deliberate and controlled. I had the impression she was watching Tristram carefully, glancing sideways at him as she held his arm.
We entered the terminal fornix of the reef, a deep cathedral-like chamber from which a score of galleries spiralled off to surface like the arms of a galaxy. In the darkness around us the thousands of rays hung motionlessly, their phosphorescing stings flexing and retracting like winking stars.
Two hundred feet away, on the far side of the chamber, Raymond Mayo and the chauffeur emerged from one of the galleries. They waited there for a few moments. Suddenly I heard Tony shouting out. Raymond dropped his spear-gun and disappeared into the gallery.
Excusing myself, I ran across the chamber. I found them in the narrow corridor, peering around in the darkness.
‘I tell you,’ Tony was insisting. ‘I heard the damn thing singing.’
‘Impossible,’ Raymond told him. They argued with each other, then gave up the search for the mysterious song-ray and stepped down into the chamber. As we went I thought I saw the chauffeur replace something in his pocket. With his beaked face and insane eyes, his hunched figure hung about with the nets of writhing rays, he looked like a figure from Hieronymus Bosch.
After exchanging a few words with Raymond and Tony I turned to make my way back to the others, but they had left the chamber. Wondering which of the galleries they had chosen, I stepped a few yards into the mouth of each one, finally saw them on one of the ramps curving away above me.
I was about to retrace my steps and join them when I caught a glimpse of Aurora’s face in profile, saw once again her expression of watchful intent. Changing my mind, I moved quietly along the spiral, just below them, the falls of sand masking my footsteps, keeping them in view through the intervals between the overhanging columns.
At one point I was only a few yards from them, and heard Aurora say clearly: ‘Isn’t there a theory that you can trap rays by singing to them?’
‘By mesmerizing them?’ Tristram asked. ‘Let’s try.’
They moved farther away, and Aurora’s voice sounded out softly, a low crooning tone. Gradually the sound rose, echoing and re-echoing through the high vaults, the rays stirring in the darkness.
As we neared the surface their numbers grew, and Aurora stopped and guided Tristram towards a narrow sun-filled arena, bounded by hundred-foot walls, open to the sky above.
Unable to see them now, I retreated into the gallery and climbed the inner slope on to the next level, and from there on to the stage above. I made my way to the edge of the gallery, from which I could now easily observe the arena below. As I did so, however, I was aware of an eerie and penetrating noise, at once toneless and all- pervading, which filled the entire reef, like the high-pitched sounds perceived by epileptics before a seizure. Down in the arena Tristram was searching the walls, trying to identify the source of the noise, hands raised to his head. He had taken his eyes off Aurora, who was standing behind him, arms motionless at her sides, palms slightly raised, like an entranced medium.
Fascinated by this curious stance, I was abruptly distracted by a terrified screeching that came from the lower levels of the reef. It was accompanied by a confused leathery flapping, and almost immediately a cloud of flying rays, frantically trying to escape from the reef, burst from the galleries below.
As they turned into the arena, sweeping low over the heads of Tristram and Aurora, they seemed to lose their sense of direction, and within a moment the arena was packed by a swarm of circling rays, all diving about uncertainly.
Screaming in terror at the rays whipping past her face, Aurora emerged from her trance. Tristram had taken off his straw hat and was striking furiously at them, shielding Aurora with his other arm. Together they backed towards a narrow fault in the rear wall of the arena, which provided an escape route into the galleries on the far side. Following this route to the edge of the cliffs above, I was surprised to see the squat figure of the chauffeur, now divested of his nets and gear, peering down at the couple below.
By now the hundreds of rays jostling within the arena almost obscured Tristram and Aurora. She reappeared from the narrow fault, shaking her head desperately. Their escape route was sealed! Quickly Tristram motioned her to her knees, then leapt into the middle of the arena, slapping wildly at the rays with his hat, trying to drive them away from Aurora.
