The History Man

collectivism. I hate this cost-accountancy, Marxist view of man as a unit in the chain of production. I believe the superstructure is a damned sight more important than the substructure. I think culture's a value, not an inert descriptive term.'

'Beliefs, in short, incompatible with sociological analysis,' says Howard. 'I'm not moving you. You either accept some sociological principles, or you fail, and that's your choice.' Carmody's head ducks; and in the light coming into the room from behind Howard it is suddenly apparent that there is a dangerous wetness in Carmody's eyes. He reaches his hand into the pocket of his pressed trousers, takes out a very neat handkerchief, unfolds it, shakes it, and blows his nose into it. When he has done this, he looks at Howard. He says, 'Dr Kirk, you're not being either frank or fair. You know you don't like me. I don't hold the right opinions, I don't come from the right background or the right school, I don't look right for you, so you persecute me. I'm your victim in that class. You've appointed me that. And you turn everyone there against me.' Howard swings in the red chair. He says: 'No, you're self-appointed, George. Look at the way you behave. You always come in late. You never do quite what you've been asked to do. You break up the spontaneity and style of the class. If I ask you to discuss, you read; if I ask you to read, you discuss. You bore people and offend them. There's a chill round you. Why do seminars with you in them grind away into the dust? Have you ever asked why?'

'Oh, you get me every way, don't you?' asks Carmody, leaning his back against the door, 'I fit in, or I fail. And if I try to fight back, and preserve myself, well, you're my teacher, you can tear me to pieces in public, and mark my essays down in private. Can't I exist as well?'

'You can,' says Howard, 'if you're capable of changing. Of learning some human sympathy, some contact with others, some concern, some sociology.'

'You see,' says Carmody, 'it's not my work, it's me. You're marking me. F for fail. Why won't you say it? You just don't like me?'

'What I think of you isn't the issue,' says Howard, 'I can dislike' someone's work without disliking them.'

'But it's both with me,' says Carmody, 'so why won't you let me have someone else's judgment? Someone who doesn't dislike me like this? A different teacher?'

'For the obvious reason,' says Howard, 'because I don't admit your charge. That my marking of you is unfair. That is your charge, isn't it?'

Carmody puts his head down. He says, 'I didn't come for that. You're making me say what I don't want to.' Howard gets up and looks out of the window. He asks, 'What did you come for, George?'

'I came because I've got a new tutor in English, and she looked back over all my marks and saw I was failing. I didn't know. And she told me to come and talk to you about it.'

'I presume she didn't suggest you make these accusations?'

'No,' says Carmody, 'she thought you'd help me. She doesn't know you very well, does she?'

'I don't think you do, George,' says Howard. Carmody steps forward, and puts his hands on the back of the grey chair. 'I know more about you than you think,' he says. Howard turns and looks at Carmody. 'What does that mean?' he asks. 'All right,' says Carmody, 'you're making me say this. But what do you think people outside universities would say if they knew the kinds of things you do?'

'What things?'

'Teaching politics in your classes,' says Carmody. 'Getting all the radical students to your parties, and feeling them up, and getting them involved in causes and demos, and then giving them good grades. But the ones who won't play your game, the ones like me, you give them bad grades. I've got my essays here, in my bag. I've got the things you've scribbled all over them, 'pure fascism', 'reactionary crap'. I want to know if it's right to treat me like that, treat anyone like that.'

'You've made it quite clear now, haven't you?' says Howard, 'You are accusing me. Let's be explicit.'

'I don't want to,' says Carmody, 'I just want fairness.' Howard sits on his desk and looks at Carmody. He says, 'There are many things you fail to understand, George. One of them is the right to intellectual freedom.'

'I don't know how you can say that,' says Carmody, red with anger, 'doesn't that include me? Don't I get any? That's all I'm asking you for.'

'No, you're not,' says Howard, 'you're accusing me of political bias in my marking, and threatening me with exposure if I don't improve your marks. Aren't you?' Carmody stares. He says, 'Look, give me a chance. That's all I want.'

