress sat on the steps of the library building, with a boy of the same age sitting beside her, the two talking.
The boy looked up, and Rourke gave him a nod, driving on. He passed the post office; the street angled slightly toward the town square.
He stopped the Harley beside the curb, staring at what he saw. It was just as he'd seen it from above—a band flaying, some younger people dancing, clogging or step-dancing, children running and playing, some tugging on their mothers—perhaps two hundred people in all around the square.
He turned off the key for the Harley. He couldn't help himself as he sat there, listening to the music, but hearing different music—a song he and Sarah had always called their own song, danced to so many times. In the faces of the strange children, Rourke saw the faces of his own. What he couldn't stop, what he felt—tears—a world gone.
Had Sarah seen him, he smiled, she would have thought he was almost human.
. . .
The blue-grass band had stopped, and a record player was humming through the loudspeakers; there was the scratching sound of a needle against plastic, then a country song, and through a momentary niche in the wall of humanity surrounding the center of the square he saw more children—girls in green-and-white plaid dresses with short skirts and petticoats that made the skirts stand
away from their legs, the oldest of the girls perhaps twelve, the youngest looking to be Annie's age—five or so.
Boys in green slacks and white shirts and green bow ties—only a few boys (hough—stood beside them, all in a rank. They started dancing; clogging, it was called.
Rourke srnelled something, then turned and looked to his right. A gleaming truck, the kind that would come to factories to bring coffee and doughnuts and hamburgers, was parked at the edge of the square.
He saw a sign above the open side that formed a counter—the sign read, COKE.
Rourke walked toward the truck. A little girl passed him, coming from the truck, a half-eaten hot dog in her right hand, yellow mustard around her mouth and dribbling down her chin.
Rourke automatically felt his pockets. He still carried his money clip—but was there anything in it? 'Yes,' he murmured. Something just hadn't made him give away or throw away money. He pulled out a ten and walked over to the truck.
'What]] ya have, mister?''''