For a few seconds he was successful. Like a cloud of giant hornets the rays wheeled off in disorder. Horrified, I watched them descend upon him again. Before I could shout Tristram had fallen. The rays swooped and hovered over his outstretched body, then swirled away, soaring into the sky, apparently released from the vortex.
Tristram lay face downwards, his blond hair spilled across the sand, arms twisted loosely. I stared at his body, amazed by the swiftness with which he had died, and looked across to Aurora.
She too was watching the body, but with an expression that showed neither pity nor terror. Gathering her skirt in one hand, she turned and slipped away through the fault–
The escape route had been open after all! Astonished, I realized that Aurora had deliberately told Tristram that the route was closed, virtually forcing him to attack the rays.
A minute later she emerged from the mouth of the gallery above. Briefly she peered down into the arena, the black-uniformed chauffeur at her elbow, watching the motionless body of Tristram. Then they hurried away.
Racing after them, I began to shout at the top of my voice, hoping to attract Tony and Raymond Mayo. As I reached the mouth of the reef my voice boomed and echoed into the galleries below. A hundred yards away Aurora and the chauffeur were stepping into the Cadillac. With a roar of exhaust it swung away among the sets, sending up clouds of dust that obscured the enormous abstract patterns.
I ran towards Tony’s car. By the time I reached it the Cadillac was half a mile away, burning across the desert like an escaping dragon.
That was the last I saw of Aurora Day. I managed to follow them as far as the highway to Lagoon West, but there, on the open road, the big car left me behind, and ten miles farther on, by the time I reached Lagoon West, I had lost them completely. At one of the gas stations where the highway forks to Vermilion Sands and Red Beach I asked if anyone had seen a cerise Cadillac go by. Two attendants said they had, on the road
I decided to try her villa and took the fork back to Vermilion Sands, cursing myself for not anticipating what had happened. I, ostensibly a poet, had failed to take another poet’s dreams seriously. Aurora had explicitly forecast Tristram’s death.
Studio 5, The Stars, was silent and empty. The rays had gone from the drive, and the black glass door was wide open, the remains of a few streamers drifting across the dust that gathered on the floor. The hallway and lounge were in darkness, and only the white carp in the pool provided a glimmer of light. The air was still and unbroken, as if the house had been empty for centuries.
Cursorily I ran my eye round the friezes in the lounge, then saw that I knew all the faces of the figures in the panels. The likenesses were almost photographic. Tristram was Corydon, Aurora Melander, the chauffeur the god Pan. And I saw myself, Tony Sapphire, Raymond Mayo, Fairchild de Mille and the other members of the colony.
Leaving the friezes, I made my way past the pool. It was now evening, and through the open doorway were the distant lights of Vermilion Sands, the headlights sweeping along the Stars reflected in the glass roof-tiles of my villa. A light wind had risen, stirring the streamers, and as I went down the steps a gust of air moved through the house and caught the door, slamming it behind me. The loud report boomed through the house, a concluding statement upon the whole sequence of fantasy and disaster, a final notice of the departure of the enchantress.
As I walked back across the desert and last streamers were moving over the dark sand, I strode firmly through them, trying to reassemble my own reality again. The fragments of Aurora Day’s insane poems caught the dying desert light as they dissolved about my feet, the fading debris of a dream.
Reaching the villa, I saw that the lights were on. I raced inside and to my astonishment discovered the blond figure of Tristram stretched out lazily in a chair on the terrace, an ice-filled glass in one hand.
He eyed me genially, winked broadly before I could speak and put a forefinger to his lips.
I stepped over to him. ‘Tristram,’ I whispered hoarsely. ‘I thought you were dead. What on earth happened down there?’
He smiled at me. ‘Sorry, Paul, I had a hunch you were watching. Aurora got away, didn’t she?’
I nodded. ‘Their car was too fast for the Chevrolet. But weren’t you hit by one of the rays? I saw you fall, I
