“Why can’t you wait for the promised time? Surely, then, SUM will re-create you two in the same generation.”

“I’d have to live out this life, at least, without her,” I say, looking away also, down to the highroad which shines through shadow like death’s snake, the length of the valley. “Besides, how do you know there ever will be any resurrections? We have only a promise. No, less than that. An announced policy.”

She gasps, steps back, raises her hands as if to fend me off. Her soul bracelet casts light into my eyes. I recognize an embryo exorcism. She lacks ritual; every “superstition” was patiently scrubbed out of our metal-and- energy world, long ago. But if she has no word for it, no concept, nevertheless she recoils from blasphemy.

So I say, wearily, not wanting an argument, wanting only to wait here alone:

“Never mind. There could be some natural catastrophe, like a giant asteroid striking, that wiped out the system before conditions had become right for resurrections to commence.”

“That’s impossible,” she says, almost frantic. “The homeostats, the repair functions--”

“All right, call it a vanishingly unlikely theoretical contingency. Let’s declare that I’m so selfish I want Swallow Wing back now, in this life of mine, and don’t give a curse whether that’ll be fair to the rest of you.”

You won’t care either, anyway, I think. None of you. You don’t grieve. It is your own precious private consciousnesses that you wish to preserve; no one else is close enough to you to matter very much. Would you believe me if I told you I am quite prepared to offer SUM my own death in exchange for It releasing Blossom-in- the-Sun?

I don’t speak that thought, which would be cruel, nor repeat what is crueller: my fear that SUM lies, that the dead never will he disgorged. For (I am not the All-Controller, I think not with vacuum and negative energy levels but with ordinary begotten molecules; yet I can reason somewhat dispassionately, being disillusioned) consider— The object of the game is to maintain a society stable, just, and sane. This requires satisfaction not only of somatic, but of symbolic and instinctual needs. Thus children must be allowed to come into being. The minimum number per generation is equal to the maximum: that number which will maintain a constant population.

It is also desirable to remove the fear of death from men. Hence the promise:

At such time as it is socially feasible, SUM will begin to refashion us, with our complete memories but in the pride of our youth. This can be done over and over, life after life across the millennia. So death is, indeed, a sleep.

—in that sleep of death, what dreams may come

No. I myself dare not dwell on this. I ask merely, privately: Just when and how does SUM expect conditions (in a stabilized society, mind you) to have become so different from today’s that the reborn can, in their millions, safely be welcomed hack?

I see no reason why SUM should not lie to us. We, too, are objects in the world that It manipulates.

“We’ve quarreled about this before, Thrakia,” I sigh. “Often. Why do you bother?”

“I wish I knew,” she answers low. Half to herself, she goes on: “Of course I want to copulate with you. You must be good, the way that girl used to follow you about with her eyes, and smile when she touched your hand, and—But you can’t be better than everyone else. That’s unreasonable. There are only so many possible ways. So why do I care if you wrap yourself up in silence and go off alone? Is it that that makes you a challenge?”

“You think too much,” I say. “Even here. You’re a pretend primitive. You visit wildcountry to ‘slake inborn atavistic impulses’… but you can’t dismantle that computer inside yourself and simply feel, simply be.”

She bristles. I touched a nerve there. Looking past her, along the ridge of fiery maple and sumac, brassy elm and great dun oak, I see others emerge from beneath the trees. Women exclusively, her followers, as unkempt as she; one has a brace of ducks lashed to her waist, and their blood has trickled down her thigh and dried black. For this movement, this unadmitted mystique has become Thrakia’s by now: that not only men should forsake the easy routine and the easy pleasure of the cities, and become again, for a few weeks each year, the carnivores who begot our species; women too should seek out starkness, the better to appreciate civilization when they return.

I feel a moment’s unease. We are in no park, with laid-out trails and campground services. We are in wildcountry. Not many men come here, ever, and still fewer women; for the region is, literally, beyond the law. No deed done here is punishable. We are told that this helps consolidate society, as the most violent among us may thus vent their passions. But I have spent much time in wild-country since my Morning Star went out—myself in quest of nothing but solitude—and I have watched what happens through eyes that have also read anthropology and history. Institutions are developing; ceremonies, tribalisms, acts of blood and cruelty and acts elsewhere called unnatural are becoming more elaborate and more expected every year. Then the practitioners go home to their cities and honestly believe they have been enjoying fresh air, exercise, and good tension-releasing fun.

Let her get angry enough and Thrakia can call knives to her aid.

Wherefore I make myself lay both hands on her shoulders, and meet the tormented gaze, and say most gently, “I’m sorry. I know you mean well. You’re afraid She will be annoyed and bring misfortune on your people.”

Thrakia gulps. “No,” she whispers. “That wouldn’t be logical. But I’m afraid of what might happen to you. And then—” Suddenly she throws herself against me. I feel arms, breasts, belly press through my tunic, and smell meadows in her hair and musk in her mouth. “You’d be gone!” she wails. “Then who’d sing to us?”

“Why, the planet’s crawling with entertainers,” I stammer.

“You’re more than that,” she says. “So much more. I don’t like what you sing, not really—and what you’ve sung since that stupid girl died, oh, meaningless, horrible!—but, I don’t know why, I want you to trouble me.”

Awkward, I pat her back. The sun now stands very little above the treetops. Its rays slant interminably through the booming, frosting air. I shiver in my tunic and buskins and wonder what to do.

A sound rescues me. It conies from one end of the valley below us, where further view is blocked off by two cliffs; it thunders deep in our ears and rolls through the earth into our bones. We have heard that sound in the cities, and been glad to have walls and lights and multitudes around us. Now we are alone with it, the noise of Her chariot.

The women shriek, I hear them faintly across wind and rumble and my own pulse, and they vanish into the woods. They will seek their camp, dress warmly, build enormous fires; presently they will eat their ecstatics, and rumors are uneasy about what they do after that.

Thrakia seizes my left wrist, above the soul bracelet, and pulls. “Harper, come with me!” she pleads. I break loose from her and stride down the hill toward the road. A scream follows me for a moment.

Light still dwells in the sky and on the ridges, but as I descend into that narrow valley I enter dusk, and it thickens. Indistinct bramblebushes whicker where I brush them, and claw back at me. I feel the occasional scratch on my legs, the tug as my garment is snagged, the chill that I breathe, but dimly. My perceived-outer-reality is overpowered by the rushing of Her chariot and my blood. My inner-universe is fear, yes, but exaltation too, a drunkenness which sharpens instead of dulling the senses, a psychedelia which opens the reasoning mind as well as the emotions; I have gone beyond myself, I am embodied purpose. Not out of need for comfort, but to voice what Is, I return to words whose speaker rests centuries dust, and lend them my own music. I sing:

“—Gold is my heart, and the world’s golden, And one peak tipped with light; And the air lies still about the hill With the first fear of night; “Till mystery down the soundless valley Thunders, and dark is here; And the wind blows, and the light goes, And the night is full of fear. “And I know one night, on some far height,
Вы читаете Goat Song
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×