another I know this, that my books know me and love me. When of a morning I awaken I cast my eyes about my room to see how fare my beloved treasures, and as I cry cheerily to them, ‘Good-day to you, sweet friends!’ how lovingly they beam upon me, and how glad they are that my repose has been unbroken.”5
AT SAKS, Gilkey was in a world of tasteful luxury. He had been assigned to work in the Men’s Store on the first floor, in “men’s furnishings,” where meticulously folded garments of fine cottons, silks, and wools sat in floor- to-ceiling glass-fronted wood cabinetry. He would start his day checking the floor, clearing away any detritus left by the previous day’s shoppers. He would stroll past hand-stitched Borrelli shirts (starting around $350) and Etro ties ($130 and up), and chat with fellow workers. Because it was the holidays, when Saks customers can’t seem to get enough luxury goods, the floor was usually packed. They needed extra help, “floaters,” to work in various departments, which is why Gilkey was hired. He enjoyed the job and took special pleasure in spying local socialites and celebrities, such as Ann Getty and Sharon Stone, who was then married to
In addition to consulting Gilkey about their purchases, customers sometimes asked to open instant credit accounts. He would dutifully take down their information—names, numbers, addresses, and so on—and when they would tell him that they needed higher credit limits, he would call the business office and communicate their requests. When the office checked a customer’s credit rating and decided to grant a more generous limit, increasing it from, say, $4,000 to $8,000, Gilkey noticed.
This was a part-time job, only two or three days a week, but even if Gilkey had been working full-time, his salary would never have afforded him what he wanted. One day, while he was opening a new account for a customer, he realized what he held in his hands.
It was not long before Gilkey realized that he had yet another source for credit card information. In those days, customers’ entire credit card numbers were printed on receipts. Each receipt included a copy for the customer and a copy for the auditing department at Saks. Salespeople were asked to cross out the number on the customers’ copies, but the audit copies remained fully intact. According to Gilkey, when salespeople were rushed, they sometimes threw away copies, so even if, from time to time, he were to forget to turn one in, it would not be noticed.
Gilkey didn’t use the information to buy anything right away. He needed to wait enough time so that customers notified of fraudulent activity wouldn’t trace the last use of their cards back to Saks. He would save the account numbers for a rainy day. Holding off spending, he harvested five to ten receipts a week.
5
Spider-Man
Ken Sanders Rare Books is located on the edge of downtown Salt Lake City in a four- thousand-square-foot former tire shop endowed with high ceilings and abundant sunlight. The store is chockablock with so much old, beautiful, and bizarre printed matter—books, photographs, broadsides, postcards, pamphlets, maps—that a quick in-and-out trip takes more willpower than the average book lover can summon. The first time I visited, Sanders, dressed in jeans and a Hawaiian shirt, showed me around.
Standing near the entrance, he gestured toward a room to the left, where he keeps the rarest of his books. Although he is not religious, many of these are Mormon texts. This is Utah, after all, where demand for such books is high, and as he reminded me, he needs to make a living. Next, he directed my attention to the glass case separating the rare book room from those who might be inclined to tuck a nice little volume into the waistband of their pants (a common hiding place for book thieves). Inside the case were several books he loves: first editions of Ginsberg, Burroughs, Ferlinghetti, and Kerouac, in a display Sanders had set up the week before for the fiftieth anniversary of the publication of Ginsberg’s
Sanders led me to the main part of the store. In addition to more than a hundred thousand books and other materials (“If it’s printed, it’s here”), there are busts of Mark Twain and Demosthenes, cardboard cutouts of R. Crumb characters, and headless mannequins modeling T-shirts printed with characters from Edward Abbey’s
“To have that kind of anchor . . . They probably saved my own sanity at certain points in my life,” he said. “It’s not easy for any single parent to raise children, whether it’s a mom or dad, it’s just more unusual for it to be the father. I have no regrets. I probably raised them like wild wolves, but I did the best I could. Melissa still remembers the summer I dragged them through Death Valley when it was a hundred and thirty-seven degrees. I made them get out of the car and walk in the sand dunes. ‘Dad tried to kill my brother and me,’ she says.”
Sanders will tell me this story several times, always with a proud and mischievous grin.
Next to the counter sat a gathering of armchairs and a few red plastic glasses left over from the evening before. At about five P.M. every day, Sanders offers wine, bourbon, and beer from a small fridge next to the counter to friends who drop by. One of those friends, “Captain Eddie,” digital artist Edward Bateman, told me that the bookstore is the nexus of Salt Lake City’s counterculture. I could see why. Sanders’s store has the appeal of an eccentric great-aunt’s attic, where in every corner you might just happen upon treasure. Add to that his raconteur’s charm, and it’s no wonder the store is a favored gathering spot. With the hum of slow-moving fans in the background, writers, authors, artists, and filmmakers sip and reminisce about recent readings in the store, the best of them raucous literary happenings, while Sanders starts planning the next one. Around them, the R. Crumb characters, the busts, and the faces of the Monkey Wrench Gang seem like ghostly participants in the conversation. On the wall behind the counter hangs a large portrait of Sanders that a friend of his painted. “I call it my Dorian Gray,” he says. “I’ve always wanted to get those Disney eyes for it—to watch the store.”
The store could use them. Before my visit, during our first phone conversation, Sanders had mentioned the Red Jaguar Guy, and during the tour, when I asked for details, he gave me a look that said,
“It’s actually an embarrassing story. For six years I’ve been leading the charge against theft—how booksellers can protect themselves from credit card fraud—and this punk-ass kid in his twenties gets me. ‘Ryan’ comes into the store and tells me that he and his father are selling books online and being real successful at it. Over the next week or so he buys some copies of the