Horrified, he took out a tape measure, and found a difference at the thickest point of nearly half an inch. He went to his desk, searched through his papers, found an example of his signature from 1935 on a carbon copy of an immigration form, and wrote his name again next to it. His new ‘Egon Loeser’ slumped broad and clumsy compared to the old. Lust had deformed his body. He couldn’t sign a cheque without confessing it. There was a Venetian proverb from around the time of Lavicini: ‘The first sin is to be born desperate.’
After seven years, he still thought about Marlene Schibelsky a lot. The memory of his last girlfriend seemed to have chased him around the world as doggedly as Loeser himself had chased Adele. This was partly, of course, because she was the last woman he’d slept with, and the most enjoyable ever, but also because Loeser, unlike the reader of a biography, did not have the luxury of referring back to an earlier chapter to remind himself of the circumstances of his parting from Marlene, and so he had allowed himself to patch the narrative into something a bit more — well, sorrowful and noble, to use Scramsfield’s conjunction. All memories, after all, were implausible ghosts, bad historical novels, as tawdry and convenient as Signor da Vinci in
Loeser’s favourite book in Blimk’s shop, where he spent most of his afternoons, was still
His amity with Blimk was of an unfamiliar kind. They’d never been drunk or hungover together; they had no one to gossip or complain about; and they were of such different backgrounds that they didn’t feel even secretly competitive. In other words, they had brought together none of the essential constituents of a friendship, and yet the result was still recognisably a friendship, which to Loeser was by definition an avant-garde achievement, like Duchamp’s urinal. When he was still living back at the Chateau Marmont, it was only really out of boredom that he had first got into the habit of visiting the shop, but Blimk had seemed to appreciate the company. Now, they often sat reading together for hours at a time inside a companionable silence so sturdy that customers looked almost apologetic when they had to interrupt it to buy a book. On Sundays, to Loeser’s faint disbelief, they played tennis.
In April the previous year, word had reached Blimk that H.P. Lovecraft had died of intestinal cancer at his aunt’s house in Providence. By that time, diligent as a seditionist, Blimk had collected nearly all the fiction Lovecraft had ever published, swapping decade-old issues of
But of course it was wrong to assume that, as with some obsolete make of spark plug, the production of ghosts had been discontinued. There could be ghosts in new places, in airports and automats and amusement parks. Loeser had become aware of his own ghost within a week of moving into Gorge’s spare bungalow in Pasadena. In the middle of the night, he had been awoken from a dream about pencils by a thumping and scratching above his head, loud and wild as if something was about to smash through the ceiling. Terrified, he pulled on a dressing gown, got a torch from the kitchen, and went out on to the patio to see what was on the roof. But there was nothing there. When he went back to his bedroom, the thumping had stopped, but a few hours later, just as he’d finally calmed down enough to doze off, it started again, even louder. He slept on the sofa that night, hearing only the snores of the icebox motor. The following morning, he decided he ought to venture out as usual — this was when he hadn’t yet run out of ideas for how he might find Adele — so it wasn’t until he got home that evening, and made a thorough investigation of his bedroom, that he discovered what the ghost had left for him: a pair of dark stockings, expensive ones, stuffed down behind the headboard of his bed like the discarded cocoons of two great pedigree silkworms. Doing his best to be sceptical, he tried to think of other ways they could have got there. But all the doors and windows had been locked when he went out and they still were when he got home. The house had no secret tunnels. There was no way any human being could have got in. And ever since then, he had heard the same thumping and scratching about once a week, and found a physical deposit from the ghost in some odd hidden place about every few months. They were almost always feminine in nature, which is how he’d decided the ghost itself was a woman. He didn’t want to bring it up explicitly with Woodkin in case Woodkin thought he was a lunatic, but he had at least managed to ascertain that the house had never had any female tenants, murdered or otherwise.
Were ghosts moored to structures, he sometimes wondered, or to spatial coordinates? If he had his house jacked up on wheels and towed to Venice Beach like that house he’d once seen on Sunset Boulevard, would the ghost be dragged with it, or would it continue inanely to haunt the same triangle of land even after it was empty? If you could have a ghost ship, could you have a ghost tram? Could the ghost be Scramsfield’s fiancee, the one he’d strangled to death in that Boston art gallery, passed on to Loeser by some ritual invocation over the champaggne?
He decided to open his post. The first letter was his monthly cheque from the Cultural Solidarity Committee of California. The second was from Achleitner. And the third was from Blumstein. He hadn’t heard from the director since he’d left Berlin.