pitch in our money to get a disposable one sometimes.  We'd take turns

carrying it around until the film was gone.  It would take awhile for

them to actually get developed, since no one ever had enough money. But

I took these in last week.'

She handed the pictures to me one by one, flipping through most of them

quickly, explaining that she hadn't taken them and didn't know most of

the people in them.  I tried not to reveal my shock.  One group of

pictures showed girls in their bras and panties frolicking on the lap

of a hard-bodied shirtless man with a tattoo of the Tasmanian Devil on

his right pec.  The photographs didn't reveal his face, but he was

obviously an adult, and, from the looks of things, he was about as

carnivorous as the notoriously frenzied cartoon character emblazoned on

his chest.

'Those were taken when someone else had the camera,' Kendra said, by

way of explanation.

Kendra seemed to have an eye for photography.  When she finally got to

the three pictures she had taken, I could see that she'd managed to

capture a youthful, playful side of these girls that was nowhere to be

seen in the other photos.  Three of them were sitting outside in

Pioneer Square, making funny faces and forming peace signs with their

fingers over each other's heads.

'That's my friend Haley,' Kendra said, pointing to an attractive

teenage girl who was crossing her eyes and sticking out her tongue at

the camera.  Of Kendra's friends, she looked the most like a

prostitute.  I recognized her from the Tasmanian Devil pictures.

'Kendra, would you mind if I borrowed these pictures?'  I sensed that

she wanted an explanation.  'Chuck and I work with a man named Tommy

Garcia.  He's been trying to figure out who's been making girls like

Haley and your other friends give them a portion of their money.'

After some negotiation, we decided that she'd hang on to the three

pictures of her friends and I'd take the rest to Garcia.

When Kendra went to the kitchen to throw out the empty Happy Meal box,

Chuck pulled me aside.

'I was thinking about the investigation while you two were talking.

Kendra told Ray and Jack she'd know the place those guys drove her to

if she saw it, but they never took her out.  Probably thought it was

too much of a long shot.  But I want to drive her around a little over

there and see if she recognizes anything.  We can canvass for

witnesses.  Maybe someone called in a suspicious car or something.  You

never know.'

'Sure, sounds good.'  I was surprised that he wanted my input.  'You

don't need my permission to do stuff like that.'

He squinted in mock disbelief.  'Don't flatter yourself, Kincaid.  I

need you to drive us.'

It was my turn to feign misgivings.  'Something wrong with that ride of

yours?  Since when do you need me to schlep you around?'

'Why do you always have to bag on my car?  You have to admit, it's

pretty sweet.'

Chuck loved cars.  As long as I'd known him, he had always driven some

old car that he had poured his heart, soul, and wallet into to fix. For

the last few years, it had been a magnificent ruby-red 1967 Jaguar

convertible.

'You know I love that car.  I just think it would look a lot better

around someone else.  Me, for example.'

'In your dreams, Kincaid.'

'So if I can't have your car, what do you need me and my little Jetta

for?'

'Department GO says we don't put civilians in our personal vehicles

while we're on the job.  I don't want to go all the way downtown for a

duty car.  Let's just take yours.'

I looked at my watch.  It was a quarter after eight.  'And what makes

you think the DA's office doesn't have a general order saying the same

thing?'

'Because you guys don't need GO's.  Only reason cops have them is to

cover our asses now that police are getting sued left and right after

Rodney King and Abner Louima.  You lawyers are so fucking political,

you can CYA without any stupid policies.'

'Nice language.  You kiss your mother with that mouth?'

'No, but I don't remember you having any problems with it.'

'Knock it off, or you and that little smirk can drive to Texas alone

for all I care.'

'Leave the tough act for the courthouse.  You forget how well I know

you.  We both know you care, so fish out the keys to that tin can of

yours so we can go to work.'

Once again, I was left yearning for the perfect zinger.  I settled for

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