jumped into the dirty water and began to swim toward the retreating vessel, yelling as he went.
“You bring that boat right back here! Do you hear me?
His absurd behavior had trebled the crowd on the dock. The wooden structure was creaking, sending up a warning to those perched on it that it would not be wise to perch there much longer. The warning was, however, ignored. And the noisier the crowd became, the more people emerged from the Great Head to see what was going on.
“You know, Candy,” Tropella said, “I don’t want another hurried good-bye—”
“But if I’m going to go without being noticed, this would be a smart time to do it?”
“Don’t you agree?”
“Absolutely,” Candy said.
Everybody’s attention was on the swimming policeman, who had managed to reach the escapee in the boat and had hauled himself onboard where—despite cries from his fellow officers that he should desist—he proceeded to harangue the boat owner, who promptly hit the policeman with an oar. The oar broke, and Officer Branx toppled over the edge of the boat like a silent comedian, sinking into the filthy water.
Consternation! Now it was the boat owner who dived in to drag the unconscious man up out of the water, mindful, no doubt, of what the penalty would be if the overzealous officer drowned. The dowsing had shocked Policeman Branx out of his unconscious state however, and as soon as he surfaced, the altercation began afresh. The two men struggled and flailed in the water for a while, during which time Candy—having exchanged the very briefest of farewells with the Sea-Skippers—slipped away through the crowd toward the door of the Yebba Dim Day.
As she went she glanced over her shoulder, so as to have one last glimpse of her friends to fix in her head; just in case Mischief was overly optimistic in his beliefs, and none of them ever met again.
But Mischief had long gone, and all four Skippers had already leaped into the water and dived down under the boats so as to escape the harbor undetected.
Candy experienced a sudden and acute sense of loss. She felt utterly and painfully alone. Without John Mischief, how would she get by in this strange world?
It wasn’t that she felt the need to turn around and go home. There was nothing for her back in Chickentown, or at least nothing that she wanted. She hated her father. And her mother, well, she just made her feel empty. No, there was nothing for her there. But coming here, entering this strange New World, was like being born again.
A new life, under new stars.
So it was with a curious mingling of anticipation and heavy heart that she pressed against the flow of the crowd and eventually brought herself through the doors and into the city that stood on the Straits of Dusk.
13. In the Great Head
Candy had always prided herself upon having a vivid imagination. When, for instance, she privately compared her dreams with those her brothers described over the breakfast table, or her friends at school exchanged at break, she always discovered her own night visions were a lot wilder and weirder than anybody else’s. But there was nothing she could remember dreaming—by day or night—that came close to the sight that greeted her in The Great Head of the Yebba Dim Day.
It was a city, a city built from the litter of the sea. The street beneath her feet was made from timbers that had clearly been in the water for a long time, and the walls were lined with barnacle-encrusted stone. There were three columns supporting the roof, made of coral fragments cemented together. They were buzzing hives of life unto themselves; their elaborately constructed walls pierced with dozens of windows, from which light poured.
There were three main streets that wound up and around these coral hives, and they were all lined with habitations and thronged with the Yebba Dim Day’s citizens.
As far as Candy could see there were plenty of people who resembled folks she might have expected to see on the streets of Chickentown, give or take a sartorial detail: a hat, a coat, a wooden snout. But for every one person that looked perfectly human, there were two who looked perfectly
Among those who passed her as she ventured up the street were creatures which seemed related to fish, to birds, to cats and dogs and lions and toads. And those were just the species she recognized. There were many more she did not; forms of face that her dream-life had never come near to showing her.
Though she was cold, she didn’t care. Though she was weary to her marrow, and lost—oh so very lost— she didn’t care. This was a New World rising before her, and it was filled with every kind of diversity.
A beautiful woman walked by wearing a hat like an aquarium. In it was a large fish whose poignant expression bore an uncanny resemblance to the woman on whose head it was balanced. A man half Candy’s size ran by with a second man half the first fellow’s size sitting in the hood of his robe, throwing nuts into the air. A creature with red ladders for legs was stalking its way through the crowd farther up the street, its enormous coxcomb bright orange. A cloud of blue smoke blew by, and as it passed a foggy face appeared in the cloud and smiled at Candy before the wind dispersed it.
Everywhere she looked there was something to amaze. Besides the citizens there were countless animals in the city, wild and domesticated. White-faced monkeys, like troupes of clowns, were on the roofs baring their scarlet bottoms to passersby. Beasts the size of chinchillas but resembling golden lions ran back and forth along the power cables looped between the houses, while a snake, pure white but for its turquoise eyes, wove cunningly between the feet of the crowd, chattering like an excited parrot. To her left a thing that might have had a lobster for a mother and Picasso for a father was clinging to a wall, drawing a flattering self-portrait on the white plaster with a stick of charcoal. To her right a man with a firebrand was trying to persuade a cow with an infestation of yellow grasshoppers leaping over its body to get out of his house.
The grasshoppers weren’t the only insects in the city. Far from it. The air was filled with buzzing life. High overhead birds dined on clouds of mites that blazed like pinpricks of fire. Butterflies the size of Candy’s hand moved just above the heads of the crowd, and now and then alighted on a favored head, as though it were a flower. Some were transparent, their veins running with brilliant blue blood. Others were fleshy and fat; these the preferred food of a creature that was as decadently designed as a peacock, its body vestigial, its tail vast, painted with colors for which Candy had no name.
And on all sides—among these astonishments—were things that were absurdly recognizable. Televisions were on in many of the houses, their screens visible through undraped windows. A cartoon boy was tap-dancing on one screen, singing some sentimental song on another, and on a third a number of wrestlers fought: humans matched with enormous striped insects that looked thoroughly bored with the proceedings. There was much else that Candy recognized. The smell of burned meat and spilled beer. The sound of boys fighting. Laughter, like any other laughter. Tears, like any other tears. To her amazement, she heard English spoken everywhere, though there were dozens of dialects. And of course the mouth parts that delivered the words also went some way to shape the nature of the English that was being spoken: some of it was high and nasal, a singsong variation that almost seemed about to become music. From other directions came a guttural version that descended at times into growls and yappings.
All this, and she had advanced perhaps fifty yards in the Yebba Dim Day.
The houses at the lower end of The Great Head, where she was presently walking, were all red, their fronts bowed. She quickly grasped why. They were made of boats, or the remains of boats. To judge by the nets that were hung as makeshift doors, the occupants of these houses were the families of fishermen who’d settled here. They’d dragged their vessels out of the cool evening air, and taken a hammer and crowbar to the cabins and the deck and hold, peeling apart the boards, so as to make some kind of habitation on land. There was no order to any of this; people just seemed to take whatever space was available. How else to explain the chaotic arrangement of vessels, one on top of the other?
