It is May 27: the anniversary of Joseph Roth’s death. He died three years before in Paris, of alcoholism and sorrow. Roth was a fierce and prophetic observer of the Nazi regime during its early years. In 1934, he wrote: “What swarmings of people in this world, an hour before its end!”
Two men board a tram. Thinking it might be their last journey, they watch avidly as the streets of Prague rush past the window. Then again, they might have chosen to see nothing, to think about nothing, gathering their concentration by blocking out the outside world… but I doubt it. They’ve been on the alert for so long it’s become second nature. Boarding the tram, they automatically check out the appearances of all the other male passengers: who gets on and off, who stands in front of each door. They can tell instantly who’s speaking German, even at the other end of the carriage. They note the vehicle in front of the tram, and the one behind it, and how far away they are. They spot the Wehrmacht motorbike and sidecar as they overtake on the right; they glance at the patrol going back up the pavement; they note the two men in leather raincoats standing guard outside the building opposite… okay, I’ll stop there. Gabcik is also wearing a raincoat, but although the sun is shining it’s still cool enough for him not to attract unwanted attention. Or perhaps he’s carrying it on his arm? He and Kubis have dressed smartly for the big day, and each grips a heavy briefcase.
They get off somewhere in Zizkov, the district named after the legendary Jan Zizka, the greatest and most ferocious Hussite general—the one-eyed man who for fourteen years resisted the armies of the Germanic Holy Roman Empire; the Taborite leader who brought down the wrath of heaven on all Bohemia’s enemies. They go to the house of a contact to pick up two bicycles. One of the bikes belongs to Aunt Moravec. On Holesovice Street, they stop to greet another lady of the Resistance—another surrogate mother who sheltered them and made them cakes: a Mrs. Khodlova, whom they wish to thank. You haven’t come to say goodbye, have you? No, not at all, we’ll come to see you soon—perhaps even today. Will you be at home? Yes, of course, please come…
When they finally get there, Valcik is already waiting for them. There is perhaps a fourth parachutist— Lieutenant Opalka from Out Distance, come to give them a hand—but his role has never been clarified, nor has his presence even been verified. So I’ll stick to what I know.
It is not yet nine o’clock. After a brief discussion, the three men go to their posts.
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It is nearly ten o’clock and Heydrich still hasn’t left for work. That evening, he must fly to Berlin for a meeting with Hitler. Perhaps he is taking particular care to prepare for it? Ever the meticulous bureaucrat, he is probably checking the documents in his briefcase one last time. In any case, it’s already ten o’clock when Heydrich takes his place in the front seat of the Mercedes. Klein starts the engine, the gates open, and the guards, right arms outstretched, salute the Protector as he passes. Then the Mercedes convertible accelerates up the road.
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While Heydrich’s Mercedes snakes along the thread of its knotted destiny, while the three parachutists keep an anxious lookout, all their senses alert, on that deadly bend of the road, I reread the story of Jan Zizka, told by George Sand in a little-known book called
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Heydrich is late. It is already ten o’clock. Rush hour is over, and Gabcik and Kubis’s presence on the pavement is becoming more conspicuous. In 1942, anywhere in Europe, two men standing alone for a long time in the same place quickly attract suspicion.
I am sure they are sure that the game is up. Each passing minute increases the risk that they will be spotted by a patrol and arrested. But still they wait. The Mercedes should have been here more than an hour ago. According to the carpenter’s records, Heydrich has never arrived at the castle after ten o’clock. Everything says he is not coming. He could have changed his route, or gone straight to the airport. Perhaps he’s already taken off, never to return.
Kubis is leaning against a lamppost, on the inside of the curve. Gabcik, on the other side of the crossroads, pretends to wait for a tram. He must have seen a good dozen pass already and he’s no longer counting. The flood of Czech workers gradually abates. The two men are more and more exposed. Little by little the hum of the city fades and the calm that descends on the curve in the road is like an ironic echo of their disastrous mission. Heydrich is never late. He’s not coming.
But obviously I wouldn’t have written this whole book if Heydrich wasn’t coming.
At half past ten, the two men are struck by lightning—or rather by the light of the sun reflected, from the hill above them, by the little mirror that Valcik has taken from his pocket. It’s the signal. He is coming. At last! In a few seconds he’ll be there. Gabcik runs across the road and positions himself at the exit of the curve, hidden by it until the last moment. Unlike Kubis, who is farther forward (unless he’s behind Gabcik, as some reconstructions claim, but that seems less likely to me), he can’t see that the Mercedes outlined against the horizon is not followed by a second car. I bet he hasn’t even given it a thought. At this moment, one single idea takes all the space in his fevered brain: shoot the target. But then, from behind, he hears the unmistakable noise of a tram approaching.
Suddenly the Mercedes appears. As expected, it brakes. But as they had feared, a tram filled with civilians is going to pass it at the worst possible moment: at the exact instant when the car reaches the part of the street where Gabcik waits. Oh well… tough shit. They have evaluated the risk of killing innocent civilians, and they have decided to take it. Gabcik and Kubis are less scrupulous than Camus’ Just Assassins, [8] but that’s because they are real people, both greater and more flawed than any fictional character.
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You are strong, you are powerful, you are pleased with yourself. You have killed people and you are going to kill many, many more. Everything you do succeeds. Nothing can resist you. In the space of barely ten years you have become “the most dangerous man in the Third Reich.” Nobody makes fun of you anymore. They don’t call you the Goat now—they call you the Blond Beast. You have undeniably moved up the hierarchy of animal species.