Babylon Confidential

rich, luxurious lifestyle Dodi lived took the edge off, too. In certain ways his was an exceptionally passive lifestyle. Everything was done for him. There were men to drive his cars, fly his plane, cook his meals, and fold his clothes. It might have been enviable for most people, but I found it oddly unappealing.

Aboard Nabila I was exposed to the European way of drinking. We’d have long lunches with exquisite wine and food and then go on to restaurants and parties until dawn. The champagne was always flowing, and Dodi paid for everything: the flights, boat trips, clothes, meals. I realized that this was par for the course for Dodi. He would romance beautiful women, shower them with gifts, and fly them around the world. It was dazzling and exciting, but something made me pull back. I insisted that I buy my own clothes and ticket home. No matter how spectacular Dodi’s lifestyle was, I wasn’t ready to swap my newly won independence for it. I wanted to have my own career, my own money, and my own home. Before she had her own career my mother was always looking to the man who controlled the checkbook, and she never wanted me to be a housewife. She wanted me to be powerful, so that no man could control me, and that’s now ingrained in my character. I saw other women around Dodi desperately clinging to his wealth and decided that they were the antithesis of the person I wanted to be.

Around the time that I discovered my need for independence, things started going wrong with Starlets. Tony Curtis was fighting a cocaine habit, and John Hurt was battling alcoholism. It was the first time I’d ever seen anyone struggle with alcohol abuse. He was a far cry from the composed, charismatic actor I’d admired on screen. He looked haggard and run down, like a knight on the wrong side of a dragon fight.

Starlets was supposed to be a French farce taking place during the Cannes Film Festival. They got a bunch of beautiful girls from all over the world and put us up in a gorgeous mansion, and they’d drive us down to the festival to shoot scenes. The problem was that there was no script and they had no permits to shoot at Cannes, so when they ran out of money we had to go in and steal shots.

They told me to put on a beautiful, red-carpet-worthy gown and sent me onto the central stage where Clint Eastwood was receiving an award. I sneaked up behind Clint and pretended that I was there with him while one of the crew hid in the audience and filmed with a camera hidden between someone’s legs. That was the final straw for me. I was having fun on the Riviera, and there are few things cooler than hanging out on the yacht of a James Bond supervillain, but I had to get back to L.A. and get some real work. I had a career to build and I couldn’t afford to lose momentum.

Dodi didn’t quite know what to make of my wish to leave or my insistence on buying my own fare back to America. He was a jealous man, very insecure, but something in him touched me. Dodi had a childlike quality and I was very maternal in those days. I attracted men who wanted to be looked after. We talked intimately after we made love, and we decided that we would stay in touch and stay friends, but for now I needed to be my own person.

It was the last time I’d sail aboard Nabila. By the time I saw Dodi again she had been sold to Donald Trump and renamed the Trump Princess.

I’ll always be grateful to Dodi. He got me out of L.A. and took me around the world, which was just what I needed at that time. He gave me confidence in my ability to speak foreign languages, saying, “Your French is beautiful,” or “Come on, speak Italian, you can do it.” He never put me down, and he always told me I was smart and beautiful. He treated me as a princess and, because I refused to take anything from him, he also treated me as an equal. I didn’t know it then, but we would remain friends and occasional lovers until his death, more than fourteen years later, beside Princess Diana in the Pont de l’Alma tunnel in Paris.

5. COCAINE BLUES

In the ’80s the white line that ran down the middle of the Hollywood fast lane was painted on with happy dust. Everyone was doing blow, and I was no exception. I was nineteen and enjoying the attentions of a charming thirty-six-year-old Frenchman named Patrick Wachsberger, whose company produced the recent Twilight movies. I was 5?9? and a slender size six, but Patrick (pronounced Pat-REEK) was stick-thin; I could barely fit into his jeans.

In New York, they’d taught me that the skinnier you are, the closer you are to ideal beauty. Although I’d accepted the fact that I was incapable of building a career around being a human skeleton, the voices of Eileen Ford and her cronies still echoed in my head. French men like skinny women—I’d convinced myself of that, along with the notion that I had to lose more weight.

Luckily, I discovered that if you snorted cocaine you didn’t need to eat. I was a size two in no time at all. I lived on one meal a day—breakfast. The only downside was swallowing. My throat was raw from a combination of cocaine and ocean saltwater spray, the discerning user’s choice for flushing out encrusted sinuses. Add cigarettes to that and a little red wine to come down and voila, you have a gullet that struggles to swallow anything solid. I basically lived on yogurt and smoothies.

Some people take cocaine to feel powerful and confident. It had the opposite effect on me. It made me paranoid. I would become terribly self-conscious. All I wanted to do was lock myself in the bathroom and clean it from top to bottom with a toothbrush or sit down and do my taxes. So I never took cocaine for recreation. I used it as a weight-loss drug. Looking back, I suppose that spending $350 a week on a weight-loss medication might seem a little extravagant (not to mention just plain stupid), but hey, those were the days, my friend. Blow was everywhere, and that white line seemed to never end.

* * *

Before things got serious with Patrick I dated a handsome one-legged guy who worked in a shoe shop at the Beverly Center mall, and after him the hunky soap star Hank Cheyne. We went to Tortola in the British Virgin Islands and had a really fun, sexy time. Hank was plagued by the curse that comes from playing a bad guy on TV— he’d walk down the street in New York and random strangers would swear and spit at him.

I had a brief engagement to an Italian prince that didn’t work out. We had a big engagement party at the Ritz hotel in London with Michael Feinstein playing. The prince was a Six Million Dollar Man, which is not to say that he could last forever in bed, but that he’d carry three stamps in his pocket worth $6 million—talk about portable wealth. The relationship had already been in trouble because his family wanted me to give up my career, move to Italy, and churn out babies. But things came to a head when I found out that the Ferrari Testarossa that he’d given me to drive around Switzerland actually belonged to his aristocratic lover, a woman in her midforties. That and he had a fetish for girls in high heels, corsets, and garter belts—the exact outfit worn by the prostitute on his first sexual encounter. It was fun for the first few times, but he insisted that I put on the same getup every time, which wore thin quickly. At that point in my life, it was just a little too weird.

Then I had a one-night stand with George Clooney. We first met on Riptide and then later on Babytalk, a TV series that tried to capitalize on the success of the talking- baby movie Look Who’s Talking. I played the voice of one of the babies, and George played a guy who was sweet on the single mom. They still haven’t sent me my Emmy for that performance, but I live in hope. George and I hooked up after our first meeting. After shooting our scenes we went back to my place, I did some blow, we had a good time, and then he rode off into the sunset on his bright yellow Harley, mullet cut whipping in the wind. He wasn’t the George Clooney that you see now. Like a good red wine, he seems to have improved with age.

* * *

After six months of dating, Patrick and I decided to get serious, and I gave up my apartment and moved into his designer home on Sunset Plaza Drive. It was my first grown-up relationship, and there was an aspect of it that made me more than a little uneasy. Patrick had a two-year-old daughter named Justine. He told me that the child’s mother, Beatrice, lived in Paris and had a boyfriend and that he had been awarded sole custody. Patrick was always busy with movie-related business, and I could tell from the get-go that he was a hands-off parent. My worry was that he was looking for a replacement mom for Justine and had settled on me. It was an unfounded fear. Patrick had hired a nanny to help with Justine. The problem was that I was going through a period in my life in which I was more than a little baby crazy, and Justine was totally adorable. I unofficially adopted her and set my mind to raising