For an instant, the Jesuit throbbed with rebellion, with a dull, weary anger at the piling on of weight. He let it ebb. He met Kinderman's eyes and answered softly, 'I would put it in the hands of a higher authority.'
'I believe it is there at this moment,' breathed Kinderman.
'Yes... and I would leave it there.'
Their gazes locked. Then Kinderman pocketed the handkerchief. 'Yes... yes, I thought you would say that.' He nodded, then glanced at the sunset. 'So beautiful. A sight' He tugged back his sleeve for a look at his wrist watch. 'Ah, well, I have to go. Mrs. K will be shrieking now: 'The dinner, it's cold!' ' He turned back to Karras. 'Thank you, Father. I feel better... much better. Oh, incidentally, you could maybe do a favor? Give a message? If you meet a man named Engstrom, tell him---well, say, 'Elvira is in a clinic, she's all right.' He'll understand. Would you do that? I mean, if you should meet him.'
Karras was puzzled. Then, 'Sure,' he said. 'Sure.'
'Look, we couldn't make a film some night, Father?'
The Jesuit looked down and murmured, 'Soon.'
' 'Soon.' You're like a rabbi when he mentions the Messiah: always 'Soon.' Listen, do me another favor, please, Father.' The detective looked gravely concerned. 'Stop this running round the track for a little. Just walk. Walk. Slow down. You'll do that?'
'I'll do that.'
Hands in his pocket, the detective looked down at the sidewalk in resignation. 'I know.' He sighed wearily. 'Soon. Always soon.' As he started away, his head still lowered, he reached up a hand to the Jusuit's shoulder. Squeezed. 'Elia Kazan sends regards:'
For a time, Karras watched him as he listed down the street. Watched with wonder. With fondness. And surprise at the heart's labyrinthine turnings. He. looked up at the clouds washed in pink above the river, then beyond to the west, where they drifted at the edge of the world, glowing faintly, like a promise remembered. He put the side of his fist against his lips and looked down against the sadness as it welled from his throat toward the corners of his eyes. He waited. Dared not risk another glance at the sunset. He looked up at Regan's window, then went back to the house.
Sharon let him in and said nothing had changed. She had a bundle of foul-smelling laundry in her hands. She excused herself. 'I've got to get this downstairs to the washer.'
He watched her. Thought of coffee. But now he heard the demon croaking viciously at Merrin. He started toward the staircase. Then remembered the message. Karl Where was he? He turned to ask Sharon and glimpsed her disappearing down the basement steps. In a fog, he went to the kitchen.
No Karl. Only Chris. She was sitting at the table looking down at... an album? Pasted photographs. Scraps of paper. Cupped hands at her forehead obscured her from his view.
'Excuse me,' said Karras very softly. 'Is Karl in his room?'
She shook her head. 'He's on an errand,' she whispered huskily. Karras heard her sniffle. Then, 'There's coffee there, Father,' Chris murmured. 'It ought to perc in just a minute.'
As Karras glanced over at the percolator light, he heard Chris getting up from the table, and when he turned he saw her moving quickly past him with her face averted. He heard a quavery 'Excuse me.' She left the kitchen.
His gaze shifted to the album. He walked over and looked down. Candid photos. A young girl. With a pang, Karras realized he was looking at Regan: here, blowing out candles on a whipped-creamy birthday cake; here, sitting on a lakefront dock in shorts and a T-shirt, waving gaily at the camera. Something was stenciled on the front of the T-shirt. CAMP... He could not make it out.
On the opposite page a ruled sheet of paper bore the script of a child: If instead of just clay I could take all the prettiest things Like a rainbow, Or clouds or the way a bird sings, Maybe then, Mother dearest, If I put them all together, I could really make a sculpture of you.
Below the poem: I LOVE YOU! HAPPY MOTHER'S DAY! The signature, in pencil, was Rags.
Karras shut his eyes. He could not bear his chance meeting. He turned away wearily and waited for the coffee to brew. With lowered head, he gripped the counter and again closed his eyes, Shut it out! he thought; shut it all out! But he could not, and as he listened to the thump of the percolating coffee, his hands began to tremble and compassion swelled suddenly and blindly into rage at disease and at pain, at the suffering of children and the frailty of the body, at the monstrous and outrageous corruption of death.
'If instead of just clay...'
The rage drained to sorrow and helpless frustration.
'... all the prettiest things...'
He could not wait for coffee. He must go... he must do something... help someone... try....
He left the kitchen. As he passed by the living room, he looked in. Chris was on the sofa, sobbing convulsively, and Sharon was comforting her. He looked away and walked up the stairs, heard the demon roaring frenziedly at Merrin. '... would have lost! You would have lost and you knew it! You scum, Merrin! Bastard! Come back! Come and...' Karras blocked it out.
'... or the way a bird sings...'
He realized as he entered the bedroom that he had forgotten to wear a sweater. He looked at Regan. The head was turned away from him, sideways, as the demon continued to rage.
'... All the prettiest...'
He went slowly to his chair and picked up a blanket, and only then, in his exhaustion, did he notice Merrin's absence. On the way back to Regan to take a blood-pressure reading, he nearly stumbled over him. Limp and disjointed, he lay sprawled face down on the floor beside the bed. Shocked, Karras knelt. Turned him over. Saw the bluish coloration of his face. Felt for pulse. And in a wrenching, stabbing instant of anguish, Karras realized that Merrin was dead.
