The Illumination

anymore, it was not a where but a when. Home was thirty-five years ago, when his parents and his sister were alive, and his bedroom walls were plastered with football posters, and his days were marked by triumph or defeat according to whether or not Becca Yeager had spoken to him at school.

He sensed that the church was grooming him for something. Seven years had passed since Pastor Bradley coaxed him into volunteering. Seven years of reflection, seven years of wandering. Seven years of trying to look through the sickness he could see in people’s bodies to the sickness the Bible said lay in their souls. Every few months he was posted to a new city where his colleagues would ask him to try his hand at a different brand of missionary work. The radio ministry, the literature ministry, the church-planting ministry. It was obvious to everyone where his talents lay—he was suited to literature, not to church-planting, and certainly not to radio. No matter how chancy the neighborhood, he could walk its streets with a stack of pamphlets and spend the day safely emptying them from his hands. He could explain the messages they contained in words that were, if not convincing, then at least clear and precisely shaded. And when they had fallen out-of-date, he could rewrite them, a task he found intimidating until he realized that preparing a religious pamphlet was simply a form of collage—splice a few Bible verses together with a story or two of sin and salvation and voila: a lesson in scripture. His true gift, it turned out, was for titles. One night he happened to hear a discussion on public radio about great works of literature and their failed early titles, and though he was listening with only half an ear, he caught the speaker saying how poorly Gone With the Wind would have been received if Margaret Mitchell had allowed it to remain Tote the Weary Load, or A Farewell to Arms if Hemingway had persisted in calling it They Who Get Shot. He examined the pamphlets that were cataloged on the church computer. The first one to meet his eye was “The Power of Prayer.” Not bad, he thought, but what if it were “God’s Line Is Always Open”? Next came “You Can Be Free from the Bondage to Offenses,” which was—let’s face it—awful. He changed it to “Which Cheek? The Other Cheek.” And then there was “Salvation: The 5 Most Asked Questions,” which, after some thought, he recast as “Go to Hell! (and How Not To).” He had done enough tampering for one night, he decided. He printed fifty copies of each pamphlet and added them the next morning to the church’s literature stand.

That Wednesday, after the evening service, he discovered that the pamphlets were all gone, every last one of them. This was in Miami, at a busy Cuban church housed in the back of a thrift shop. It seemed possible that someone had simply stolen them for scrap paper. But the next day a team of missionaries took a boxful to distribute in the Art Deco district and returned to Ryan’s room in less than an hour. They had already given out the entire assortment, they reported, and afterward, walking home, had found fewer than half of them in the trash cans lining Ocean Drive. “What we’ve got here is the milk chocolate—no, the crack cocaine—of religious tracts,” someone said to Ryan. “I’m telling you, man, you should have gone into advertising.”

For the next three weeks, until another call came and he was appointed to Boxholm, Iowa, everyone called him the Ad Man.

He had traveled the entire country during his seven years of service. He had visited tiny clapboard houses exiled at the ends of wooded roads. He had picked his way through hivelike clusters of bars and apartment buildings. He had driven through the countless nameless suburbs that went snowflaking out from big Midwestern cities, giant recurring patterns of green grass and smooth black asphalt. He must have been witness to tens of thousands of people, and over time he had formed an interest in the varieties of injury they displayed. He could have put together a book sorting their traumas into two separate lists on the basis of where they lived, one for the city and one for the country. A Comparative Taxonomy of Wounds. On any city street you could spot the pulse flares of impacted heels, in any city hospital the elongated V’s of stab wounds, while at any country fair, any minor-league baseball game, you would find skin cancer pocks like small clusters of stars, sprained knees like forks of lightning, dislocated shoulders like the torchlit rooms of ancient houses. People in the city exhibited the sickly luster of pollution rashes and the silver sparks of carpal tunnel syndrome, while in the country they wore the shimmering waves of home tattoo infections, the glowing white zippers of ligature abrasions. In the city you had your lungs and your stomach to distress you, in the country your skin and your liver, and everywhere, everywhere, there were the agonies of your head and your heart.

