“I am the police, remember? Plus, there’s nothing they would be able to do.”

“But these men tried to break in and they’ve shot at you, for God’s sake.”

“I know,” Bronson said patiently, “but the reality is that we have no clue who they are, and the only physical evidence we’ve got—assuming they weren’t stupid enough to drop their wallets or something outside the house—is a forced door, a broken window and a couple of bullet holes.”

“But you’ve got that pistol. Can’t the police trace . . . ?” Mark’s voice died away as he realized the futility of what he was suggesting.

The kind of people who break into houses never carry weapons that can be traced.

They may be criminals, but they’re not stupid.

“But we’ve got to do something, ” Mark protested.

“We will,” Bronson assured him. “In fact, we are already.” He pointed to the exposed stone above the fireplace. “Once we’ve found out what that means, we’ll probably know why a couple of bad guys were prepared to break in here waving pistols. More important, we might be able to work out who sent them.”

“What do you mean?”

“My guess is those two men were just a couple of thugs, employed for the job. Even if we’d caught them, they probably wouldn’t know anything, more than the specific orders they’d been given. There’s a plan behind whatever’s going on here, and that’s what we need to understand if we’re going to make any sense of this. But that inscription’s at the very heart of it.”

IV

Just outside Rome, Rogan pulled the car to a halt in the parking area and switched off the engine. Alberti was huddled in the passenger seat next to him, moaning and clutching his shattered arm. Rogan had driven as quickly as he could—stopping only once, to call Mandino and explain what had happened—but it had taken them the better part of an hour to reach their destination. Alberti’s pain was obvious, but still Rogan wished he’d shut up.

“Give it a rest, will you? We’re here. In a couple of minutes they’ll slide a needle into your arm and when you wake up it’ll all be over.”

He got out of the car, walked around and pulled open the passenger door.

“Don’t touch me,” Alberti said, his voice hoarse and distorted, as he struggled out of his seat, levering himself up using only his left arm.

“Stand still,” Rogan ordered. “I’ll take off your holster. You can’t go in wearing that.”

Rogan eased his companion’s jacket off his shoulders, unbuckled the strap and removed the holster.

“Where’s your pistol?” he asked.

“What?”

“Your Browning. Where is it? In the car?”

“Hell, no,” Alberti gasped. “I was holding it when I went in through the window.

It’s probably inside the house somewhere.”

“Oh, shit,” Rogan said. “That’s all we need.”

“What’s the problem? The weapon’s clean.”

“I know that. I also know it’s got a full magazine, which means the son of a bitch who did this to you is now armed, and I’ve still got to go back there and finish the job.”

Rogan turned away and pointed toward the low-lying building, ablaze with lights, on the opposite side of the parking lot.

“There you go,” he said. “The emergency admissions section is on the right-hand side. Tell them you had a bad fall or something.”

“OK.” Alberti stumbled away from the car, still gripping his right arm.

“Sorry about this,” Rogan murmured quietly. He drew his own pistol and with a single fluid movement released the safety catch, pointed the weapon at the back of Alberti’s head and pulled the trigger.

The other man fell lifeless to the ground as the sound of the shot echoed off the surrounding buildings. Rogan stepped forward, turned over the body, avoiding looking at the shattered red mess that was all that was left of his companion’s head, and removed his wallet. Then he got back in his car and drove away.

A couple of miles down the road, Rogan stopped the car in a turnout and rang Mandino.

“It’s done,” Rogan said, as soon as Mandino answered.

“Good. That’s the first thing you’ve got right today. Now, get back to the house and finish the job. I need you to find that missing stone.”

10

I

“I think we need help.”

Bronson and Mark were sitting over breakfast in the kitchen the following morning.

“You mean the police?” Mark asked.

Bronson shook his head. “I mean specialist help. This house has been standing for about six hundred years, but I think that stone’s a hell of a lot older, maybe a couple of thousand years, otherwise why use Latin for the inscription? If it was contemporary with the house, I’d have expected it to be written in Italian. We need someone who can tell us what the Latin means, and why it’s so important.”

“So who do you—oh, you think Angela could help us?”

Bronson nodded, somewhat reluctantly. His former wife was the only person he knew who had any connection with the world of antiquities, but he wasn’t sure how she would react if he approached her. Their separation had been less than amicable, but he hoped she’d regard this problem as an intellectual challenge and respond professionally.

“She might, I hope,” Bronson said. “I know Latin inscriptions on lumps of stone are well outside her field of expertise, but she’ll certainly know someone at the British Museum who could help. She knows some Latin herself, because she specializes in first- to third-century European pottery, but I think we need to talk to an expert.”

“So what? You’ll call her?”

“No. She probably wouldn’t answer if she saw my cell phone number on her phone.

I’ll send her a couple of photographs in an e-mail. I hope she’ll be curious enough to open that.”

Bronson went up to his bedroom and returned with his laptop. He double-clicked the first image and angled the screen so that Mark could see it as well.

“We need to pick out two or three maximum,” he said, “and make sure they show the inscription clearly. How about this?”

“It’s a little blurred,” Mark said. “Try the next one.”

Within five minutes they’d selected two pictures, one taken from a few feet away and indicating the stone’s position in relation to the wall itself, and the second a close-up that showed the inscription in some detail.

“They should be fine,” Mark said, as Bronson composed a short e-mail to his ex-wife, explaining where the stone was and how they’d found it.

“It’ll take her a while to reply,” Bronson guessed.

But he was wrong. Just more than an hour later, his Sony emitted a musical double-tone indicating that an e-mail had been received. It wasn’t from Angela, but from a man named Jeremy Goldman, and was a couple of pages in length.

“Listen to this,” Bronson said. “As soon as she saw the pictures, Angela sent them off to a colleague—an ancient-language specialist named Jeremy Goldman. He’s supplied a translation of the Latin, but it’s exactly the same as we’d already worked out: ‘Here lie the liars.’ ”

“So that was pretty much a waste of time,” Mark commented.

“No, it’s not. He’s also given us some information about where the stone may have come from. First, he looked at the inscription itself. He doesn’t know what the ‘liars’

were, but he’s suggested the word might have referred to books or texts, something like that, some documents that whoever carved the inscription believed were false.

“He doesn’t think the text refers to a grave, because it’s the wrong verb. He thinks it just means something that’s been hidden or secreted somewhere. The letters, he says, were fairly crudely carved and their form suggests

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