Dodson was working on thirty-two pieces when I turned to Sebastian and solemnly shook his hand.
“You’ve got a gift,” I said. He met my gaze, and understanding passed between us. What he had was a lever. Peter wasn’t going to be as free in the future with his elbows, or his fists, or his feet—not now that everyone had seen his guilt and his weakness. There wasn’t any extra charge for this; I work on a fixed rate.
I’d noticed the miserable little ghost hovering around Peter as soon as he’d come into the room. They’re harder to spot in daylight, but I’ve got a lot of experience on top of a lot of natural sensitivity, and I know what to expect in a house where they don’t keep their rowan sprigs up to date. I didn’t know what the connection was, but unless Davey Simmons had no family at all, there had to be a damn good reason why he was haunting this house rather than his own. He couldn’t get away from Peter; his soul was tangled up in him like a bird in a briar patch. You could read that in any number of ways, but Peter’s violent reaction had ruled out some of them, changed the odds on others.
Anyway, things got a bit confused after that. Dodson was yelling at me to pack up my things and get out, and spitting and spluttering about a lawsuit to follow. Peter had fled from the room, pursued by Barbara, and barricaded himself in somewhere upstairs, to judge by the bangs and yells that I could hear. The party guests milled around like a decapitated squid—lots of appendages, no brain, faintly suspect smell. And Sebastian stood watching me with big, solemn eyes and never said another word as long as I was there.
When I asked Dodson for the money he owed me for the performance, he punched me in the mouth. I took that in my stride—no teeth loosened, only a symbolic amount of bloodshed. I probably had that coming. He went for the camera next, though, and I went for it, too. Me and that Brownie went back a long way, and I didn’t want to have to go looking for another machine with such sympathetic vibes. We tussled inconclusively for a few moments for control of it, then he seemed to remember where he was—in his own living room, watched by a gaggle of his son’s best friends, whose fathers he also no doubt knew well in work or club circles.
“Get out,” he told me, his eyes still wild. “Get out of my house, you irresponsible bastard, before I throw you out on your ear.”
I gave up on the money. It wouldn’t be easy for me to argue that traumatizing the birthday boy was within my remit. I packed everything up laboriously into the four cases under James’s glaring eyes and stertorous breathing. He was suffering a kind of anaphylactic reaction to me now, and if I didn’t get out soon, he might crash and burn as his immune system tore itself apart in its desire to remove the irritation.
Out into the hall, and I caught sight of Barbara on the upstairs landing. Her face was pale and tense, but I swear she threw me a nod. With four suitcases’ worth of heavy freight, I was in no position to wave back—and it might have been tactless in any case.
It was about half past six by this time, with the November dark already settled in. Pen would be waiting for me back in her basement, eager for hard news and harder currency. Under the circumstances, I couldn’t really give her either.
The moon was three days from the dark. Like most people these days, I kept my eye on the almanac when I was planning to be out after nightfall. The dead don’t follow the phases of the moon, of course, but there are lots of nastier things that do—and the dead I can deal with, in any case.
So I drove around to Craven Park Road. It was somewhere to go, and I have to stop by the office once every couple of months if only to throw out the mail. Otherwise, the slowly accumulating weight of unpaid bills would threaten the structural integrity of the building.
Harlesden isn’t the best place in the world to put up your shingle. You have to park your car out on the main road if you want to have an even chance of it being there when you get back to it. The Yardie boys tout coke out on the street and stare you down hard if you accidentally make eye contact. And the beggars who sit exhausted in the doorways, their hollow-eyed stares spearing you like the Ancient Mariner’s as you walk by, are mostly the risen- again. Not ghosts, I mean, but those who’ve come back in the body—zombies, for want of a less melodramatic word. They’re a sad bunch, on the whole, but that doesn’t stop your flesh from crawling slightly as you walk by.
But tonight, everything was pretty quiet. Even the sign over my door was holding up pretty well. Sometimes the kids from the Stonehouse Estate come by with their airbrushes and turn the sign into something whimsical and baroque, obliterating in the process the simple, dignified face I present to the world. But tonight the words F. CASTOR ERADICATIONS stood out in all their austere clarity.
Grambas, the proprietor of the kebab house next door, was leaning in his doorway, enjoying a roll-up cigarette whose heavy smoke hung around him like a shroud. He grinned at me as I unlocked the street door, and I shot him a wink. We’ve got an understanding: he’s promised me that he won’t lay ghosts or bind demons so long as I don’t serve greasy fried food and overmatured salads.
My office is actually above the kebab house. Once inside the door, there’s a narrow flight of awkwardly high stairs that leads up, with a sharp, right-angled bend, to my second-floor premises. Pen says the stairs are high because the conversion was a weird one, swapping between three stories and four, depending on which of the original residents sold out and which ones stayed. I reckon the builders were working on margin; twenty high steps are quicker to throw up than thirty normal-size ones.
I scooped up a thick handful of mail and headed on up. Even if you’re fit, you get to the top of those steps a little breathless. I’m not fit. I kicked open the office door, breathing like a dirty phone call, and flicked on the light.
It’s not much of an office, even by Harlesden standards. Being over a kebab shop—while it has its advantages in terms of daily sustenance—tends to lend a greasy miasma to the walls, the furniture, and the air you breathe. And Pen had never made good on her promise to get me some decent furniture (although her offer still stood if I ever got even on the rent), so all I had was a Formica-topped self-assembly desk and two tubular steel chairs from IKEA. The filing cabinet was a two-drawer midget that also served as a table to hold the kettle and tea things. By way of decoration, I had six framed illustrations from
Yes, it was pathetic. But it was mine.
Or, at least, it had been.
I sat down in one of the chairs, put my feet up on the filing cabinet, and started to flick through the post. For each piece of real mail, there were two curry-house fliers and a great investment opportunity, which made progress fairly fast; not many envelopes actually needed to be opened before making the fall of shame into the already- overflowing wastepaper basket. An electricity bill, black, and a phone bill, red . . . these colors change with the seasons and are a gentle reminder of time’s passing.
I stopped short. The next envelope in the stack was pale gray and bore a return address that I recognized: the Charles Stanger Care Facility, Muswell Hill. My name was written on the front of the envelope in a pained, cramped hand in which curved lines were approximated by collections of short, angular jags. It was fractal handwriting; looking at it, you imagined that under a microscope, every stroke of the pen would open up into a thousand angled flecks of tortured ink.
Rafi. Nobody else wrote like that. Nobody sane
I opened the envelope carefully, peeling back the gummed flap rather than just tearing off one end and running my finger along. Rafi had caught me with a razor blade once, taped into the corner of the envelope. I’d almost lost the top joint of my thumb. This time, though, there was nothing except a single sheet of paper torn from a notepad. On it, in very different handwriting from that which had addressed the envelope (but still Rafi’s hand—he had several), there was a message that, if nothing else, was admirable in its brevity.
YOURE GOING TO MAKE A MISTAKE YOU NEED TO TALK TO ME BEFORE YOU MAKE A MISTAKE YOU NEED TO TALK TO ME NOW
I was still staring at the letter, unsure whether to put it into my pocket or let it fall into the basket, when the phone rang. Picking it up was a reflex action; if I’d thought about it, I would have let it lie, because it was bound to get me into a conversation that I didn’t want or need.
“Mr. Castor?”
It was a male voice, dry and harsh with an overtone of stern disapproval. It conjured up an image of a preacher with a Bible in his hand and his finger pointing at your heart.