'No,' says Howard, 'you're blackmailing me. I never want to see you in my classes again.' Carmody's eyes fill with tears. 'I'm not blackmailing you,' he says quietly. 'Of course you are,' says Howard, 'I've given your work the marks it's worth, you can't accept the judgment, so you come to me, and accuse me, and threaten me, and question my fairness and competence in every possible way. We call that blackmail.'

Carmody's hands clutch oh the back of the grey chair. He says: 'I was just asking for a chance. If you won't give it me, I'll have to ask Professor Marvin for it. I want someone else to read these essays, and see if these marks and comments are right and fair. That's all I want.'

'Well, you go to Professor Marvin,' says Howard. 'Make your complaint, and I'll make mine, and advise him about this blackmail attempt, and we'll see how it all comes out.'

'Christ,' says Carmody, 'I don't want to complain about you. You've pushed me this way.'

'But I do want to complain about you,' says Howard. Carmody bends down and picks up his briefcase. He says, 'You're crazy. This'll look just as bad for you as it does for me.'

'I don't think so,' says Howard. 'Now get out. And don't ever come to a class of mine again.'

'I think you're obscene,' says Carmody, turning and opening the door. 'George,' says Howard, 'who is your tutor in English? I'll have to advise her you're not getting any more sociology, and therefore have presumably already failed your degree.'

'You're destroying me,' says Carmody. 'I need her name,' says Howard. 'It's Miss Callendar,' says Carmody. 'Thank you,' says Howard. 'Don't bang the door when you shut it.' Carmody drags himself out of the room; the door, predictably, bangs behind him. Howard gets up off the desk, and walks to the window. After a moment he goes back to the desk chair and sits down, pulling open the second left-hand drawer of the desk, and taking out a slim book. He opens the book, finds an entry that says 'Callendar, Miss A', and opposite it a telephone number. He pulls the handset towards him, and begins to dial the number; but then a thought crosses his mind, for he stops, replaces the receiver, and gets up from the chair again. He crosses the room to his bookshelves, and finds, among the routine paperbacks on sociology, a, slim Penguin. He takes it to the desk, thumbs through its pages for a while. Then he picks up the receiver, and dials Miss Callendar's number. The telephone rings along the line; 'Callendar,' says a sharp voice at the other end. 'Hello, Callendar,' says Howard, 'Kirk.'

'Och, yes, Kirk,' says Miss Callendar, sounding very Scots, 'I've got a class in my room. I can't engage in casual conversation.'

'Oh, it's not casual,' says Howard, 'it's a serious matter of university business.'

'I see,' says Miss Callendar, cautiously, 'Of an urgent kind?'

'Very,' says Howard, 'A serious problem has arisen with one of your advisory students.'

'Could you ring me again after lunch?' asks Miss Callendar. 'I presume you take your responsibility to your students seriously?' says Howard. 'I do,' says Miss Callendar. 'I think we ought to deal with it now, then,' says Howard. 'Just a minute,' says Miss Callendar, 'I'll ask my class to step outside.' There is a small babble at the other end of the wire; then Miss Callendar returns onto the line. 'I hope this isn't part of your seductive campaign,' says Miss Callendar, 'we were right in the middle of The Faerie Queen.' 'I think you'll see this is serious,' says Howard. 'You have an advisee called George Carmody.'

'A big, fairhaired boy who wears a blazer?' says Miss Callendar. 'An unmistakable boy,' says Howard, 'the only student in this university with a trouser press.'

'I know him,' says Miss Callendar, with a giggle. 'You sent him to see me,' says Howard. 'I did,' says Miss Callendar, 'I saw him yesterday, for the first time, I looked through his marks, and found he was failing your course. I'm afraid he'd not seen his situation. I told him to come and talk to you. I said you'd assist him in every way possible.'

'Well, he came,' says Howard, 'and he tried to blackmail me.'

'My goodness,' says Miss Callendar, 'he wants you to leave some money in a phonebox?'

'I hope you're taking this seriously,' says Howard, 'it is serious.'