and I flew for days in a little two-seater open-cockpit plane over the Mayan jungle in Mexico; we had been asked to photograph the ruins of Chichen Itza for the first time from the air, and in doing so we’d discovered other ruins as well.

Aside from the archaeological significance, for me this trip had been noteworthy because finally, after we parted ways with Juan and Betty, we had much-needed time alone; precious time, away from adoring eyes and expectations and ceremony and the hectic bustling of my family. Only when Charles and I were alone—which usually meant aloft in the sky, seeing the world in a way no one else could—did I ever feel as if I was truly his partner, and not just an adoring appendage standing slightly off to his side. Seated behind Charles but sometimes taking over for him whenever he grew tired, my hand was sure on the stick as I piloted the Lone Eagle over jungles and mountains.

Two years ago I had been just another Smith coed, unable to make up her mind about anything. Now here I was in the sky, charting new paths, breaking records—pushing myself in ways I never would have without him. How on earth did mere mortals live? Soaring, dipping, waggling the wings of the plane, I felt nothing but pity for the girls I had gone to school with. They had settled down on earth into dull, ordinary lives. They had married dull, ordinary men.

But it was on the ground, camping beneath the Mexican sky, that I began to know my husband—not the famous aviator or my schoolgirl crush. He told me stories of camping alone on the banks of the Mississippi River in Minnesota when he was a boy, his father never around to accompany him, for C. A. Lindbergh was a congressman by then, away in Washington most of the time. Although he rarely spoke of his father, I got the sense that there was something missing between them; some break in their relationship. His mother he spoke of with more affection.

“She raised me,” Charles said one sultry evening, amid the cackling of macaws, the sudden, surprising scampering of tiny lizards in the underbrush around us—a setting so strange and exotic, yet it was merely stage dressing; my attention was firmly fixed, as always, on my astonishing husband. “My mother and my uncle. My father wasn’t quite—responsible in that way. And my stepsisters, well—I won’t get into it all. Of course, that’s one reason why I married you.”

“What do you mean?”

“You’re from such a fine family, with good blood. No irregularities—our children will be pure.”

“Charles! You make me sound like a broodmare! As if that was the only reason you married me!” I laughed, craning my head to look up at him.

He smiled down at me, touched the tip of my wide nose, and said, “If that was the only reason I married you, I would never have been able to get past this.”

“Oh!” I brushed his hand away, although I didn’t mind his teasing, wrapped as it was in the warm cocoon of our surprising intimacy, so far removed from others. Without our aircraft, we never would have been able to find our way back to civilization, and for the moment, anyway, I didn’t want to. “What do you mean, no irregularities? I might have a spooky great-aunt tucked away in an attic, as far as you know.”

“Do you?” The smile faded away. He was looking at me in that clinical way he sometimes did—I never failed to feel like a butterfly pinned to a specimen board.

“No, of course not!” For a fleeting moment, Dwight came to mind—over Daddy’s protests, Mother had arranged for my brother to leave Amherst for a while, after another “difficult” time, during which he again began to hallucinate. She put him in a rest home in Massachusetts and told my father to stop sending his son letters urging him to take control of his mind, as if it were only that simple.

Charles didn’t know anything other than that my brother had simply taken a leave of absence, and for the first time I decided he should not know more than that—not yet, anyway. I had never kept a secret from my husband before and didn’t quite understand why I chose to do so now; with a guilty little smile, I stirred uneasily in his arms.

He didn’t notice; his thoughts were still with his own father. “You know, he did provide me with the money to attend flight school. And I admired his principles, for he took some difficult stands during the war years. He was against our involvement; because of that, he lost his seat in Congress. But there’s really no further need to discuss him, Anne. You know all you need to know. He died a few years before my flight to Paris.”

“So he never knew how much you’ve accomplished.”

“It wouldn’t have mattered to me,” he insisted. “At least Mother has lived to see it all. As I said, she’s the one who raised me.”

I thought of his mother; Evangeline Lodge Lindbergh was a cold, distant woman with the same startling blue eyes of her son, who had sat with her brother during our wedding, a stony expression on her face. I didn’t feel that she disapproved of me, or of our marriage—rather that she simply had her own life, apart from her son’s. She seemed so removed always, refusing my repeated invitations to visit with cordial, if impersonal, letters. Yet Charles once told me that she had been quite anxious when he left for Paris, even though she scolded a photographer who asked her to kiss her son goodbye for the camera. “We Lindberghs don’t do that,” Evangeline had chided the poor man, to Charles’s delight.

And she was Charles’s caring, nurturing parent! My heart surged toward my husband, wanting to give him everything he had lacked before he met me: love, affection, the warmth and constancy of a family circle. Despite his insistence that his father’s approval wouldn’t have mattered, I felt his shoulders heave, as if shifting a burden, and I couldn’t help but remember Dwight. It seemed to me that sons always needed the approval of their fathers. Much more than daughters.

We stared into the fire, or up at the stars, which, now that I had proved my mastery over them, were given back to me as objects of fascination and wonder once more. I could enjoy their beauty and trust in their discretion as they observed a man and a woman come together as husband and wife.

And this was the greatest gift that aviation could ever give me; not the sense of freedom but the sense of permanence, coupling, of being absolutely worthy, absolutely necessary to the one person in the world who hadn’t needed anyone. Before.

I even, at his urging, recited a few of my poems. Although I was so far removed from my previous life I couldn’t have mapped it even with a sextant, my words came back to me readily; those same words I had always insisted I could not remember. But for my husband and lover, I could. And watching Charles’s face as he listened, his brow faintly creased, his eyes soft and thoughtful in the firelight, I heard my words as if for the first time, and believed that there was something in them. Something fine, something incipient; some talent worth pursuing.

He was silent for a long while after I finished; then he nodded once, slowly. “Sometimes,” Charles said, his voice ragged with astonishment, “I can’t remember what my life was like before I met you.”

I was overwhelmed with this unexpected gift. My husband rarely spoke of his emotions or even his moods; I had learned to navigate them by instinct, just as I had learned to navigate his plane. His silences could be frosty, intended to shut me out; I knew this by a certain way he set his mouth, a stubborn tilt of his chin. But more and more in the months since our marriage, I had felt his silences to be welcoming. It was as if he was standing by an open gate, waiting for me to walk through it to join him, allowing me all the time in the world.

“I can’t, either,” I assured him, touching the cleft in his chin that I so loved. He gently kissed my finger, then pulled me to him until all I could see were his eyes, all I could hear was his heart, which he guarded almost as watchfully as he guarded me. And I knew I never wanted that trip to end. I wanted to keep singing him songs with my poems, like Circe; to remain flying above the rest of the world, untouchable, like Icarus.

But we did have to come back—down to earth! Standing in the Guggenheims’ drawing room, we were an ordinary, if extraordinarily celebrated, man and wife; intrepid explorers alone in the world no longer. The tinkling of glasses, the throaty laughter of society matrons, the ridiculous questions of those who had never traveled except in first class on a luxury liner—all signaled we were back in civilization; what a deceitful, disappointing word!

The Great Aviatrix—after first making sure the entire room overheard her discussing motors with my husband—finally remembered my presence. Nearly as tall as Charles, she smiled down at me with a patronizing air.

“That’s a very pretty frock.” Her voice sounded brighter, more musical; more suited to the nursery than to the airfield.

“Thank you.”

“Tell me, Anne, have you ever read A Room of One’s Own?

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