I think I was in a fairly somber mood as I walked back along Hoe Street. Something about Nicky’s tirade had brought another recent memory to the surface of my mind—Asmodeus, telling me that I was going to miss the boat because I wasn’t asking the right questions.

Everyone’s a fucking critic.

Suddenly I was dragged out of my profitless thoughts. Passing a shop, I caught my own reflection in the window, at an odd angle, and someone else was moving behind me—someone I thought for a moment that I recognized. But when I turned, she was nowhere in sight. It had looked like Rosa—the girl at Damjohn’s club, Kissing the Pink, for whom Damjohn had sent because he thought I’d like to admire her backside. Pretty unlikely that she’d be here, I had to admit, but the impression had been a really strong one all the same.

Visiting Nicky is dangerous. You can catch paranoia as easily as you can catch a cold.

By the time I got back into Central London, it was the gloomy, smoky dog-end of the afternoon. Thus runs the day away. I tried Gabe McClennan’s office again, but this time even the street door was locked.

Well then, that encounter was postponed—but not canceled. And I was left full of a restless impatience that had me striding down Charing Cross Road as though there was actually somewhere I needed to be. If it had been a few months before, I would have taken a cab over to Castlebar Hill—to the Oriflamme, which for exorcists in London is home away from home. But the Oriflamme had burned down a while back when some cocky youngblood had tried to demonstrate tantric pain control in the main bar and had set fire to himself and the curtains. There was talk of reopening elsewhere, but for the time being, it was just talk.

So I retired to a pub just off Leicester Square that used to be the Moon Under Water and was now something else, where I downed a pint of 6X and a whisky chaser to fuel my righteous wrath. Nothing was adding up here— and a job that should have been textbook-simple was developing the sort of baroque twiddles that I’d come to loathe and mistrust.

The ghost was recent. She’d lived and died in a world that already had factories, cars, and wristwatches. Okay, in theory, that could still have placed her at the turn of the century, but that wasn’t the impression I’d got. The interior trim of that car had looked very modern and very luxurious, and watches with stainless-steel bands probably didn’t even exist before the 1940s. So she didn’t come into the archive with the Russian collection. And so the thing that tied her to the building in Churchway was something different—something I’d missed in the general rush to judgment.

Of course, I didn’t really need to know who she was or who she had been—not to do the job I was being paid for. All I needed was enough of a psychic snapshot to form the basis of a cantrip, and after last night’s adventures, I already had that. So why wasn’t I breaking out the méthode champenoise round at Pen’s instead of brooding in a loud bar in Soho?

Because I was being played for an idiot—and I never did learn to take to that.

If Gabe McClennan had been at the archive, this ghost had a history that I wasn’t being told about. And if someone was scampering around the building after hours, it seemed a fair bet that they were there to keep tabs on me. Either that, or it was somebody conducting some kind of business that they didn’t want daylight to look upon. I chased my thoughts around in decreasing circles for a while before getting back to the point—which I’d been avoiding pretty strenuously.

I’d told Peele that I’d do the exorcism by the end of the week. That gave me two more days, not counting today. But I had a strong enough fix on the ghost now to weave a cantrip anytime I wanted to. The job was effectively done. I could go in tomorrow, whistle a few bars, and walk away with the rest of that grand in my pocket.

And I’d be alive and in one piece and able to do this only because the ghost had stepped in to stop me before I made that fatal misstep in the dark.

There’s a good reason why I don’t think too much about the after-life, and it’s not squeamishness. Or at least, it’s not the kind of squeamishness that would make you swerve aside from thinking about your brakes failing when you’re driving down a one-in-three cliff road—or shut off thoughts of sharks when you’re bathing in the sea off Bondi Beach.

It’s my job. Can I put it any simpler than that? It’s what I do. I send ghosts on to whatever comes next. Which means that if there’s a Heaven, say, then I’m doing a good thing, because I’m opening the door to their eternal reward. And on the other hand, if there’s no world after this one—nothing at all aside from the life we know—then I’m just erasing them. I’ve always had my own way of getting around the problem, which is by refusing to think of the ghosts themselves as human. If they’re just psychic recordings—the residues of strong emotions, left on play-and-repeat in the places where they were first experienced—then where’s the harm?

Now I could feel that particular defence crumbling and water leaking through more holes than I had fingers to plug them with.

I nursed the whisky for half an hour, then ordered another and brooded on that. And I was about to order a third when a glass appeared in front of me. It was black sambuca, and it had been served in that showy way that normally annoys the hell out of me—set on fire, with a coffee bean floating on the top—but when the woman eased herself in on the stool next to mine and leaned forward to blow out the flames, I forgot all about that.

The phrase “drop-dead gorgeous” is overused, in my opinion. Did you ever seriously look at a woman and think that your heart would stop? That the sheer intensity of her beauty threatened to burn a hole through your skull so that your brains would bleed out?

I was looking at her now.

She was tall and statuesque, where normally I go for petite and cute, but you could tell at one glance that she was the sort of woman that categories would crash and founder on. Her hair was a coal black waterfall, and her eyes were of a matching color, so intensely dark that they seemed to be all pupil. If the eyes are the windows of the soul, then her soul had an event horizon. She would have looked good with a Lady d’Arbanville snow-white pallor—good but Gothic. She was every shade in white’s spectrum, which I’d never appreciated before. Her skin was the palest ivory, her lips a darker and richer color, like churned cream. The black shirt she wore seemed to be made of many layers of some almost-sheer material, so that as she moved, it offered microsecond glimpses of the flesh beneath. By contrast, her black leather trousers showed nothing but surface contours and talked to me entirely in terms of textures. A silver chain, entirely plain, decorated her left ankle, which was crossed over her right. Black stilettos sheathed her feet.

But it was her smell that was having the strongest effect on me. For a moment, when she first sat down, it had hit me as a hot wave of rankness like the stink of a henhouse after a fox has been busy in there. Then a second later I realized I was wrong, because the smell had opened up into a thousand shades of meaning: subtle harmonies of musk and cinnamon and dew-wet summer air overlaid on sweet rose; heavy, seductive lily; and undisguised human sweat. There was even a hint of chocolate in there, and those hot, sticky boiled sweets called aniseed twists. The total effect was indescribable—the smell of a woman in heat lying in a pleasure garden that you had visited as a child.

Then those astonishing eyes blinked, slowly and languorously, and I realized that my appraisal had taken several seconds—seconds in which I had just been staring at her with my mouth slightly open.

“You had a certain look about you,” she said, as if to explain the free drink and her presence. Her voice was a deep and husky contralto; the equivalent in sound of her face. “Like a man who was reliving the past—and not really getting a lot out of it.”

I managed a shrug and then raised the sambuca in a salute. “You’re good,” I admitted, and took a long sip. The rim of the glass was still hot, and it burned into my lower lip. Good. That gave me some point of contact with reality.

“Good?” she repeated, seeming to give that a moment’s thought. “No, I’m not. Not really. You can take that as a warning.”

She’d brought her own drink over with her, too—something in a tall glass and bright red that could have been a Bloody Mary or plain tomato juice. She clinked glasses with me now and drank off half of it in one gulp.

“Given how short life is likely to be,” she said, setting the glass down and favoring me with another high- octane stare, “and how full of pain and loss and uncertainty, it’s my opinion that a man should live for the moment.”

If this was a chat-up line, it was a new one on me. I took another mouthful of her smell; I was disconcerted to find that I had an erection.

I groped for a bantering tone. “Yeah, well, normally I do. Most of the moments I’ve had today haven’t been

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