out at this point. Everyone voiced their concern for my well-being, but Axl’s comment stood out most of all. It snapped me out of my haze, actually.
“You gave us a scare,” he said slowly, looking right at me. “We thought you were dead…. I thought I’d have to look for a new guitar player.”
The next morning we boarded helicopters and flew to Oakland for the gig, and the whole time Ronnie and Earl monitored me like two hawks tracking a mouse. From there we did the L.A. Coliseum, then San Diego, which was killer: Motorhead, Body Count, Metallica, and us. We did the Rose Bowl in Pasadena after that, which was just huge, and then we ended the tour in Seattle. And after a few days, everyone realized that what I’d done was a onetime thing.
As great as that tour was, I was relieved the moment it was over. I was thankful that I didn’t have to see the Metallica guys every day anymore, considering that I was never sure of what Axl was going to do from gig to gig. That last day I felt as I had felt for the entire tour: I was elated at what we had achieved, yet bummed that it hadn’t been as amazingly stupendous as it should have been.
AT THE END OF OUR YEARLONG TOUR the biggest mistake of all came to light: we’d barely made any money. Between the union dues incurred by Axl taking the stage late night after night and the theme parties that bled us dry night after night, we had next to nothing to show for all of our hard work. Doug finally confronted Axl about the band’s spending on the Metallica tour and the fact that our profit margin had been eaten up by our excesses. I think Axl had a few suggestions as to cost cutting that wouldn’t have done much, but Doug finally got through to him: he told Axl that if he wanted to keep his nice new multi-million-dollar mansion in Malibu, he needed to earn more money.
And so Doug booked us another year of dates, starting with South America, Europe, Japan, and Australia from October 1992 through January 1993. As hard as it was to endure, Doug got no argument from the rest of us —we wanted to play. What else would I be doing anyway? And at the same time, I thought maybe things would change. I also wondered continually whether the extra tour had been booked out of concern for the band’s finances or to land Doug a hefty commission.
Before we headed out again, I got married to Renee in October 1991. We definitely didn’t do it small—it was this really big production that I had very little to do with. My only memories of planning it involve Renee showing me an endless number of books full of gifts to pick out. I couldn’t relate to any of it and my lack of interest made her very upset. The wedding took place at the Four Seasons in Marina Del Rey, with Duff as my best man, a couple hundred people, including my bandmates and crew, and a lounge band. As soon as we were married, we headed to Africa, to Tanzania, on safari for two weeks for our honeymoon. For a wildlife fanatic like me, Africa was always on the top of my list for a vacation: there I could see what I’d been reading about in books and seeing on television my whole life. I was obsessed with leopards while we were there; I’d get up at five every morning to go out on safari and get back by six in the evening. It was the greatest place in the world to forget about everything that was weighing on my mind. It’s hard to imagine that any of it matters when you’re standing in the middle of the Ngorongoro Crater far from any trace of civilization.
Before the wedding, Renee and I had a coed bachelor/bachelorette party at the Troubadour, because Renee didn’t want me to get together unsupervised with the guys. And at that little party, I ran into an old friend named Perla.
Perla and I had been introduced in Las Vegas when we were headlining the Thomas & Mack Center during the first leg of the
We exchanged numbers and kept in touch when I headed off on tour after that. Eventually she became a tenant of mine; she rented the Walnut House from me for a year and was the best tenant I ever had. It says a lot about the strength of Perla’s character that she lived there without losing her mind because that place had a detrimental effect on everyone else who lived there—myself included, I suppose.
My first tenants were two bisexual chicks that I met during one of our four L.A. Forum shows. They were in the front row and they were going at it pretty provocatively during the entire gig. I had them brought to the dressing room afterward for more of the same and we stayed in touch; I’d call them up and have them over and watch them and we’d all have a good time. I rented them the house when I was going off on tour, which seemed like a good idea, but they completely lost it—they got strung out on meth and one girl killed the other girl’s cat and then attacked her. The “victim” moved out, and then the other one moved a meth dealer into the house. I had to go over there and take care of the situation, and when I saw that one girl again I barely recognized her. My second tenant was this guy Jim who worked at a zoo as a snake keeper. I hired him to look after my snakes and eventually took him on as a tenant. Apparently he suffered some kind of meltdown too and completely lost it while living there as well. Perla was the only one who wasn’t fazed by the place—and the only one who paid her rent on time and actually enjoyed living there.
Anyway, once I’d gotten back together with Renee, and gotten engaged and all of that, I did my best to avoid Perla because I knew that there was something serious between us that I couldn’t deny. After my fight with Renee over the prenup and my OD in San Francisco, I didn’t give a fuck, however, and arranged to meet Perla at our San Diego show, just two shows before the end of the tour and just a few weeks before my wedding. We spent the night together there, and the next time I saw her was when she crashed my bachelor party. She was dangerous; there was such an attraction between us that neither of us could deny. At the same time, she was way too ambitious and energetic to get into a relationship with; she was seventeen and I was twenty-five; she was too crazy, so not in a place where I wanted to cancel my wedding to be with her. She was a real firecracker, though, and the connection was strong enough that I spent the night with her once more… the night before my wedding, in fact.
IN LATE NOVEMBER, WE SET OFF TO PLAY South America and found ourselves in the middle of sudden political unrest when we did a show in Caracas, Venezuela. Corrupt law enforcement, abundant drugs, and the world’s most dedicated and zealous crowds are the status quo across that continent, so I can’t say that I was surprised. We were scheduled to play the biggest concert in the history of the country, and since there wasn’t a venue large enough to hold the forty-five thousand ticket holders, the promoter created one in a huge parking lot. It was an amazing show, and all went off well… until the next night, when the country experienced a sudden military coup just after we left for Colombia. We made it out, but a few of our crew, and over half our gear, did not—they got held up in the chaos at the airport.
We were supposed to play two nights in Bogota, Colombia, after that, but without that huge cargo crate of equipment, it wasn’t really an option. The promoter decided to roll both nights into one show, to take place the next night, so we had a day off to relax in our hotel. The hotel was pretty huge, it was part of some kind of complex with a big movie theater downstairs, and I remember coming up the escalator and watching a Jurassic Park pinball machine emerge on the horizon as I got to the top. I’d just seen the movie and I
During our stay, word got out to the authorities that we had drugs, so, in another move typical of South America, the authorities got “warrants” to search our rooms, in hopes of finding something that might require us to buy them off, I imagine. The day of the show, the cops barged in on all of us. I had nothing; they came in, guns drawn, and found me, freshly showered, in a towel playing pinball.
“Oh, hey,” I said. “Hi!”
They showed me the warrant and started searching my room. I was pretty jovial as they tore through my stuff.
“Senor, is it okay if I keep playing?” I asked.
The show that night—November 29, 1992—was pretty magical; it was one of those moments that you can’t believe is happening even as you watch it all unfold, even as you’re a part of it. There was a torrential rainstorm the entire day before as our crew set up; the weight of the water buckled the stage roof (which wasn’t ours), sending a lighting rig crashing to the ground. Luckily, no one was hurt. The whole stage had to be redesigned. Then the day of