And yet somehow Ryan had escaped with barely a scratch.

He was convinced he had seen every disease imaginable, but one day he was in Brinkley, Arkansas, buying a bottle of water from a convenience store, when the girl at the cash register closed her eyes, planting her palms on the counter, and the entire armature of her skeleton showed blazing through her skin. Her lips shaped the numbers one, two, three, to the count of seventeen, until the pain had run its course and the light diminished.

She let the air out of her lungs and finished scanning his water bottle. Her eyes had the clarity of ice thawing in a silver tray. Nonchalantly she said, “That’ll be a dollar seventeen.”

Ryan was shaken. “Are you all right? Give me just a second—” The girl’s full name was printed on her badge: Felenthia Lipkins. “Give me just a second, Felenthia, and I’ll call the hospital.”

“It’s Fuh-lin-thia. Like Cynthia.”

“Fuh-lin-thia. Would you like me to call a doctor?”

“You said Felon-thia. Black girl working at the Superstop so I’ve gotta be a felon. Is that it?”

Her voice was salted with the cheerful testiness of someone who was merely pretending to be angry, and though he was relieved that she was feeling well enough to badger him, he never knew how to react in such situations. It was as if the claim that he had offended someone, no matter how spurious, tripped a set of switches in his head. Even if he realized he was being teased and that the appropriate response was to do some teasing of his own, he could only answer squarely, with gravity and embarrassment. “Look. I’m sorry. I didn’t mean to imply… or to infer… to suggest that—”

“Relax, man. I’m just funnin’ with you.”

“Oh. Oh, all right then.”

The hot dogs revolved in their metal carousel. The drums of the frozen Coke machine made their ocean-in-a- seashell noise. Everything was spinning.

Ryan collected his water and headed for the door.

“Hey, what about that dollar seventeen?” Felenthia Lipkins called after him, and when he did an about-face she added, “Who’s the felon now?”

A week or so later, he was distributing leaflets in the parking lot of a cafeteria, watching the windshield wipers snap into place like flyswatters and fix the papers to the glass, when from behind him a voice said, “Excuse me.” He presumed the remark was addressed to someone else. As a rule, people avoided him while he was working. Some overburdened mother could walk outside with an armload of leftovers and three crying children at her legs, and still, if she spotted him near her car, she would linger by the building until he had moved on.

“Oh, I see how it is. Black girl says excuse me, and the white man won’t even answer.”

He swung around. It was her, Felenthia Lipkins, pronounced fuh-lin, not felon, the girl whose bones showed through her skin. She was standing with a little boy, no older than two, rubbing the luminescent blotch at the corner of his eye and repeating, “Yo, yo, what’s up?” to himself, as if he had just learned the phrase and didn’t want to forget it.

Felenthia cut her eyes at Ryan. “You’re the guy who thought he could leave without paying for his water, aren’t you?”

“And you’re the girl who hates white people.”

She nodded, impressed. “Touche. What are you doing with the flyers?” He handed her one from his satchel, and she read the verse printed at the top. “ ‘Truly the light is sweet, and a pleasant thing it is for the eyes to behold the sun. Ecclesiastes 11:7.’ Well, that’s fine and all,” Felenthia said, “but you’re forgetting Ecclesiastes 11:8: ‘If a man lives many years, let him rejoice in them all, but let him remember the days of darkness, for they shall be many. All that comes is vanity.’ ”

“Wow. You know your scripture.”

“Preacher’s daughter,” Felenthia admitted, and she gave the kind of speedy little dilatory curtsey that could not be mistaken for anything but a joke. “You, though, I wouldn’t have guessed for a Christian type. Tan slacks, aftershave, gray hair in a side-cut. I was thinking businessman.”

“Well, in an earlier life, I was a stockbroker.”