I told him my son was lost on Everest and that I was going to find him, but of course it’d been months and I hadn’t heard any good news, so he was dead. But I’d be damned if I was going to let my son’s pose for eternity like a movie prop in Everest’s death zone so that overprivileged jetsetters could get an extra thrill off of him. I was climbing to claim my son’s body—if I could find him, if I could pick-axe his remains free from the mountainside—and bring him home.

But yeah, asshole, I’ll try to have grand old time all the way up.

Sea-Level

Lazaro and I had five good years together, during which time he told me almost nothing about his life prior to our reconnecting. I didn’t take it personally. He wanted to sever himself from his childhood the way a lizard drops its tail to escape a predator. Whatever his past was, Lazaro wanted nothing to do with it.

I didn’t pry. I figured he would tell me when he was ready.

But he never became ready. Instead, he anchored his life to the present, to me. And that happened to be more or less exactly what I wanted. I couldn’t go back and be the father he’d never had growing up, but as consolation prizes go, this was the next best thing.

I’m a historian. I should have known better. Histories never stay severed. Like the tail of a lizard, they grow back.

Mountain

There was exactly one guide who would attempt something as stupid as try to descend Everest with a dead in tow. He had a Nepalese name but a British accent. To dumb-ass tourists like me he went by Roger.

His main suggestion was that we needed as many Sherpas as I could afford to help search for Lazaro. I could sell all of my extra mountaineering equipment at Base Camp to the rich and underprepared. There’s where I’d get top dollar.

“I was hoping it’d just be you and me,” I told him. “I don’t really want a lot of people around.”

He sighed. “Imagine a needle in a haystack,” he said. “Now douse the haystack with water, and stick it in an industrial freezer until it’s a solid hump of ice. Now remove all the oxygen from the freezer. Now put fifty kilos of equipment on your back. Now go get that needle.”

Point taken. But what would I tell all those Sherpas? How could I instruct them what to look for without them thinking I was crazy?

But truly, what frightened me more was the prospect that they’d actually believe me. The Sherpa brand of Buddhism is animist enough that, when I told them what they were looking for, they might accept it as true. Accept it, and then get the fuck off Everest.

Aphotic Zone

I was leaving for Lukla in four days. My equipment had already left. It was too soon for adrenaline but too late to think of anything else. I sat in my living room and didn’t read and didn’t watch TV and didn’t turn on the lights. My own little bathyal region.

Doorbell. I had ordered a pizza. I opened the door and it was Dolores.

She was twenty-five now, if that; there was nothing fifty-five about her. She was dressed for a Texas May: naked as the law allowed. Her was muscled and sleek, like a gazelle’s. Her hair was a corona. And that smile. That tilt of the head.

“Oh my,” she said. “It’s so good to see you, Enrique.”

She was so composed. She was waiting for me to digest what I was seeing. But there was mischief there too, that evil sense of humor, even at a time like this. It really was her.

When I didn’t speak, she said, “I told you I’d be back one day. So here I am, love. I’m back.”

I didn’t respond, and she watched me for a long time not responding. Her face drained of mirth. “In the note?” she said like a question. “You got my note, right?”

“I burned it on the stove,” I said.

“Ah.” Then she laughed. “Now was that any way to treat me, after what we shared? You wouldn’t even read my explanation?”

“Treat you? You left me, Dolores.”

“And I explained why in the note, love. It was quite necessary. That’s why I left it—so you would understand.”

“You’re the one who needs to understand. Seeing that Dear John on the pillow, it … it ruined me, Dolores. Until Lazaro came into my life I was in ruins.”

She came close, then hooked her arms around my neck, and I let her. Hers was not the my remembered. It fit foreignly against me.

“Have you been working out, love?” she asked, lips puckered puckishly.

“Apparently not as much as you,” I said. And then: “Lazaro. I assume you know?”

“That’s why I’m here, love. To help you. To save him.”

Oh. Oh no. I suddenly felt tired and old. Whatever my own feelings about seeing her again were, I couldn’t let her think her son was still alive, not after he’d been missing for months at the top of Everest. “Dolores, I’m not going to try to rescue Lazaro. I’m going to claim his body. Lazaro is dead.”

“No, love.”

“Dolores, listen—”

“—He’s not,” she interrupted. But her expression was not that of a mother in denial; she looked at me pityingly, her mouth sagging with remorse. “There’s so much I need to tell you.”

She always could be a little condescending. And that helped me remember my anger. I broke our embrace. “What the hell makes you think I want to talk to you? You left me, Dolores. I thought we were going to get married. You left without a trace.”

I could see she was about to remind me again that I had burned her note. But instead she metronomed her head to the other shoulder, smiling ruefully. “Do you hate me?”

“I think I do.”

“I can tell you don’t.”

I sighed. “Maybe not yet. I’m still in shock. But I almost certainly will hate you. So let’s talk before the hatred sets in and I refuse to ever speak to you again.”

She came close again and hugged me to her and stood on her toes, allowing our breath to mix between our noses like a storm front. “Later, love,” she said. “First, let’s make up a little.”

Sea-Level

Lazaro’s most recent film, The Aphotic Ghost, was nominated for an Oscar in short documentary a year ago. It chronicled a new species of jellyfish over 150cm in diameter, a superpredator by bathepelagaic standards. As it fluttered about the lightless ocean depths, its took on a vaguely pentangular shape, but with its five points rounded off. It looked almost like an undulating chalk outline, and its blue-white bioluminescence made it positively spectral: thus the name.

Lazaro’s footage was gorgeous, unbelievably intimate. Jellyfish usually squirt away from lights and cameras as fast as they can, but the aphotic ghost—enormous, tremulous, poisonous, ethereal—let Lazaro swim along with it and gather images that were not only scientifically priceless but commercially lucrative.

It was me he took to the Academy Awards show. When he won the Oscar, the shot cut to me for three seconds. The caption read “Montenegro’s Father.” Not Thomaston, but Montenegro. By this point he’d taken my surname.

Mountain

“Why do you want to climb Everest?” I asked Lazaro.

“I’m always in the water,” he said. He went over to the fish tank he’d convince me to get. It was a saltwater tank two meters in diameter specially made for jellyfish: a Kreisel model with a constant flow of water whisking the jellies around like a slow-moving washing machine. That’s exactly what it looked like: a futuristic upright jellyfish washer.

I looked up from my book. “So now you want to go to the highest point on Earth because… it’s the farthest place from sea level?”

He smiled ruefully. “Something like that.”

“Seems to me like the ocean’s been good to you.”

He turned back to the tank and watched the jellies spin. Sometimes the tank looked to me like a bird’s-eye

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