The Murder Room

forgave his wife for leaving the child alone for ten minutes. Damman was about the same age and weight, also had blond hair and a little scar on his chin. But the Philadelphia boy’s kidneys were a markedly different size, and Damman had a big freckle on his right calf. It wasn’t Steven Damman.

A Marine said it was a lost brother, one of his eighteen siblings; all eighteen proved to be alive and well. Angry ex-wives and ex-husbands swore it was their child, murdered by the dastardly “ex.” Mothers-in-law denounced vile sons-in-law. Hundreds of letters poured in from the seamy underground of the American family; each was checked. (“I know my sister must have had an illegitimate baby, and she’s the kind that would kill it.”)

Nothing.

Detectives got excited studying a photograph of refugees from the Hungarian Revolution of 1956, fleeing the Soviet conquest. A boy in the photograph was the mirror image of the dead boy. Hadn’t Krogman deducted likely European ancestry from the narrow face and high forehead? After an exhaustive manhunt, Philadelphia police found the Hungarian refugee child happily playing in a North Carolina backyard.

Detectives thought it had to be the Dudleys. The itinerant carnival couple admitted to starving to death six of their ten children as they followed the Big Top, casually dumping two bodies in Lake Pontchartrain near New Orleans, others along a West Virginia highway and in a Lakeland, Florida, mine. Detectives almost felt sorry for them while interviewing the disorganized man and his hapless wife, and had to remind themselves they were human beasts. Yes, they’d passed through Pennsylvania in February 1957. No, the boy in the morgue wasn’t theirs.

Nothing.

The comforting smell of potatoes had disappeared.

Billy was held fast by the unblinking gaze of the dead boy. It was horrid, the ghastly yellowish face like a bruised gourd with hollowed-out eyes. His heart was pounding, his hands clammy with sweat.

The eyes were a well into which he was falling, falling into blackness with no one to catch him.

His mother returned and put a hand on him, broke the spell. She quietly drove him home in the Buick through the gray February afternoon. He did not tell her what he had seen and felt. But something had changed in him. His tongue grew sharper around his parents, and bitterly sarcastic. He found friends, but while other high school cliques formed around sports or drama, his gang “didn’t care about anything but drinking and having sex . . . I was white- collar Jewish hanging out with tough, blue-collar Italians.” He began drinking and smoking. He stayed small but his fights now were more violent, with bigger kids.

He was one of the smallest kids around, the fastest runner, wiry and nasty and chin-out tough, a wiseass with an answer for everything.

Billy was no longer entertained by kicking over anthills. He got a BB gun, and when he was fifteen, he aimed the gun at the backside of another boy and pulled the trigger. The shot grazed the boy’s butt. The kid squealed like a stuck pig. It was hilarious! Billy roared with laughter.

As he grew older, he grew angrier.

The police came to his house, a five-bedroom split-level, and talked to his father. They were tired of pulling the doctor’s youngest out of scrapes, and now this. How could this happen in such a nice neighborhood, to such a good family?

Billy was still laughing. “It was just a BB gun.” He grinned. “So I shot him in the ass, big deal. I was just trying to graze him.”

The police were not amused. Billy was “ just a kid,” but teenage ruffians were no longer seen in the nostalgic, “boys will be boys” light of earlier generations.

FBI director J. Edgar Hoover declared youth crime, the new scourge of “ juvenile delinquency,” to be a national emergency brought on by family disruptions from the war and a general decline in morals. Parents fretted over traditional values under assault from rock music, materialism, and movies like James Dean’s Rebel Without a Cause. A Roper Organization survey showed Americans were more worried about youth crime than open-air atomic testing, school segregation, or political corruption.

Something was wrong, very wrong, with the sons of the new affluent America. William Heirens, from a wealthy suburban Chicago family, had collected guns at thirteen, was accepted to the prestigious University of Chicago, and became a serial killer at seventeen, scrawling in lipstick on the mirror of one of his three victims, “Stop me before I kill again!” Seymour Levin was no longer simply the neighborhood bogeyman. Psychologists said he was an example of the new, especially depraved breed known as “constitutional psychopathic inferiors”; CPIs were human monsters nobody understood, except they shared insatiable resentments and no conscience. This new generation was more violent and depraved than Al Capone’s shooters and the worst criminals of the 1920s and ’30s.

Billy’s struggles in school intensified. He was spending all his time holed up in the basement reading detective comic books. His teachers frowned upon this; it was extremely troubling in a young boy. Detective comic books were thought to be a major cause of juvenile delinquency, a theory made popular by German-American psychiatrist Fredric Wertham, a disciple of Freud. His 1954 best seller, Seduction of the Innocent, led to U.S. congressional hearings to censor the comic book industry. Wertham said that comic books filled with sex and violence turned boys into murderers.

But Billy was obsessed with cops and robbers. His favorite book was The Great Detectives, the true-life adventures of the dozen most famous sleuths in history. He admired Scotland Yard detective Robert Fabian, the “Protector of the Innocent”; Treasury agent and Capone nemesis Elmer Lincoln Irey, “The Man Who Couldn’t Be Fooled.” But he was especially fascinated by the flamboyant Eugene Francois Vidocq of nineteenth-century Paris, “The Magician of Disguise.”

Vidocq was a baker’s son born in 1775 in the south of France, survived the French Revolution as a teenager, just escaped a beheading, and during the reign of Napoleon Bonaparte became the lawman hero of Paris, the swashbuckling “father” of modern criminology.

Even more interesting to Billy, Vidocq had been a rowdy, fearless teenager nicknamed le Vautrin, “Wild Boar.” He’d killed a man at thirteen, robbed his parents at fourteen to leave home and eventually join the Army, where he fought constantly. In the Army Vidocq defeated fifteen men in duels, killed two, and deserted after striking an officer. But nothing stopped him. Vidocq was a notorious killer, con man, highwayman, prison-breaker, womanizer, and spy before turning himself into the mirror of all Western detectives. Billy was taken by one of history’s great figures of transformation and redemption.

At seventeen, college was out of the question for Billy. He planned to join the Army, where he could “get in fights all the time and get away with it.” In the future, he saw himself facing two choices: “I’ll either go to jail or become a cop.”

Billy’s favorite TV show was The Detectives Starring Robert Taylor . It starred his father’s look-alike Matt Holbrook as police captain, leading three brave detectives standing for truth and justice in a large, unnamed city. The three detectives spent all of their time tracking murderers, thieves, and other lawbreakers. They were all passionate in their search for truth—a truth they could believe in.

They were all good friends.

• CHAPTER 6 •

THE MAN WHO SAW DEAD PEOPLE

The second boy balled his fist, cocked the bicep he had been developing for just this moment, and swung a roundhouse upper-cut that crashed into his father’s skull. That’s how he’d imagined it. He’d pumped iron at age fifteen for just this moment. He was rippling with new muscles and confidence, determined his father would never hit him again without consequence. He was relieved when the old man backed down.

Now we can love each other like a father and son should.

Growing up in the tough Philadelphia river ward, Frank saw a headline in the Bulletin about the child found in a box in Fox Chase, only four or five Philadelphia neighborhoods to the north. He noticed a poster of the dead boy. But he didn’t have the luxury of thinking about anything but his own survival.