The Silver Swan

Oh, no. No, not at all. I'm just curious, like. It's an occupational hazard that I think we both share.' He glanced quickly sideways at Quirke with a sort of leer. They walked on. It was noon now and the sunshine was very hot, and the policeman took off his jacket and carried it slung it over his shoulder. 'I had a nose round to find out where she came from, Deirdre Hunt. Lourdes Mansions, no less. The Wards-that was her maiden name-are a tough crowd. Father worked on the coal boats, retired now-emphysema. Hasn't stopped him boozing and throwing his weight around. The mother I surmise might have been on the game, in her younger days. There's a brother, Mikey Ward, well known to the local constabulary-breaking and entering, that kind of thing. Another brother ran away to sea when he was fourteen, hasn't been heard of since. Oh, a tough lot.'

'I suppose that's why she went into the beauty business,' Quirke said.

'No doubt. Intent on bettering herself.' The policeman sighed. 'Aye-it's a shame.' They crossed again and walked up the steep slope to the gates of the park. Before them, the trees on either side of the avenue stood throbbing against a hot, bleached sky. 'Do you know the fellow she was running it with?'

'What?'

'The beauty shop.'

'No.'

'Fellow by the name of White. Bit of a wide boy, I'm reliably informed. Had a hairdresser's in the premises in Anne Street before they opened the shop.'

'Why is he a wide boy?'

'Takes risks-financial. The wife had to step in a couple of years back to keep his name out of Stubbs's. Then the hairdresser's failed.'

'She has money?'

'The wife? Must have. She's in business herself, runs a sweatshop on Capel Street, high-class fashion work at tuppence an hour.'

Now it was Quirke's turn to chuckle. 'I must say, Inspector, for a man who isn't conducting an investigation you seem to know a great deal about these people.'

The inspector treated this as a compliment, and pretended to be embarrassed. 'Arragh,' he said, 'that's the kind of stuff you'd pick up by standing on a street corner listening to the wind.' Off to their left a herd of deer stood in the long grass amidst a shimmer of heat; a stag lifted its elaborately horned head and eyed them sideways with truculent suspicion.

'Look, Inspector,' Quirke said, 'what does it matter, any of this? The woman is dead.'

The inspector nodded but might as well have been shaking his head. 'But that's just when it does matter, to me-when someone is dead and it's not clear how they came to be that way. Do you see what I mean, Mr. Quirke? And by the way,' he added, smiling, 'it was you that brought poor Deirdre Hunt to my attention in the first place-have you forgotten that?'

Quirke had no answer.

They turned back then, and boarded a bus outside the Phoenix Park gates and stood on the open platform at the back, clinging to the handrail and swaying in awkward unison as the bus plunged and wallowed its way along the quays. The inspector took off his hat and held it over his breast in the attitude of a mourner at a funeral. Quirke studied the man's flat, peasant's profile. He knew nothing of Hackett, he realized, other than what he saw, and what he saw was what Hackett chose to let him see. At times the policeman gave off a whiff of something-it was as tangible as a smell, chalky and gray-that hinted of institutions. Was there perhaps a Carricklea in his far past, too? Were they both borstal boys? Quirke did not care to ask.

He got off at the Four Courts, stepping down from the platform while the bus was still moving. A wild-haired drunk was sprawled on the pavement by the court gates, unconscious but holding tight to his bottle of sherry. Quirke sometimes pictured himself like this, lost to the world, ragged and sodden, slumped in some litter-strewn corner, his only possession a bottle in a brown paper bag.

As the bus swept away in a miasma of dirty gray exhaust smoke the inspector looked after him, smiling his fish smile, and did that Stan Laurel gesture with his hat again, flapping it on his chest in a mock-mournful, comic gesture that seemed both a farewell and-was it?-a caution.

8

PHOEBE GRIFFIN-IT HAD NOT OCCURRED TO HER TO CHANGE HER name to Quirke, and if it had she would not have done it-was unaccustomed to taking an interest in other people's lives. It was not that she considered other people entirely uninteresting, of course; she was not so detached as that. Only she was free of the prurience that seemed to be, that, indeed, must be, so she supposed, what drove gossips and journalists and, yes, policemen to delve into the dark crevices where actions tried to hide away their motives. She thought of her life now as a careful stepping along a thin strand of thrumming wire above a dark abyss. Balanced so, she knew she would do well not to look too often or too searchingly from side to side, or down-she should not look down at all. Up here, where she trod her fine line, the air was lighted and cool, a heady yet sustaining air. And this high, illumined place, sparse though it was, was sufficient for her, who had known enough of depths, and darkness. Why should she speculate about the crowd that she was aware of below her, gazing up in envy, awe, and hopeful, spiteful, anticipation?

She trusted no one.

Yet she found herself thinking, again and again, of Deirdre Hunt, or Laura Swan, and the manner of her death. The woman had been pleasant enough, in a brittle sort of way. Perhaps it was that very brittleness that had attracted Phoebe's sympathetic interest. But here she checked herself- sympathetic? why sympathetic? Laura Swan, or Deirdre Hunt, had never given her reason to think she was in need of anyone's sympathy. But she must have been in need of something, and in great need, helplessly so, to have ended as she had. Phoebe could not imagine what would have brought her to do such a thing, for even in her lowest times she had never for a moment entertained the possibility of suicide. Not that she did not think it would be good, on the whole, to be gone from this world, but to go in that fashion would be, simply, absurd.

Suicide. The word sounded in her mind now with the ring of a hammer falling on a dull lump of steel. Perhaps the fascination of it, for her, was merely that she had never known anyone personally, or in the flesh, at least-and certainly she had not known Laura Swan in anything other than appearance-who had vanished so comprehensively, who had become non-flesh, as it were, by one sudden, impulsive dive into darkness. Phoebe thought she knew how it would have been for the other woman, knifing through the gleaming black surface with lights sliding on it and plunging deep down, deeper and deeper, into cold and suffocation and oblivion. The diver would have felt impatience, surely, impatience for it all to be over and her to be done with; that, and a strange, desolate sort of joyfulness and satisfaction, the satisfaction of having been, in some paradoxical way, avenged. For Phoebe could not conceive of that young woman going to her death unless someone had driven her to it, wittingly or unwittingly, someone who now was surely suffering the cruel pangs of remorse. Surely.

It was five-thirty and the summer afternoon was turning tawny. Although her pride would not have allowed her to admit it, even to herself, this was, for Phoebe, the bleakest moment of the day, made bleaker by the sense of quickening all around her in the other shops up and down the street, where a multitude of other sales assistants were already eagerly pulling down blinds and shutters and turning the signs in the glass doors from OPEN to CLOSED. Now Mrs. Cuffe-Wilkes, the owner of the Maison des Chapeaux, came bustlingly from the back in a somehow pulsing cloud of the peach-scented perfume she wore, fluttering her eyelashes like sticky-winged butterflies and making little mmm mmm noises under her breath. She was going to a gallery opening, where a terribly talented young man was showing his latest drawings, and before that to the Hibernian Hotel for drinks and afterwards to dinner at Jammet's with Eddie and Christine Longford, among others. Mrs. Cuffe-Wilkes was a figure in society, and only the best people wore her hats. Phoebe found her amusing, and valiant in her way, and not entirely ridiculous.