The First Apostle

Bronson lifted out the object, carried it carefully over to the end of the dining table and put it down gently. It appeared to be a green-glazed pottery jar, the outside decorated with a random pattern, and fitted with two ring handles. There wasn’t a lid, but the opening was plugged with a flat wooden stopper, its circumference coated with what looked like wax to form an airtight seal.

“It looks like a Roman or Greek skyphos, ” Angela said, examining the pot carefully.

“That’s a kind of two-handled drinking vessel. This is exactly what we should have expected, given the second verse of the Occitan inscription.”

“Let’s open it,” Bronson said, picking up the penknife again.

“No, hang on a minute. Remember what else the verse said: Within the chalice all is naught, And terrible to behold. What if that refers to something physically dangerous inside the pot? Perhaps some kind of poison?”

Bronson shook his head. “Even if this was stuffed full of cyanide or something when it was hidden, the possibility of it still being viable after six hundred years is virtually nil. It would have decayed centuries ago. Anyway, I don’t think the verse means the vessel contains something dangerous in that sense. It says whatever it contains is ‘terrible to behold.’ That suggests it’s something dangerous to look at, and that probably means forbidden knowledge or a terrible secret.”

“But the jar is clearly very old and it’s possible that sudden exposure to the air might destroy the contents,” Angela objected.

“I know,” Bronson said. “But whatever’s inside that pot was indirectly responsible for the deaths of both Jackie and Mark, and possibly Jeremy Goldman as well. I’m not prepared to wait around for weeks for some man in a museum to open it under controlled conditions. I’m going to take a look inside it right now.”

“OK,” Angela said, “but just wait a few seconds. We should photograph the stages in finding and opening this.”

She pulled a compact digital camera out of her pocket and took several shots of the sealed pot, and a couple of the cavity in the floor.

“Go ahead,” she said. “Unseal the lid.”

Bronson took his pocketknife and carefully cut away the wax seal. He waited while Angela took another two pictures, then used the point of the knife blade to ease up the wooden stopper. It was stiff so he had to lift it by stages, but finally it came out of the neck of the vessel. Again Angela took pictures, before he removed the stopper completely, and then snapped a further image looking down directly into the pot.

“Before you reach inside it,” Angela said, “wrap your fingers in a handkerchief or something. The moisture on your hands could damage whatever’s in there.”

“OK,” Bronson replied, doing as she instructed. “Here we go.” He reached inside the jar and pulled out a small cylindrical object.

Angela gasped.

“Be careful,” she said urgently. “It looks like an intact papyrus scroll. That’s an incredibly rare find. Hold it for a second.”

She trotted across the room, picked up a seat cushion from one of the dining chairs and put it on the table. “Rest it on that,” she instructed.

“How rare, exactly?” Bronson asked, placing the relic where she indicated.

“Scrolls are fairly common, but it’s the condition that matters. Over the centuries most scrolls, including those from sites like Qumran—you know, the Dead Sea Scrolls—have largely disintegrated. Papyrologists have had to study individual fragments and attempt to reconstruct entire scrolls piece by piece, trying to match up tiny slivers of papyrus.”

“I didn’t know papyrus could last that long—so how old do you think it could be?”

“Give me a minute, will you? It’s not like looking inside a modern novel. Scrolls don’t have publication dates.” She drew a chair closer to the table and took a pair of latex gloves from her pocket.

“You’ve come prepared,” Bronson observed.

“I’m always prepared,” she said, “at least for some things.”

For some time she didn’t touch the relic, just looked at it, turning the cushion this way and that to reveal different areas of the scroll. Although her specialization was ceramics, it was obvious to Bronson that she knew quite a lot about early documents as well, and that it was a necessary part of her job. After a couple of minutes she leaned back in the chair.

“Right, from what I can tell it’s early, precisely because it is a scroll. Scrolls normally had writing on only one side of the papyrus, though some later examples have been found with writing on both. This scroll looks as if it has text on one side only, so that’s another indication that it’s an early document.

“One of the obvious problems the ancients discovered,” Angela went on, carefully checking the inside of the pottery vessel on the table, “was that the only way to find out what was written on a scroll was to open it and read the text, which is why someone invented the sittybos. That was a tag attached to the handle of the scroll to identify it to the reader or seller, and they used it the way we use the writing on the spine of a book these days. I’ve just checked the pot, and there’s no sign of one in there, and there’s nothing on the scroll itself.”

“Which means what?” Bronson asked.

“Nothing very significant, just that there’s probably not a lot written on the scroll. It suggests it’s not what you might call a commercial document, that it’s not a known text, which probably would have a sittybos attached. It’s more likely to be a private text of some sort. I’m happy to take a quick look at it, but it’s not my field and, no matter what you think, this should be examined by an expert.”

Carefully, Angela opened the scroll, just far enough that she could see the first few lines of characters, then gently closed it again.

“It’s written in Latin,” she said, “and the letters are unusually large. I think the text is continuous, which also suggests it’s early. Later writing would normally include both a spatium—that’s a gap between the verses—and a paragraphus, a horizontal line under the beginning of each new sentence.”

“So how old do you think it is?” Bronson asked, as they both bent forward over the dining table, their backs to the door, staring at the relic.

“If I had to guess I’d say second or third century A.D. It’s got to—”

Angela screamed as someone grabbed her arm. She was pulled violently backward away from the table and slammed into the wall beside the door.

Bronson spun around. He’d heard no footsteps, no noise of any kind.

A heavily built man wearing a light gray suit had grabbed Angela and pinned her against the wall. But it was the other man who held Bronson’s attention, or rather the semiautomatic pistol he was holding in his right hand. Because it looked to Bronson as if he knew exactly how to use it.

19

I

“You’re wrong,” the big man in the gray suit corrected Angela. His English was fluent and almost devoid of any accent. “It’s first century.”

“Who the hell are you?” Bronson demanded, silently berating himself for not checking that all the doors and windows had been locked.

Bizarrely, the man holding Angela could almost have been a banker or a businessman, judging by his appearance—immaculate suit, highly polished black loafers and neat, well-cut dark hair. Until, that is, Bronson looked into his eyes. They were black, and as cold and empty as an open grave.

In contrast to his companion, the man holding the gun was wearing jeans and a casual jacket. Bronson guessed these were probably the men who’d broken into the house. And killed Mark Hampton and Jackie and possibly Jeremy Goldman as well.

Anger rose in him like a tide, but he knew he had to remain focused.

“Who we are isn’t important,” the bigger man said. “We’ve been looking for that”—he gestured toward the scroll on the table—“for a very long time.”